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Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul.  This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn.  The piece opens with sounding of the horn of Spafford’s ship as she passes over the point at which Spafford's four daughters were lost.  The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus.  The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the cross…  The horn gets the melody, evoking the sound of Spafford’s own voice, and the other instruments vividly paint the hammering of the nails.  However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spafford’s grief overwhelms him; his faith wavers as he tries to believe what he is writing.  Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well.  The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spafford’s soul at peace.  This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.
It Is Well With My Soul (When Peace Like a River)

$5.99 5.72 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.862464 Composed by Michael Bomier. 20th Century,Instructional,Jazz,Latin,Standards. Score. 2 pages. Michael Butkus-Bomier #2008569. Published by Michael Butkus-Bomier (A0.862464). The use of cut-time in Latin jazz is commonplace. Here is a fun and colorful example. The key of 6 flats is used, so that the player or student can get the feel of being somewhat percussive on the black keys. The white keys used are Cb, Fb and Abb! The melody is stated in thirds, with larger sonorities at the cadence points. The chords Fb Maj7 and Abb Maj9 are used, so that the sudden shock of seeing chords in sharps juxtaposed against the 6 flats is avoided. It really is easier to play than to read. The piece repeats, with a vamp intro and coda. Approx duration 1 and a half mins. Left hand is half-note bassline throughout.
Closer to Nowhere, a Latin jazz piano solo from Modern Solos
Piano seul

$1.99 1.9 € Piano seul PDF SheetMusicPlus






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