Acoustic Guitar,Double Bass,Percussion,Piano and Keyboard,Piccolo,Violin - Level 3 - Interactive Download SKU: A0.1228106 Composed by Reese Rosbrook. This edition: Interactive Download. Blues,Country,Folk. 12 pages. Duration 196. Reese_Rosbrook #75XBo3A4nqEZOSc5xwt2A9. Published by Reese_Rosbrook (A0.1228106). Key: C major.Sorry I haven't uploaded in a while, truth is, I haven't been inspired to write anything extraordinary lately because this lockdown had me feeling down. Last month I went to visit a friend of mine in Canton, GA, and it inspired me to write this song. It's kind of like one of my earlier compositions Kentucky Hills. Georgia is definitely one of my favorite states, and I absolutely *love* to travel. No matter how long the drive, I will go anywhere if I am determined enough. This was a seven-to-eight hour drive and was definitely worth it. Earlier this year I also drove up to University of Northern Florida in Jacksonville, FL, which is two and a half hours north of me. From there I took a friend up to Jekyll Island, which was beautiful. Speaking of UNF, that is where I am going for my fall term. I'm going to major in music education and also finish my AA up there. I am going to try to be more active this summer, you can count on it. :) Thanks for listening! --Reese.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 pages. Judith Cloud #6689693. Published by Judith Cloud (A0.981218). Composer’s Notes             In my parents' library there was an assortment of very old books that I used to leaf through while home for holidays.  One of these, The Ladies' Wreath, was of special interest.  The inscription inside the front cover read To Miss Sophia Venable by her friend William M. Duphuy, April 25, 1850.  Within the collection of romantic short stories and poems was The Poet's Pen from the Greek didactic poet Menecrates.  Here was something very different from the overly sentimental offerings in most of the volume.  I imagined the solitary lady reading this would feel most exhilarated and even empowered.  Ideas for setting the poem came almost immediately, with the oboe as a key figure.  Having experimented with a choral setting, I settled on tenor, oboe and piano and in 1989 the piece was completed.  I revised The Poet’s Pen in 2016. The Poet's Pen I was a useless reed; no cluster hungMy brow with purple grapes; no blossom flungThe coronet of crimson on my stem;No apple blushed upon me, nor (the gemof flowers) the violet strewed the yellow heathAround my feet; nor jessamine's sweet wreathRobed me in silver: day and night I pinedOn the lone moor, and shivered in the wind.At length a poet found me.  From my sideHe smoothed the pale and withered leaves, and dyedMy lips in Helicon.  From that high hour,I spoke! my words were flame and living power!All the wide wonders of the earth were mine;Far as the surges roll, or sunbeams's shine;Deep as earth's bosom hides the emerald;High as the hills with thunder-clouds are palled;And there was sweetness round me, that the dewHad never wet so sweet on violets blue.To me the mighty scepter was a wand;The roar of nations pealed at my command.To me the dungeon, sword, and scourge were vain,I smote the smiter, and I broke the chain;Or, towering o'er them all, without a plumeI pierced the purple air, the tempest's gloom,Till blazed th'Olympian glories on my eye,Stars, temples, thrones and gods--infinity. Menecrates of Ephesus (330-270 BC)

Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings.  Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls.  They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends.  The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark.  Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends.  We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor.  And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums.  Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:

Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105243 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 228. David Kai #708503. Published by David Kai (A0.1105243). A Newfoundland Christmas song about wishing to be back home for Christmas. THEY’LL BE ON THE ROCK THIS CHRISTMAS words and music by David Kai ©1997 They’ll come from far as Whitehorse and as close as Sydney Mines, They’re packing up their suitcases and their boxes tied with twine, They’re getting on those airplanes, Dash 8s and DC 9s, Driving to the ferry docks and they’re waiting there in line. And they'll be on the Rock this Christmas, where stars shine twice as bright, They'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?� ‘Cause I’ll be in the factory, pulling double overtime, No one wants the Christmas shift so I guess that makes it mine, Late tonight I’ll light a candle in my lonely room, And think of those who are traveling home, ‘cause I know that very soon, That they'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, they'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?� I’ve got to get there somehow, this poor soul’s just too homesick, My busted car won’t take me far, but my thumb will do the trick. I’ll call the boss from Port aux Basques, hope he’s in the mood to see, ‘Though I may choose to leave the Rock, it’s the Rock that won’t leave me. And I'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, I'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?� Optional extra chorus: And we'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, we'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?� Tag: No, no more wondering “Why, oh why aren’t I?�.

Easy Piano - Level 2 - Digital Download SKU: A0.1328399 By Eminem. By Eminem. Arranged by Eminem-Lose Yourself. Hip-Hop,Pop,Rock,Romantic Period. Score. 5 pages. O_Talentoso #916397. Published by O_Talentoso (A0.1328399). Eminem-Lose Yourself (Piano Cover) + SHEET Partitura Intermediary.

Piano Solo - Level 1 - Digital Download SKU: A0.987907 Composed by Ray Miner. Christian,Christmas,Gospel. Score. 4 pages. Miner Family Band Music Publishing #470287. Published by Miner Family Band Music Publishing (A0.987907). Religious Christmas song.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576776 Composed by Roland Rogers. Arranged by David Warin Solomons. Christian,Romantic Period. Octavo. 7 pages. David Warin Solomons #432529. Published by David Warin Solomons (A0.576776). Transcription of Roland Rogers' victorian choral piece The Storm, with words by Adelaide Anne Procter (who also wrote the words for the famous song by Arthur Sullivan The Lost Chord) An arrangement of this music for woodwind quartet is also available on this site. The sound sample is sung by me (transposed down a fourth). The tempest rages wild and high, The waves lift up their voice and cry Fierce answers to the angry sky, - Miserere Domine. Through the black night and driving rain, A ship is struggling, all in vain To live upon the stormy main; - Miserere Domine. The thunders roar, the lightnings glare, Vain is it now to strive or dare; A cry goes up of great despair, - Miserere Domine. The stormy voices of the main, The moaning wind, the pelting rain Beat on the nursery window pane: - Miserere Domine. Warm curtained was the little bed, Soft pillowed was the little head; The storm will wake the child, they said: Miserere Domine. Cowering among his pillows white He prays, his blue eyes dim with fright, Father save those at sea to-night! Miserere Domine. The morning shone all clear and gay, On a ship at anchor in the bay, And on a little child at play, - Gloria tibi Domine!

Handbells handbell choir (3-6 octaves) - Level 4 - Digital Download SKU: H1.2749DP Composed by John Dykes. Arranged by Arnold B. Sherman and Joel Raney. Agape Bronze - L4-5. General Worship, Sacred. Handbell score. 8 pages. Hope Publishing - Digital #2749DP. Published by Hope Publishing - Digital (H1.2749DP). Eminent hymn Arnold Sherman's rhythmic setting of this eminent hymn is derived from a Joel Raney setting in his piano collection, Gospel Greats. The dynamic opening is followed by a gentle, reflective verse before returning to a grand modulation and powerful ending. The variety of techniques generate a multitude of colors and sounds that join together in praise to the Lord God Almight.

Choral SATB choir with optional flute - Digital Download SKU: H1.C5429DP Composed by Allen Pote. General Worship, Communion, Grace, Lord's Supper, Peace. Octavo. 12 pages. Hope Publishing - Digital #C5429DP. Published by Hope Publishing - Digital (H1.C5429DP). Shirley Erena Murray. 1 Corinthians 11:23 - 1 Corinthians 11:26.Original anthem Using words by New Zealand's pre-eminent hymn writer, Shirley Erena Murray, Allen Pote has composed a simple, moving melody for this anthem which exemplifies the very essence of communion: Jesus Christ, be the wine of grace and the bread of peace. Using words by New Zealand's pre-eminent hymn writer, Shirley Erena Murray, Allen Pote has composed a simple, moving melody for this anthem which exemplifies the very essence of communion: Jesus Christ, be the wine of grace and the bread of peace.

Piano Solo - Level 3 - Digital Download SKU: A0.1247227 By New Christy Minstrels. By Richard M. Sherman and Robert B. Sherman. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #841772. Published by Timothy Stapay (A0.1247227). This is an arrangement of Chim Chim Cher-ee from the Walt Disney movie, Mary Poppins.Chim Chim Cher-ee is a song from Mary Poppins, the 1964 musical motion picture, and also is featured in the 2004 Mary Poppins musical.The song won the 1964 Academy Award for Best Original Song. In 2005, Julie Andrews included this song as part of Julie Andrews Selects Her Favorite Disney Songs.  The song was written by Robert B. Sherman & Richard M. Sherman (the Sherman Brothers) who also won an Oscar and a Grammy Award for Mary Poppins' song score.The song was inspired by one of the drawings of a chimney sweep created by Mary Poppins' screenwriter, Don DaGradi. When asked about the drawing by the Sherman Brothers, DaGradi explained the ancient British folklore attributed to sweeps and how shaking hands with one or touching their sleeve could bring a person good luck.  In their 1961 treatment, the Sherman Brothers had already amalgamated many of the P.L. Travers characters in the creation of Bert. His theme music became Chim Chim Cher-ee. Lyrics:Chim chimineyChim chimineyChim chim cher-eeA sweep is as luckyAs lucky can beChim chimineyChim chimineyChim chim cher-ooGood luck will rub off whenI shakes 'ands with youOr blow me a kissAnd that's lucky tooNow as the ladder of life'As been strungYou may think a sweep'sOn the bottommost rungThough I spends me timeIn the ashes and smokeIn this 'ole wide worldThere's no 'appier blokeChim chimineyChim chimineyChim chim cher-eeA sweep is as luckyAs lucky can beChim chimineyChim chimineyChim chim cher-ooGood luck will rub off whenI shakes 'ands with youChim chimineyChim chimineyChim chim cher-eeA sweep is as luckyAs lucky can beChim chimineyChim chimineyChim chim cher-ooGood luck will rub off whenI shakes 'ands with youI choose me bristles with prideYes, I doA broom for the shaftAnd a brush for the flumeUp where the smoke isAll billered and curled'Tween pavement and starsIs the chimney sweep worldWhen the's 'ardly no dayNor 'ardly no nightThere's things 'alf in shadowAnd 'alf way in lightOn the roof tops of LondonCoo, what a sightChim chimineyChim chimineyChim chim cher-eeWhen you're with a sweepYou're in glad companyNo where is thereA more 'appier crewThan them wot singsChim chim cher-eeChim cher-ooChim chim cher-eeChim chim cher-ee chim cher-oo.

Piano Solo - Level 2 - Digital Download SKU: A0.1402528 By Eminem Featuring Dido. By Dido Armstrong, Marshall Mathers, and Paul Herman. Arranged by Eminem Featuring Dido. Multicultural,World. Score. 15 pages. Mr. Lu Lai #985749. Published by Mr. Lu Lai (A0.1402528). Stan Piano score.

By Eminem Feat. Rihanna. By Alexander Grant, Holly Haferman, and Marshall Mathers. Arranged by Eminem Feat. Rihanna. Contemporary, Country, Pop, Standards. Score. 9 pages. Mr. Lu Lai #681810. Published by Mr. Lu Lai

Piano Solo - Level 2 - Digital Download SKU: A0.1402529 By Eminem Featuring Dido. By Dido Armstrong, Marshall Mathers, and Paul Herman. Arranged by Eminem Featuring Dido. Multicultural,World. Score. 2 pages. Mr. Lu Lai #985750. Published by Mr. Lu Lai (A0.1402529). Stan Piano score.