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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)

$32.95 28.69 € Euphonium, Piano (duo) PDF SheetMusicPlus

Bass Guitar - Level 3 - Digital Download SKU: A0.917921 By Public. By Ben Lapps, John Fields, John Vaughn Handelsman, John Vaughn Handelsman Ii, and Matthew Carter Alvarado. Arranged by Zulhilmy Zulkifli. Contemporary. Score. 11 pages. ZZ Music Solutions #6115853. Published by ZZ Music Solutions (A0.917921). Honey In The Summer is a song by an American band, PUBLIC, from their single with the same title. This song is produced by John Fields, who also wrote the song with Ben Lapps, John Vaughn Handelsman, and Matthew Carter Alvarado, who is also the bassist.This transcription is based on the single version and arranged to be played on a 4-string bass with standard tuning. Matthew's main bass in the Fender Urge II Bass, an Artist Signature bass endorsed by Stu Hamm.This song is in the key of E major and is about 3’20 long. The tempo is at 114 bpm, and the groove sounds very prominent in this tune. It can be quite challenging to perform as the basslines were composed with a lot of 16th notes (semiquaver), and some of the notes were played short (staccato technique indicated with a dot above each note). I would suggest this tune for an intermediate player as it also requires you to be familiar with the higher register of the bass.This transcription includes 3 parts ; 1)both notation and TAB (3 pages) 2)notation-only (2 pages) 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.
Honey In The Summer
Basse electrique
Public
$4.99 4.35 € Basse electrique PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download SKU: A0.1502763 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078430. Published by SCORE EDITIONS (A0.1502763). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Trombone and Piano by Harry Walker.
Sicilienne (Maria-Theresia von Paradis) for Trombone and Piano
Trombone et Piano

$5.99 5.22 € Trombone et Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1473473 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Ian Fitze. 19th Century,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #1051271. Published by Ian Fitze (A0.1473473). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a moderately challenging piece adapted for instrumental solo with Piano accompaniment. From Wikipedia: The Mazurka (Polish: mazurek) is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's strong accents unsystematically placed on the second or third beat.Rimsky Korsakoff makes good use of melodies and counter-melodies throughout.A fun piece for both soloist and accompanist to put together.
Mazurka Op. 38 no. 2
Saxophone Alto et Piano
Nikolay Andreyevich Rimsky-Korsakov
$1.99 1.73 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1068969 Composed by J S Bach, Charles Gounod. Arranged by Lisa Ruping Cheng. Baroque,Romantic Period. Full Performance. Duration 135. Lisa Ruping Cheng #5741289. Published by Lisa Ruping Cheng (A0.1068969). Ave Maria was published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The melody was composed by the French Romantic composer Charles Gounod, who superimposed over slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J. S. Bach's The Well-Tempered Clavier. The lyrics - Latin prayer Ave Maria was not the origianal poem Gounod intended. This recording converted the vocal part into piano instrumental. Ultimately it is the melody that is giving the prominent beauty. Arranged and performed by Canadian pianist Lisa Ruping Cheng. ISRC QZHZ32055186
Ave Maria Bach-Gounod
Piano seul

$3.99 3.47 € Piano seul PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.749205 By Oasis. By Neil Innes and Noel Gallagher. Arranged by HELEN MARPLE-HORVAT. Rock. Score and parts. 14 pages. Helen Marple-Horvat #3549069. Published by Helen Marple-Horvat (A0.749205). https://www.youtube.com/watch?v=p6l4Q1lot6c The Oasis song Whatever’ was written in 1994 and is one of their longest tracks. It really lends itself to a quartet or string orchestra arrangement as the original has a very prominent string presence throughout. The key is easy for strings and there are lots of straight and satisfying quaver sections. I gave the opening melody to the second violin this time! There are some double stopping moments in fifths, but many more with at least one of the pair being an open string. Bars 22 and 23 are quite syncopated and it may help classically trained musicians to have a listen to the original to get a ‘lazy’ feel to it rather than a more ‘literal’ rendition! At Bar 20, the cello solo could be played an octave lower. The first violin has the trickiest part, but the ending need not go up the octave. An increase in volume would sounded almost as exciting and would mean that younger players could easily tackle this arrangement.
Whatever
Quatuor à cordes: 2 violons, alto, violoncelle
Oasis
$20.00 17.42 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 28.69 € Saxophone Alto et Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1270939 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 13 pages. Jmsgu3 #863314. Published by jmsgu3 (A0.1270939). INSTRUMENTATION: 2 Concert Flutes, 1 Alto FluteSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Flute Trio
Trio de Flûtes: 3 flûtes

$24.95 21.73 € Trio de Flûtes: 3 flûtes PDF SheetMusicPlus






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