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Concert Band - Digital Download SKU: AX.00-PC-0017437_AX1 E-flat Alto Saxophone. Composed by Chris M. Bernotas. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017437_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017437_AX1). UPC: 038081517551.Here they come marching two by two---it's a robot brigade! This dramatic piece for beginning band uses only the first six notes students learn. It is full of meaningful teachable moments that include call-and-response, minor mode, dynamics, and much more. The low brass and low winds play a prominent role throughout and everyone in the band will stay engaged. Students will surely practice this one! (2:25)Concert/Contest; Festival.
March of the Robot Brigade: E-flat Alto Saxophone
Orchestre d'harmonie

$3.00 2.61 € Orchestre d'harmonie PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century,Jazz,March,Multicultural,Pop,World. 24 pages. Charles Decker Music Press #837904. Published by Charles Decker Music Press (A0.1242857). My Ragtime Baby was the 1898 mega hit featured in the Sousa Band European 1900 tour that introduced European audiences to American Ragtime. Fred Stone was a prominent African-American composer and conductor in the early Ragtime movement. The rag is arranged for two B-flat trumpets, horn in F, trombone and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!†  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
My Ragtime Baby for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$12.99 11.31 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violon, violoncelle

$36.95 32.18 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.1265431 Composed by Dr. John Bull, 1562-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 6 pages. Jmsgu3 #858250. Published by jmsgu3 (A0.1265431). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces, published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the wedding in 1613 of the Princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasies. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and made significant contributions to the repertoire of keyboard and choral music during that era.
Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello

$32.95 28.69 € PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1142104 Composed by Mykola Leontovich. Arranged by Lori Archer Sutherland. Christmas,Folk,Holiday,Multicultural,World. Score and part. 6 pages. Lori Archer Sutherland #742480. Published by Lori Archer Sutherland (A0.1142104). Originally derived from a Ukranian folk tune, Mykola Leontovich composed Shchedryk for choir in 1916. It depicts a swallow arriving to tell the household of the arrival of spring and good fortune for the next year. The original folk song was often sung as a well-wishing song at the new year (January 13th on the Julian calendar). The song is often referred to as the Ukranian Bell Carol. After the song was performed in the United States in 1921, a prominent choir director wrote new lyrics that reflected a Christmas scene, inspired by the bell-like tones in the song. This version has remained popular in the U.S.
Shchedryk (Ukranian Bell Carol)
Trompette, Piano

$4.99 4.35 € Trompette, Piano PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1068969 Composed by J S Bach, Charles Gounod. Arranged by Lisa Ruping Cheng. Baroque,Romantic Period. Full Performance. Duration 135. Lisa Ruping Cheng #5741289. Published by Lisa Ruping Cheng (A0.1068969). Ave Maria was published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The melody was composed by the French Romantic composer Charles Gounod, who superimposed over slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J. S. Bach's The Well-Tempered Clavier. The lyrics - Latin prayer Ave Maria was not the origianal poem Gounod intended. This recording converted the vocal part into piano instrumental. Ultimately it is the melody that is giving the prominent beauty. Arranged and performed by Canadian pianist Lisa Ruping Cheng. ISRC QZHZ32055186
Ave Maria Bach-Gounod
Piano seul

$3.99 3.47 € Piano seul PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: Dr. Bull's Juell for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 21.73 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017437_T1 1st B-flat Trumpet. Composed by Chris M. Bernotas. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017437_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017437_T1). UPC: 038081517551.Here they come marching two by two---it's a robot brigade! This dramatic piece for beginning band uses only the first six notes students learn. It is full of meaningful teachable moments that include call-and-response, minor mode, dynamics, and much more. The low brass and low winds play a prominent role throughout and everyone in the band will stay engaged. Students will surely practice this one! (2:25)Concert/Contest; Festival.
March of the Robot Brigade: 1st B-flat Trumpet
Orchestre d'harmonie

$3.00 2.61 € Orchestre d'harmonie PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.528736 By Henry Mancini. By Henry Mancini. Arranged by Diego Marani. 20th Century,Contemporary,Film/TV,Instructional,Standards. Score and part. 7 pages. Diego Marani #6403925. Published by Diego Marani (A0.528736). Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song. The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. The Telegraph listed, among prominent covers of the song, those by Frank Sinatra, Judy Garland, Sarah Vaughan, Louis Armstrong, Barbra Streisand and Rod Stewart.This arrangement for Viola with Piano is suitable for classroom, repertoire, wedding and recital.
Moon River
Alto, Piano
Henry Mancini
$12.99 11.31 € Alto, Piano PDF SheetMusicPlus

SAB chorus, Piano (opt. Flute & Oboe) - Digital Download SKU: IZ.VMW238 Composed by Robert M. Shearn. Score and Parts. 12 pages. Imagine Music - Digital #VMW238. Published by Imagine Music - Digital (IZ.VMW238). 9 x 12 inches.Goes the Christ works well as a performance piece or as a musical exclamation point during worship where Gospel hospitality is a prominent theme. Welcoming the stranger has deep biblical roots where towering figures, the likes of Abraham and Sarah, entertained angels unawares when offering hospitality to wayfarers. It can also function well as an Advent piece where reflection on seasonal themes such as waiting, watchfulness, expectation, and hope can attune our minds and hearts to the hidden presence of Christ who often comes to us in surprising ways. Performance-wise, simplicity is key. The overlapping harmonies, including the cascading “often, often, often, can help reinforce the oft-forgotten mystery so powerfully conveyed in Jesus' parable of the final judgment (Mt. 25:31-46 ), namely, that to welcome the stranger, is to welcome him.
Goes the Christ

$10.00 8.71 € PDF SheetMusicPlus






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