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Ocarina - Level 3 - Digital Download SKU: A0.1328652 Composed by Michael Praetorius (ca. 1590), F. Layriz. Arranged by songbooks.info. Early Music,Medieval,Renaissance. Score. 2 pages. Songbooks.info #916667. Published by songbooks.info (A0.1328652). Songs from the Middle Ages and the Renaissance  - notated for the Ocarina with 10/12 holes. The classic musical notation indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Ocarina is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Lieder aus dem Mittelalter und der Renaissance - notiert für die Okarina mit 10/12 Löchern. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Okarina ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
Es ist ein Ros‘ entsprungen / Lo, how a rose e'er blooming
Ocarina

$2.99 2.55 € Ocarina PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.528538 By Lady Antebellum. By Johnny Marks. Arranged by Diego Marani. 20th Century,Christmas,Country,Instructional,Jazz. Score and parts. 10 pages. Diego Marani #6195341. Published by Diego Marani (A0.528538). A Holly Jolly Christmas (also called Have a Holly Jolly Christmas) is a Christmas song written by Johnny Marks and most famously performed by Burl Ives, Lady Antebellum and Michael Bublè. The song has since become one of the Top 25 most-performed holiday songs written by ASCAP members, for the first five years of the 21st century.This arrangement for string quartet includes the following parts: Violin I, Violin II, Viola, Cello.It is suitable for classroom, repertoire and recital.
A Holly Jolly Christmas
Quatuor à cordes: 2 violons, alto, violoncelle
Lady Antebellum
$14.99 12.79 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1495406 By The Kiffness & Rushawn. By David Michael Petrie Scott and Jermaine Edwards. Arranged by Breanne De los Santos. Christian,Jazz,Multicultural,Spiritual,World. Score and part. 13 pages. Breanne De los Santos #1071916. Published by Breanne De los Santos (A0.1495406). Includes full trumpet part. This is a 13 page pdf. The first 11 pages include piano and trumpet music combined. It has a piano (melody and chords) part for the entire It's a Beautiful Day song made by The Kiffness and Rushawn. Above it is the corresponding trumpet part. Page 12-13 are the trumpet part only so that you don't have to turn pages.
It's A Beautiful Day (Reprise)
Trompette, Piano
The Kiffness & Rushawn
$10.99 9.38 € Trompette, Piano PDF SheetMusicPlus

2 · 2 · ca · 2 · 2 · cbn - 4 · 3 · 3 · 0 - timp · perc (cym) (1 player) - str mixed choir (SATB/SATB), soloists (SATB) and orchestra - intermediate - Digital Download SKU: S9.Q21223 Oratorio. Composed by Sir Michael Tippett. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 66' 0. Ernst Eulenburg & Co. GmbH - Digital #Q21223. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21223). English • German • French.The oratorio 'A Child of Our Time' was Tippett’s artistic and emotional response to the events that led to the 'Kristallnacht' pogrom of November 1938. For his oratorio Tippett used as his formal and historical models the Bach Passions and Handel’s Messiah which share with this contemporary morality the subject of the death of an individual set against the universal background of human suffering. Tippett’s use of the spiritual as a contemporary equivalent for the Lutheran chorale of the Bach settings draws his audience more closely into the drama through the spirituals’ ‘unique verbal and musical metaphor’. By 1941, when Tippett had completed the composition of his oratorio, the practicalities of staging a performance during wartime were difficult to say the least. It was, however, through the direct agency of his lifelong friends and professional colleagues, Benjamin Britten and Peter Pears, that the work was first performed in London on 19 March 1944 under the direction of the former Schoenberg pupil Walter Goehr, and with Pears himself as the tenor soloist.
A Child of Our Time
1941, when Tippett had completed the composition of his oratorio, the practicalities of staging a performance during wartime were difficult to say the least It was, however, through the direct agency of his lifelong friends and professional colleagues, Benjamin Britten and Peter Pears, that the work was first performed in London on 19 March 1944 under the direction of the former Schoenberg pupil Walter Goehr, and with Pears himself as the tenor soloist
$41.99 35.83 € PDF SheetMusicPlus






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