EUROPE
7784 articles
USA
6842 articles
DIGITAL
15354 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
15354 partitions trouvées


Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 28.16 € Saxophone Alto et Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.515180 Composed by Joseph Lacalle. Arranged by Kenneth Abeling. Film/TV,Latin,Wedding. Score and parts. 17 pages. LINCOLN MUSIC PUBLICATIONS #5020385. Published by LINCOLN MUSIC PUBLICATIONS (A0.515180). Amapola, Music by Spanish American Composer Joseph Lacalle (formerly Jose Maria Lacalle Garcia) and arranged here for Saxophone Quartet. This lovely piece has been recorded by dozens of prominent vocal artists, Operatic to Pop, and instrumentally as well as being featured in several movies. This is moderate level “Tango-ish†arrangements and suitable for general performance and other special events such as Weddings. Playing time 3:20. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
Amapola (for Saxophone Quartet SATB or AATB)
Quatuor à cordes: 2 violons, alto, violoncelle

$13.99 11.96 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Baritone Horn TC/Euphonium,Piano - Level 3 - Digital Download SKU: A0.1502750 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078421. Published by SCORE EDITIONS (A0.1502750). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Euphonium TC and Piano by Harry Walker.
Sicilienne (Maria-Theresia von Paradis) for Euphonium TC and Piano

$5.99 5.12 € PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.596737 Composed by Johann Pachelbel, James Marler. Arranged by Alicorn Music (ASCAP). Baroque,Contemporary,Latin. Score and parts. 21 pages. Alicorn Music (ASCAP) #6679713. Published by Alicorn Music (ASCAP) (A0.596737). Inspired by a humorous speech-to-text typo in a Facebook post, this is a close adaptation of Pachelbel's Canon in D spiced up with Spanish flavors. It begins and ends in the original way, but has a middle section that is rhythmically challenging and aurally stimulating. This interpretation works for virtually any context, but is especially advantageous in an educational context.The dembow rhythm is prominent throughout the piece, and can serve as an effective introduction for the classically trained musician to interpretation and improvisational approaches of existing music.
Taco Campana Cañon in D (Pachelbel's Canon in D)
Quatuor à cordes: 2 violons, alto, violoncelle

$12.97 11.09 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1349761 Composed by Robert Schumann. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period,Wedding. 6 pages. Tully Road Music #934535. Published by Tully Road Music (A0.1349761). Die Lotosblume (which means The Lotus-Flowerâ€) is No. 7 of Robert Schumann’s song cycle Myrthen, which was a wedding present to his wife Clara Wieck. Schumann completed the cycle in 1840, totaling 26 Lieder (songs for solo voice and piano), with texts by prominent 19th-century German poets such as Ludwig Rellstab, Johann Wolfgang von Goethe, and others. “Die Lotosblume†is a poem by Heinrich Heine (1797-1856) the text of which, given the circumstances of Robert’s & Clara’s romance, is thought to have a double meaning: the lotus-flower represents Clara, the moon Robert, and the sun Clara’s father, who disapproved of their relationship. This arrangement preserves Schumann’s original piano part in support of a 4-part (SATB) harmonization of the melody. Although the lower voices are informed by the harmonies of the accompaniment and move largely in parallel motion, each voice retains its own counter-melodic value. The arrangement was premiered in 2014 by the Morris County (NJ) Honor Choir under the direction of the arranger, D. Jason Bishop.
Die Lotosblume
Chorale SATB

$2.00 1.71 € Chorale SATB PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
Orchestre à Cordes

$32.95 28.16 € Orchestre à Cordes PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1254492 Composed by Guillaume de Machaut (1300-1377). Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Standards. 14 pages. Jmsgu3 #848073. Published by jmsgu3 (A0.1254492). Ma fin est mon commencement is a rondeau composed by Guillaume de Machaut, a prominent composer and poet of the Medieval period. The poem's translated text reads, My end is my beginning, and my beginning my end. The piece is notable for its musical complexity, with the second voice part being the reverse of the first part and the third being a palindrome. The reversed text and voice names might symbolize a look in a mirror that reflects a favorite image of Machaut. The piece is set in three voices and follows the typical form of a 14th-century rondeau, ABaAabAB. The piece's significance lies in its spiritual meaning, which expresses a truth about life in this world and the next, with death being a gateway to life.
Machaut: Rondeau No. 14 "Ma fin est mon commencement" for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 21.33 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1376260 By Noah Kahan. By Noah Kahan. Arranged by J.Palacius. 21st Century,Contemporary,Pop,Singer/Songwriter,Soul. Score. 11 pages. Jhavilah #960800. Published by Jhavilah (A0.1376260). Noah Kahan's song Stick Season is a reflection of personal experiences and emotions. The song is about feeling left behind and trapped, and it captures the highs and lows of change. Kahan has described it as a song that allowed him to cross over into the style of songwriting he has always loved. The term stick season refers to the period between fall and the first snow in New England, marking a time of transition in the weather and in people's lives. It is also associated with feelings of loneliness and introspection. The song has been well-received and has connected with many listeners, contributing to Kahan's rise as a prominent artis.
Stick Season
Piano seul
Noah Kahan
$6.99 5.97 € Piano seul PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.948407 Composed by Tielman Susato. Arranged by James Poteat. Concert,Renaissance,Standards,World. Score. 25 pages. James Poteat #3904133. Published by James Poteat (A0.948407). It is rare that pianists play music written prior to 1650, but this book provides the opportunity to learn more about music of the Renaissance through study, practice, and performance. Tielman Susato is best remembered as a prominent printer and publisher of music who lived and worked for many years in the city of Antwerp, part of present-day Belgium. Susato was the composer of both vocal and instrumental works, including his 1551 collection known as the Danserye. I have drawn from these dances to create Susato for Piano. This book contains music of both elementary and intermediate complexity. Most of the pieces have been arranged as duets, but the primo parts may be played without accompaniment. When both parts are played, the primo should be played one octave higher than written. In the case of the final Ronde, the primo part may be played in the written octave. Musicians of Susato’s time would have improvised freely on each tune and would have repeated phrases or entire dances to fit the situation. I encourage you to embellishments or repeats as desired, and have fun!
Susato for Piano
Piano Facile

$7.00 5.98 € Piano Facile PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale