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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s.  Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.  Register for free lifetime updates and revisions at www.jamesguthrie.com  
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$24.95 21.41 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868823 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596967. Published by Really Good Music, LLC. (A0.868823). Sè la barbara mia sorte is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (D4– D5) for low voice.
CAVALLI Francesco: Sè la barbara mia sorte, aria from the cantata, arranged for Voice and Piano (E
Voix moyenne, Piano

$5.95 5.11 € Voix moyenne, Piano PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016018_VC1 Cello. Composed by Wolfgang Amadeus Mozart. Arranged by Robert Sieving. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016018_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016018_VC1). UPC: 038081457666.Alfred Einstein, the eminent musicologist, declared this piano concerto to be Mozart's most characteristic creation . . . the peak of all his instrumental achievement. The span of these amazing works provides a view of the fascinating journey from a great talent to pure genius. Unlike most of the Middle Concertos, Mozart considered this selection to be a chamber work, where spare instrumentation, and, in the case of the Andantino movement, a religious air, exhibit similarities to some choral works, like Ave Verum Corpus. This arrangement allows the eloquent melodic themes to be shared by all sections, requiring attention to detail and sensitive phrasing. This title is available in SmartMusic.Concert/Contest; Festival.
Andantino: Cello
Violoncelle (partie séparée)

$5.99 5.14 € Violoncelle (partie séparée) PDF SheetMusicPlus

Piano - Digital Download SKU: LV.9490 Composed by Hilmara. Arranged by Thorbecke. Folk dancing, Native dress, Couples. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9490). A Collection of the Most Admired Polkas by the Most Eminent European Composers, in Six Numbers. No. 6. (1) Kralowe Hradecka; (2) Newport Polka. (1) by Hilmara; (2) arranged by Thorbecke. Published 1844 by A. Fiot, No. 196 Chesnut Street in Philadelphia. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include Folk dancing, Native dress, Couples. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
(1) Kralowe Hradecka; (2) Newport Polka
Piano seul

$5.99 5.14 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.868700 Composed by Bernardo PASQUINI (1637 –1710). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. Score. 3 pages. Really Good Music, LLC. #4404614. Published by Really Good Music, LLC. (A0.868700). The canzonetta Quanto è folle quell’amante was composed by Bernardo PASQUINI (1637 –1710), an eminent Italian composer. It has been arranged  by Sergei Pichugin for voice and piano. The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F major (C4 – F5) for low voice.
PASQUINI Bernardo: Quanto è folle quell’amante, canzonetta, arranged for Voice and Piano (F major
Piano, Voix

$5.95 5.11 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.868705 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. Score. 6 pages. Really Good Music, LLC. #4404624. Published by Really Good Music, LLC. (A0.868705). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – F5) for low voice.
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, arranged for Voice and Piano (F maj
Piano, Voix

$5.95 5.11 € Piano, Voix PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868779 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580897. Published by Really Good Music, LLC. (A0.868779). Chiedi consiglio à mè is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B minor (F#4 – F#5) for high voice.
CAVALLI Francesco: Chiedi consiglio à mè, aria from the cantata, arranged for Voice and Piano (B m
Voix haute

$5.95 5.11 € Voix haute PDF SheetMusicPlus

Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868778 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580895. Published by Really Good Music, LLC. (A0.868778). Cara sè tù sapessi is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – D5) for low voice.
CAVALLI Francesco: Cara sè tù sapessi, aria from the cantata, arranged for Voice and Piano (F majo
Voix moyenne, Piano

$5.95 5.11 € Voix moyenne, Piano PDF SheetMusicPlus

Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868769 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580877. Published by Really Good Music, LLC. (A0.868769). Un agile vento is an aria from Solo cantata III Nell'acque semina, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5) for low voice.
CAVALLI Francesco: Un agile vento, aria from the cantata, arranged for Voice and Piano (G major)

$5.95 5.11 € PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868813 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4596947. Published by Really Good Music, LLC. (A0.868813). Scompagnata tortorella is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (E4 – G5) for high voice.
CAVALLI Francesco: Scompagnata tortorella, aria from the cantata, arranged for Voice and Piano (A mi
Voix haute

$5.95 5.11 € Voix haute PDF SheetMusicPlus

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868819 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596957. Published by Really Good Music, LLC. (A0.868819). Vada lungi l'allegrezza is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice.
CAVALLI Francesco: Vada lungi l'allegrezza, aria from the cantata, arranged for Voice and Piano (G m
Voix haute

$5.95 5.11 € Voix haute PDF SheetMusicPlus

Organ - Digital Download SKU: A0.879602 Composed by Healey Willan. 20th Century. Score. 28 pages. Biretta Books #3517973. Published by Biretta Books (A0.879602). Organists rejoice in the fantastic organ works of Healey Willan. But, Introduction, Passacaglia and Fugue is arguably the quintessential and irresistible master organ work of the Dean of Canadian Composers, Healey Willan. Students of organ music and of composition will marvel in the complexity of this fine music. It is a must-have for every organist! Introduction, Passacaglia and Fugue has been described by the late Joseph Bonnet, the eminent French organist-composer, as one of the greatest organ works since Bach. Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.
Introduction, Passacaglia and Fugue
Orgue

$6.25 5.36 € Orgue PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.868805 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. Score. 6 pages. Really Good Music, LLC. #4596839. Published by Really Good Music, LLC. (A0.868805). Potessi, ingrata mia is an aria from Solo cantata IX Dove sono, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – F5, or C4 – Eb5) for low voice.
CAVALLI Francesco: Potessi, ingrata mia, aria from the cantata, arranged for Voice and Piano (F mino
Piano, Voix

$5.95 5.11 € Piano, Voix PDF SheetMusicPlus

Piano,Tuba - Level 1 - Digital Download SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s.  Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.  Register for free lifetime updates and revisions at www.jamesguthrie.com  
The First Noel for Tuba & Piano
Tuba et Piano

$24.95 21.41 € Tuba et Piano PDF SheetMusicPlus






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