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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.924181 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by E.Gonzalez. Rock. 22 pages. Gonzalez Music #3532959. Published by Gonzalez Music (A0.924181). Bohemian Rhapsody is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite,[1] consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda.[2] The song is a more accessible take on the 1970s progressive rock genre.[3] It was reportedly the most expensive single ever made at the time of its release, although the exact cost of production cannot be determined.[4]When it was released as a single, Bohemian Rhapsody became a commercial success, staying at the top of the UK Singles Chart for nine weeks and selling more than a million copies by the end of January 1976.[5] It reached number one again in 1991 for another five weeks when the same version was re-released following Mercury's death,[6] eventually becoming the UK's third-best-selling single of all time.[7] It is also the only song to be the UK Christmas number one twice by the same artist.[8] It topped the charts in several other markets as well, including Canada, Australia, New Zealand, Ireland, and The Netherlands, later becoming one of the best-selling singles of all time selling over 6 million copies worldwide. In the United States, the song originally peaked at number nine in 1976. It returned to the chart at number two in 1992, behind Kris Kross's Jump, and also appeared in the film Wayne's World, which contributed to the revival of its American popularity.
Bohemian Rhapsody
Quatuor de Saxophones: 4 saxophones
Queen
$15.99 13.77 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1213541 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #810732. Published by Kevin G. Pace (A0.1213541). A sublime, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.  The text to this hymn is in reference to the miracle when Christ passed through the hostile multitude.  See Luke 4:28-30.Text:On a Sabbath day, and in the synagogue,Jesus said revealing words unto a gathered throng:“I am sent to bind up broken-hearted souls,And to publish liberty, to make all captives whole.â€â€œI am God’s own Son,†was ref’renced as He spoke.But the worshippers that day desired His words revoked.Seeking for a sign, a miracle to show,Was their true intention then, so they would surely know.Jesus did decline to grant this selfish gift,So the mob determined to propel Him from a cliff.Jesus’ miracle was passing through unseenFrom this crowd in Nazareth, so He could be set free.Jesus walked away to fill our ev’ry need.He performs true miracles and for us intercedes.So we can be free, He freed Himself that day.As He passes through our lives, we see and learn His ways.
Passing Through Unseen, a sacred hymn
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.1344911 Composed by Robert Edward Smith. Chamber,Classical. 46 pages. ROBERT EDWARD SMITH MUSIC #929888. Published by ROBERT EDWARD SMITH MUSIC (A0.1344911). I composed the Introduction and Theme with Variations in 2022 for the remarkable English Horn player, Andrew van der Paardt.  In composing this music I had in mind that so much of the music written for English Horn is dark and sad.  I determined to compose against that type.  The Introduction, although slow, is pastoral and serene rather than mournful.  The  Theme with Variations is frankly cheerful, and often virtuosic, exploring the full range of the instrument.
Introduction and Theme with Variations
Orchestre à Cordes

$50.00 43.07 € Orchestre à Cordes PDF SheetMusicPlus

Marimba Solo - Digital Download SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027565. Published by Neal Fitzpatrick Editions (A0.955413). This is Impromptu No.2 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.2 For Marimba
Marimba

$1.99 1.71 € Marimba PDF SheetMusicPlus

Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839135 By Mandy Moore. By Jonathan Foreman. Arranged by Bobby Hesch. Dance,Pop. Individual part. 3 pages. Bobby Hesch #5303773. Published by Bobby Hesch (A0.839135). ***ONLY HOPE***!!! IS AN EMOTIONAL INSTRUMENTAL JAZZ COVER SONG OF THE MANDY MOORE HIT!!!!It  will help to be aware of the lyrics as you express yourself in this  emotional song, tugging at the heartstrings of your audience as you take them through Hopeful Longing, Romantic Passion, Determined Desperation, A Glorious Climax and Reflective Nostalgic  Ending. KEY OF Ab!!! LOW Bb - HIGH F!!! CHECK OUT THE MP3 FOR STYLE & INTERPRETATION!!! FROM THE MOVIE A WALK TO REMEMBER !!!Contact Information: bobbyhesch@yahoo.com .
Only Hope
Saxophone Alto
Mandy Moore
$4.99 4.3 € Saxophone Alto PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
Prelude 10 in F Minor Phrygian
Piano seul
Brian Golden
$5.99 5.16 € Piano seul PDF SheetMusicPlus

String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1282836 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. 14 pages. Alberto Caeiro #874079. Published by Alberto Caeiro (A0.1282836). This arrangement is made for String Quintet, in the original key containing the original form of the musical. It's an easy arrangement that can be performed in different events and performances, having a solo voice. With 2 violins, 1 viola and 1 cello, the arrangement would be too light so, adding the double bass, the arrangement becomes more interesting with more color.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
The Girl I Mean To Be
Quintette à cordes: 2 violons, alto, violoncelle, basse
The Secret Garden Ensemble
$19.99 17.22 € Quintette à cordes: 2 violons, alto, violoncelle, basse PDF SheetMusicPlus

Guitar,Piano - Level 3 - Digital Download SKU: A0.1491751 Composed by Akira Senju. Arranged by Jorge Luis G G. Film/TV. Score and part. 4 pages. Jorge G. G. #1068427. Published by Jorge G. G. (A0.1491751). Piano And Guitar - Level IntermediateComposed by Akira Senju. Arranged by Jorge Luis G G. Film/TV. Score. 4 pages. Arrangement for piano and guitar for Crime and Punishment from the Fullmetal Alchemist Original Soundtrack by Akira Senju.This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of popular titles and original compositions from a variety of voices and backgrounds. The length, difficulty, and retail pricing are determined solely by the discretion of the person who arranged or composed it.About Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students). This information was used thanks for the ArrangeMe user Clara Koszegi, who puts the clarities about the sheet downloading in shes works.
Crime And Punishment

$5.99 5.16 € PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.955406 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 2 pages. Neal Fitzpatrick Editions #6021099. Published by Neal Fitzpatrick Editions (A0.955406). This is Impromptu No.15 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.15 For Piano
Piano seul

$1.99 1.71 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 pages. Stephen R Dalrymple #3070993. Published by Stephen R Dalrymple (A0.818222). A Mighty Fortress is Our God ♫ piano solo arrangement by Stephen R Dalrymple ♫ Martin Luther wrote Ein Feste Burg sometime between 1527 and 1529. (Luther published the Ninety-five Theses in 1517 and was excommunicated in 1521.) Ein Feste Burg was translated into English by Miles Coverdale in 1539 with the title, Oure God is a defence and towre. The English text most familiar to me was translated by Francis Hedge in 1853. ♫ Luther believed in the power of music. In 1558 in the Forward to Georg Rhau's Symphoniae he wrote “I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God. … next to the Word of God, the noble art of music is the greatest treasure in the world. It controls our thoughts, minds, hearts, and spirits.... Our dear fathers and prophets did not desire without reason that music be always used in the churches. Hence, we have so many songs and psalms. This precious gift has been given to man alone that he might thereby remind himself that God has created man for the express purpose of praising and extolling God.†♫ In his lifetime, Luther made 3 major contributions to the Church: the doctrine of salvation by faith alone, the belief that Scripture should be translated into the people's language (producing a translation of the Bible into German), and the birth of congregational singing. In Roman Catholic churches of his day, only the cantor and a chorus sang the mass in Latin. He was determined to restore congregational singing in German to the church. ♫ In the slides, I have featured the Citadelle Laferrière, a fortress in Northern Haiti, commissioned in 1805 by Henri Christophe and completed in 1820, following Haiti’s independence from France in 1804. ♫ music © 2010 (copyright registered in 'Rejoice Ye Pure In Heart’ collection) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the arranger ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
A Mighty Fortress is Our God
Piano seul
Stephen R Dalrymple
$4.50 3.88 € Piano seul PDF SheetMusicPlus

Choral Choir (SAB) - Digital Download SKU: A0.774751 By Irene Cara. By Michael Gore. Arranged by Sandra Milliken. Contemporary. Octavo. 12 pages. Sandra Milliken #5198035. Published by Sandra Milliken (A0.774751). Fame, the motion picture, was released by Metro-Goldwyn-Mayer in 1980. The film chronicles the lives and hardships of students attending the High School of Performing Arts in New York City, from their auditions through to their senior years. The film became and over-night sensation and received several awards and nominations, including two Academy Awards for Best Original Song (Fame) and Best Original Score, as well as a Golden Globe for Best Original Song.The song Fame was written as the film's theme piece by Michael Gore (music) and Dean Pitchford (lyrics). It was performed in the film by Irene Cara. Fame reached number four on the US Billboard Hot 100 in August 1980. It spent three weeks at number one in the UK and also reached number one in Ireland, the Netherlands and New Zealand. In Australia and Sweden it made it to number three.This arrangement, available for both SSA and SABar choirs, with piano accompaniment, nicely captures the spirit of the young performing arts students determined to achieve fame and, by so doing, make sure that people will always remember their names.
Fame
Chorale 3 parties
Irene Cara
$2.30 1.98 € Chorale 3 parties PDF SheetMusicPlus

Harp - Digital Download SKU: A0.955438 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Score. 18 pages. Neal Fitzpatrick Editions #6097589. Published by Neal Fitzpatrick Editions (A0.955438). This set of music for HARP is based on my Twenty Etudes For Guitar. While these pieces may in fact work as etudes for harp I have purposely renamed them. Whether or not they work as studies I will leave up to each individual harpist and harp teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is that these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined but the performer.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
20 Impromptus For Harp Volume 1 No.1-5
Harpe

$7.00 6.03 € Harpe PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 18 in C# Minor Dorian
Piano seul
Brian Golden
$5.99 5.16 € Piano seul PDF SheetMusicPlus






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