Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!

Piano Solo - Level 3 - Digital Download SKU: A0.1018090 By Josiah Austin. By Josiah Austin. 20th Century,Classical,Contemporary,New Age. Score. 6 pages. Wistful Hands #6896741. Published by Wistful Hands (A0.1018090). Navigator is the tale of a model ship, dreaming of sailing the high seas. It is filled with hope, determination, adventure, melancholy, and realization. For fans of: Ludovico Einaudi, Nils Frahm, Dustin O'Halloran, Olafur Arnalds, Joep Beving, Yann Tiersen, Max Richter, Library Tapes, Hania Rani solo piano, piano, solo, neoclassical, neo-classical, contemporary, darkwave, ambient, mood, sheet music, pianist, sight reading, relaxing, hopeful, hope, beautiful, beauty, feel good, delicate, intimate, imaginative, thoughtful, sentimental, reflective, reminiscence, reminiscent, nostalgic, nostalgia, passionate, adventure, adventurous, determined, determination, self-discovery, memories, childhood, wonder, emotive, deep, introspective, loneliness, wistful, magical, intriguing, melancholic, melancholy Composer: Josiah Austin Artist: Josiah Austin Publisher: Wistful Hands © 2022 Josiah Austin.

Marimba Solo - Digital Download SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027565. Published by Neal Fitzpatrick Editions (A0.955413). This is Impromptu No.2 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Marimba Solo - Digital Download SKU: A0.955426 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 2 pages. Neal Fitzpatrick Editions #6047233. Published by Neal Fitzpatrick Editions (A0.955426). This is Impromptu No.15 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

String Orchestra - Level 5 - Digital Download SKU: A0.1344911 Composed by Robert Edward Smith. Chamber,Classical. 46 pages. ROBERT EDWARD SMITH MUSIC #929888. Published by ROBERT EDWARD SMITH MUSIC (A0.1344911). I composed the Introduction and Theme with Variations in 2022 for the remarkable English Horn player, Andrew van der Paardt.  In composing this music I had in mind that so much of the music written for English Horn is dark and sad.  I determined to compose against that type.  The Introduction, although slow, is pastoral and serene rather than mournful.  The  Theme with Variations is frankly cheerful, and often virtuosic, exploring the full range of the instrument.

Piano Solo - Level 3 - Digital Download SKU: A0.1211972 By Juliano. By Juliano Piano Music. Classical,Contemporary,New Age. Score. 4 pages. Juliano Piano Music #809522. Published by Juliano Piano Music (A0.1211972). Decision is a piece written especially for Piano Day 2023. Originally written for orchestra, I wanted to create a new version for Piano Solo.This piece should be played with a certain melancholy, but expressively. As it progresses, the sound should become more and more expressive and determined.

Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Piano Solo - Level 4 - Digital Download SKU: A0.571826 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Spiritual,Standards,Wedding,World. Score. 4 pages. James M Stevens Music ASCAP #545981. Published by James M Stevens Music ASCAP (A0.571826). Written on December 10. 2015, this is an original piano composition in a passionate, romantic style. Have you ever had a love so strong, a seemingly impossible goal, or a dream you were reaching for that you were so determined to achieve that you would not be denied? These are the emotions conveyed in this piece. James Michael Stevens is prolific composer residing in Nashville, TN where he serves as the Music Department of Welch College. 2016 New Year Contest.

Vibraphone Solo - Level 3 - Digital Download SKU: A0.782635 Composed by Ashlee T Busch. 20th Century,Contemporary,Instructional. Individual part. 5 pages. Ashlee T Busch #4324485. Published by Ashlee T Busch (A0.782635). In dreams...is a sweet, gentle vibraphone solo great for recitals or just for practice with multiple mallets.  The waves of arpeggiated harmony allow for the amount of expressiveness to be determined by the performer.  Enjoy!ashleebusch.com .

Piano Solo - Level 3 - Digital Download SKU: A0.1047767 Composed by Aaron Lee. 20th Century,Classical,Contemporary,Instructional. Score. 6 pages. J. Aaron Lee #652211. Published by J. Aaron Lee (A0.1047767). Chance Row is a pedagogical work that aims to help piano students and young composers experiment with 12-tone compositions. This short piano piece is very moderate in difficulty and also includes an analysis score so that students can follow along with the structure of the piece. In this work, the initial tone-row is determined entirely randomly (hence the name Chance Row!) and then I work to find and explore a few interesting relationships within the row to make a short work for solo piano. For more music from Aaron Lee, you can visit www.MusicOfLee.com.

Piano Solo - Level 5 - Digital Download SKU: A0.941665 Composed by Elizabeth Borowsky. Contemporary,Film/TV. Score. 9 pages. Piano Prodigies #6101065. Published by Piano Prodigies (A0.941665). Written in the midst of the resurgence of the Black Lives Matter movement, this programmatic work was influenced by much of what Americans were experiencing in 2020. A sometimes desperate, but always determined and passionate fight for justice and change is reflected in the music. The piece also has undercurrents of other realities of the time: from the initial, optimistic hope and resolve that a new year brings, to an ominous foreshadowing of COVID-19 leading into an explosion of cases, accompanied by fear, frustration, and a national/international crisis. The intensified return of the initial theme at the end is a provocative call to action.

Piano Solo - Digital Download SKU: A0.955409 Composed by Neal Fitzpatrick. Contemporary,Instructional,World. Score. 5 pages. Neal Fitzpatrick Editions #6021213. Published by Neal Fitzpatrick Editions (A0.955409). This is Impromptu No.18 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Marimba Solo - Digital Download SKU: A0.955421 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039281. Published by Neal Fitzpatrick Editions (A0.955421). This is Impromptu No.10 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Concert Band - Digital Download SKU: AX.00-PC-0017019_F1 Flute. Composed by Scott Watson. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017019_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017019_F1). UPC: 038081505824.The golden age of comic books comes to life in this action-packed tune, taking its inspiration from those iconic, super-powered champions of justice, the super heroes! Mirroring the shape of a classic super hero story, the piece begins with a powerful main theme and is followed by a brief contrasting section expressing resolve. A determined return to the hero theme includes some harmonic surprises! (1:40).

Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.