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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1461531 Composed by Thomas Mark Harmer Nichols and Tim Baxter. Arranged by Homco/Crinion. Contemporary,Pop. 4 pages. Homco/Crinion #1040275. Published by Homco/Crinion (A0.1461531). Bittersweet Symphony is the signature song of The Verve and is one of the defining songs of the Britpop era. It is refuted to be based on an instrumental version of The Rolling Stones song The Last Time. This song is very recognizable and has been parodied on TV, in Ads and in music videos . The sound of the strings on the definitive melody is meant to be tough and determined and to bounce and jump - rather than sing. It is definitely a classic and often requested.
Bittersweet Symphony
Trio à Cordes: 2 violons, violoncelle

$12.99 11.27 € Trio à Cordes: 2 violons, violoncelle PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.955403 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 2 pages. Neal Fitzpatrick Editions #6021087. Published by Neal Fitzpatrick Editions (A0.955403). This is Impromptu No.12 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.12 For Piano
Piano seul

$1.99 1.73 € Piano seul PDF SheetMusicPlus

Violin solo - Grade 3 - Digital Download SKU: DX.161113 Composed by Isaac Watts. Arranged by Marilyn Carlson. Traditional. Sacred instrumental music. Score and parts. 7 pages. David E. Smith - Digital Sheet Music #161113. Published by David E. Smith - Digital Sheet Music (DX.161113). A solo beginning with unrelated melodic in the piano then join by the soloist in a straight forward manner with the theme. The chorus continues in much the same way and then concluded with a simple transition in the piano. The second verse is much like the first, melodically only supported by changing moods in the piano. The third section melody is in the piano while the soloist presents a gently obbligato. The next transition is more active rhythmically and then concludes in a sense of determined solemnity.
My Shepherd Will Supply
Violon

$4.50 3.9 € Violon PDF SheetMusicPlus

Brass Quintet - Level 4 - Digital Download SKU: A0.1489530 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Children,Jazz,Multicultural,World. 26 pages. Https://gildedmusicpress.com/ #1066394. Published by https://gildedmusicpress.com/ (A0.1489530). New Year’s Puzzle, Op. 145-C, for brass quintet was completed on 9 Jan 2024.  Between performing sets of Christmas carols at a mall on the outskirts of Tokyo, I purchased a stunning 1000-piece puzzle of Mount Fuji as a Christmas gift for my wife.  She is fond of puzzles.  When I started putting together time lapse videos with brass quintet music, the fast-motion working of a puzzle sounded intriguing.  We had just completed a different 1000-piece puzzle, so I estimated that the completed video would be less than a minute.  The camera and table were set up for the filming, and then I opened the box.  The tiny quarter-inch puzzle pieces shocked me!  I even let out a gasp.  However, everything was set up, and I was determined to get the time lapse footage.  The process took a great portion of three days.  Were it not for the end goal of a time lapse video, I think we would have abandoned the cursed puzzle long before completion.  We got it done on 2 Jan 2024 though, and several days later I revived a cute little ricky-ticky piece in the works, gave it a title, and completed it in two days.  One key moment is a musical laugh, as if the menacingly challenging puzzle were mocking us as we struggled so long to complete it.  Duration: 3:00.
New Year's Puzzle, Op. 145
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$19.95 17.31 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1412899 Composed by Clay Burnett. 21st Century,Classical. Score. 7 pages. Clay Parker Burnett #983593. Published by Clay Parker Burnett (A0.1412899). The final movement in a collection of three pieces for piano. This piece serves as a resolution to the previous movement, the nocturne. It begins with a series of repetitive notes and chords that is at first a bit unpredictable as to where it is headed. It then moves to a somewhat formless and disjointed melody with frequently changing time signatures but then quickly transforms into a cheerful and resolute theme, then a brief aside that allows the performer to show off his technical skills, and then back to the determined and driven, yet cheerful theme that concludes the cycle with a happy ending.
Three Pieces for Piano: III- Finale
Piano seul

$3.99 3.46 € Piano seul PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.507229 Composed by G. G. Boltze, 1788. Arranged by Keith Loftis. Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 13 pages. Keith Loftis #118552. Published by Keith Loftis (A0.507229). This arrangement of the traditional hymn begins with the low brass playing a determined bass line that supports a progressive addition of melody and harmony. The texture changes to an antiphonal-style that could possibly be performed with the ensemble split in two. The piece returns to the grounded feel but with full sounds and rich harmonies. This work would be a satisfying prelude to a congregational singing of the hymn in its traditional format or simply programed for concert settings. While not technically difficult, this music will challenge the endurance and focus of the trombone and tuba players.
Let Us Ever Walk With Jesus
Ensemble de cuivres

$1.99 1.73 € Ensemble de cuivres PDF SheetMusicPlus

Violin - Digital Download SKU: A0.1070241 Composed by Tito Abeleda. 20th Century,Concert,Contemporary,New Age. Full Performance. Duration 659. Visionary Quest Records #4718335. Published by Visionary Quest Records (A0.1070241). LOVE LOST: FINDING YOUR FIRE AGAIN (Upcoming Original Music Score for Orchestra)Love Lost: Finding Your Fire Again is the 3rd song on the Tears from My Eyes: Songs from My Soul album. To give Sheet Music Plus customers the highest quality in listening experience 'as if you were there' feeling, this MP3 is the highest quality of an MP3 there is recorded at 48,000 hz 24 bui High Fidelity CD Quality This piece is about the rite of passage from love lost, a broken heart and the determined search for that zest, vivacity, and fire to live life again despite the loss of a loved one, with whom you were supposed to share the rest of your life journey. Now the journey has changed. But the goal to reach your dream destination remains the same. To pull oneself out of the pit of despair and sadness and to find that will to live life again is no easy feat. But you must, you will, and you do. This piece has been a favorite and release twice with welcomed appreciation. The sound recording is a combination of orchestra and electronic ambient pads and special effects. I am adapting it to be completely acoustic But I wanted to put out a few of my original works that will soon be out on Sheet Music Plus - this being one of them. The duration is 10:59. It may seem long but unlike the first two songs on the Tears album, this one takes off after its intimate tender introduction. On that note, there is a diva solo for a diva violinist. May the best violinists find themselves in the spotlight playing this. Similarly, listen to the featured French Horns and Trumpets.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451 
Love Lost: Finding Your Fire Again
Violon

$3.99 3.46 € Violon PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1014887 Composed by Hyun Kook. A Cappella,Broadway,Holiday,Jazz,Pop,Wedding. Octavo. 17 pages. Hyun Kook #4414485. Published by Hyun Kook (A0.1014887). Lyrics: Cindy Ovokaitys This interesting, jazzy a cappella work follows the typical jazz chord and harmonies like many barbershop choral works for ensemble. After the basic sketch of the melody and structure, this piece was handed to the lyricist, Cindy Ovokaitys and after her extensive work, the beautiful and funny text that fits extremely well to the music was completed. Many scat words were determined after extensive discussion between the lyricist and the composer. A sensitive understanding of the jazz chords and hard shuffle rhythm are required for better performance. The soli could sing the melodies greasily or oily for better expression. Composed November 25, 2017 Recordings: Kammerchor Manila (Philippines) Conductor: Anthony G. Villanueva Soli: Ma. Eloisa Contreras (alto) & Darwin Lomentigar (baritone)   Recording venue: The University of Santo Tomas Museum / June 2, 2018  
Clouds of Love
Chorale SATB

$2.95 2.56 € Chorale SATB PDF SheetMusicPlus

String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1282836 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. 14 pages. Alberto Caeiro #874079. Published by Alberto Caeiro (A0.1282836). This arrangement is made for String Quintet, in the original key containing the original form of the musical. It's an easy arrangement that can be performed in different events and performances, having a solo voice. With 2 violins, 1 viola and 1 cello, the arrangement would be too light so, adding the double bass, the arrangement becomes more interesting with more color.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
The Girl I Mean To Be
Quintette à cordes: 2 violons, alto, violoncelle, basse
The Secret Garden Ensemble
$19.99 17.34 € Quintette à cordes: 2 violons, alto, violoncelle, basse PDF SheetMusicPlus

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1223948 Composed by Siegfried Ochs (formerly attributed to G. F. Handel). Arranged by Curtis Hanson. Sacred. Octavo. 5 pages. Curtis Hanson #820064. Published by Curtis Hanson (A0.1223948). In this post-pandemic era, demand for octavos for smaller choirs is on the rise. This familiar classic formerly attributed to Handel, later determined to be by the late Romantic conductor and composer Siegfried Ochs, is here re-set for SB voices. Much of the piece is in unison to give it as much fullness and Handelian grandeur as possible. The final recapitulation of the A section provides for optional alto and bass voices for additional texture. This would be a welcome option for those choirs with limited voices.
Thanks Be to Thee (SB)
Chorale 2 parties

$2.00 1.74 € Chorale 2 parties PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
Prelude 11 in Db Major Lydian
Piano seul
Brian Golden
$5.99 5.2 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 5 in Bb Major Lydian
Piano seul
Brian Golden
$5.99 5.2 € Piano seul PDF SheetMusicPlus

Marimba Solo - Digital Download SKU: A0.955431 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 7 pages. Neal Fitzpatrick Editions #6055709. Published by Neal Fitzpatrick Editions (A0.955431). This is Impromptu No.20 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.20 For Marimba
Marimba

$4.00 3.47 € Marimba PDF SheetMusicPlus






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