Woodwind Ensemble,Woodwind Trio Flute - Digital Download SKU: A0.1266941 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Chamber,Classical,Contest,Festival. 8 pages. Nancy Frese Tabb #859588. Published by Nancy Frese Tabb (A0.1266941). Bach's Fugue in C minor (BWV 847) is arranged as a Three Part Flute Choir.  While the original version from the Well-Tempered Klavier is scored as a Piano Solo, this arrangement features a prominent initial exposition of each instrument complementd by the harmonies of the other instruments.  Perfect for a recital, concert or competition!

Piano,Viola - Level 3 - Digital Download SKU: A0.1502770 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078437. Published by SCORE EDITIONS (A0.1502770). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Viola and Piano by Harry Walker.

Choral SATB Chorus - Digital Download SKU: H1.C6042DP Composed by Jay Althouse. Piano Accompaniment. General Worship. Octavo. 12 pages. Hope Publishing - Digital #C6042DP. Published by Hope Publishing - Digital (H1.C6042DP). Jay Althouse. Luke 2:14 - I Chronicles 16:29.Original anthem Here is a bright, exuberant anthem proclaiming glory to God suitable for many uses throughout the church year. A rhythmic pulse is the most prominent feature of the opening melody with a contrasting middle section incorporating an a cappella verse of the doxology, Praise God from whom all blessings flow. A powerful return to the proclamation of praise completes the work.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802620 Composed by Pearl S Buck. Arranged by Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6027923. Published by Peet du Toit (A0.802620). Pearl Sydenstricker Buck (June 26, 1892 – March 6, 1973; also known by her Chinese name Sai Zhenzhu; Chinese: èµ›ç��ç� ) was an American writer and novelist. As the daughter of missionaries, Buck spent most of her life before 1934 in Zhenjiang, China. Her novel The Good Earth was the best-selling fiction book in the United States in 1931 and 1932 and won the Pulitzer Prize in 1932. In 1938, she was awarded the Nobel Prize in Literature for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces. She was the first American woman to win the Nobel Prize for Literature.After returning to the United States in 1935, she continued writing prolifically, became a prominent advocate of the rights of women and minority groups, and wrote widely on Chinese and Asian cultures, becoming particularly well known for her efforts on behalf of Asian and mixed-race adoption.There are no adult rhymes in this ditty, because this English folk song was written for children. Its three verses each relate the misadventures of a farmer - beginning with Old Farmer Buck - who appear to have been drinking too much. Perhaps they all came up from Somerset where the cider rotted their brains? In 1926, an arrangement of this song in 4/4 time by Gerrard Williams was published by J. Curwen & Sons of London. It was still being taught in English schools in the 1960s, and perhaps later. 

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1514884 Composed by William Ortiz. 21st Century,Chamber,Contemporary,Hip-Hop,Latin. 16 pages. William Ortiz #1089378. Published by William Ortiz (A0.1514884). “Sandungueo”, for Brass Quintet, uses Caribbean and Hip-Hop dance motives to create a lively and energetic dancescape. The opening fragmented “cencerro” and reggaeton rhythmic motive proclaimed is significant in that it introduces the works essence. “Sandungueo” is a style of dance and party music associated with reggaeton. This “cencerro” and “guaguanco” tumbao motives return throughout the piece in various guises and changes of tonality. The piece emulates a jazz ensemble where there are sections in which the instruments are called upon to solo against a rhythmic basso continuo or vamp. Latin and Hip-Hop rhythmic motives are prominent and integral to the work. This piece is a reworking of the second movement of my “Quinteto de Metales”.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1473094 By Dick Hyman. By Harold Arlen and Ted Koehler. Arranged by Kenneth Abeling. Jazz. 14 pages. LINCOLN MUSIC PUBLICATIONS #1050715. Published by LINCOLN MUSIC PUBLICATIONS (A0.1473094). I’ve Got the World on a String, Lyrics by Ted Koehler & Music by Harold Arlen arranged for String Quartet. The song was popularized most notably by Cab Calloway, Bing Crosby and Frank Sinatra but recorded by dozens of prominent vocal artists. The playing time is approximately 3:20. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit https://lincolnmusicpublications.com.

Concert Band - Level 4 - Digital Download SKU: A0.742827 Composed by Christopher Philip Winkler. Arranged by David Winkler. Contemporary. Score and parts. 70 pages. Www.DavidWinkler.com #3244221. Published by www.DavidWinkler.com (A0.742827). A stirring march from the early 1900's.  The composer, Christopher Philip Winkler, was a prominent musician in the city of Memphis, Tennessee. This arrangement was written by the great-great-grandson of the composer.Note that a version of this march for orchestra (basically the concert band version plus optional strings) is also available through Sheet Music Plus.

Piano Solo - Level 5 - Digital Download SKU: A0.1496830 Composed by Frano Para?. Arranged by Zellev. 20th Century,Classical,Comedy,Contemporary,Folk. Score. 9 pages. Zellev Music #1073315. Published by Zellev Music (A0.1496830). Key Signature: NaturalTime Signature: 3/4Tempo: Presto agitato (about 290bpm)Difficulty: Advanced (very)Frano Para? (Split, 11 May 1948), graduated in composition at the Music Academy of Zagreb in the class of Stanko Horvat, and continued his education under Marino Zuccheri in Milan at the Studio fonologia musicale della RAI. Since 1978 he has taught at the Music Academy of Zagreb, first as professor of theoretical courses, then of composition.In 1992 he was appointed the position of full professor and he was elected dean on two occasions (1985 – 1987 and 2002 – 2006). Since as early as 1975 he has received numerous and most prominent professional awards as well as national medals.In 1992 he was accepted as associate member of the Croatian Academy of Sciences and Arts, becoming its full member in 2008. In the aesthetic, composing-technical and other versatile brittleness of music from the last quarter of the 20th century the Croatian composer Frano Para? succeeded in finding his distinguished place owing to his infallible musical instinct, skilful notation technique and clearly expressed belief that “the artists must raise his voice, because the noise around him has become too great”.(https://www.info.hazu.hr/en/clanovi/parac-frano/).

Concert Band - Digital Download SKU: AX.00-PC-0015794_B1 Bassoon. Composed by Nick Arundel and Ron Fish. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015794_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015794_B1). UPC: 038081440880.From the acclaimed video game soundtrack, Batman: Arkham City includes three prominent, yet contrasting themes. This through-played medley is certain to energize players and audiences alike. Game on! (3:30).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.851319 Composed by Trad Spiritual. Arranged by Tim Attride. Christmas,Spiritual. Octavo. 6 pages. Tim Attride #4994977. Published by Tim Attride (A0.851319). One for the upper voices, this traditional spiritual has been given a bit of a makeover with snatches of other Christmas carols.  Despite being SSAA (and SSSSAAAA in the last bar!) this is well within the range and difficulty level of a reasonably competent choir.  Just make sure the tune(s) are prominent and don't rush the last bar.  (Could be transposed down for the men.)  Ideal for a Christmas concert or Lessons & Carols.

Strings Choir,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1433063 By Stephen DeCesare. By Stephen DeCesare. 21st Century,Children,Classical,Contemporary,Contest,Festival. Accompaniment. Duration 180. Exultet Music #1013492. Published by Exultet Music (A0.1433063). Sympathy is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem around while he was working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African-Americans.  This piece has many arrangements that are available on this site.  Accessible and appropriate for any school or concert setting.

Piano Solo - Level 3 - Digital Download SKU: A0.1368464 Composed by Wolfgang Amadeus Mozart. Arranged by Jose Valladares. Classical. Score. 1 pages. Circlesquare Music #952811. Published by Circlesquare Music (A0.1368464). The Polonaise in F Major by Wolfgang Amadeus Mozart is a charming piece that reflects the composer's versatility and his ability to master various musical forms. Mozart, a prolific and influential composer of the Classical era, was renowned for his profound command of musical language and his ability to imbue his compositions with both technical brilliance and deep expressiveness.The Polonaise is a dance that originated in Poland, characterized by its stately tempo and rhythmic pattern. By the time of Mozart, the Polonaise had become popular in many European countries and was often composed as a standalone instrumental piece or included as a movement in larger works. Here are some key aspects of Mozart's Polonaise in F Major:Classical Elegance: As a composition by Mozart, the Polonaise in F Major is likely to exhibit the clarity, balance, and elegance that are hallmarks of the Classical style. Mozart's compositions are known for their refined melodic lines, graceful phrasing, and structural coherence.F Major Key: The key of F Major often conveys a warm and harmonious mood, and in the context of a Polonaise, it would lend the piece a bright and majestic character. Mozart's use of the key would enhance the dignified and noble qualities associated with the dance.Dance Rhythms: The Polonaise is known for its distinctive rhythm, which is typically characterized by a prominent accent on the first beat of the measure. Mozart's Polonaise in F Major would likely embrace this rhythmic pattern, offering a piece that is both lively and stately.Stylistic Interpretation: While retaining the traditional characteristics of the Polonaise, Mozart might have infused the piece with his own stylistic nuances, creating a composition that is both respectful of the dance's origins and reflective of his unique musical language.Pedagogical Value: Mozart's compositions are often used for educational purposes, given their ability to combine technical demands with expressive depth. The Polonaise in F Major might serve as a valuable piece for developing a pianist's sense of rhythm, articulation, and stylistic interpretation, especially in the context of dance-inspired music.Musical Imagery: In keeping with the tradition of the Polonaise, Mozart's piece might evoke images of elegant ballrooms and sophisticated dances, transporting the performer and the listener to a world of courtly elegance and refined taste.

String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1411809 By The Kinks. By Ray Davies. Arranged by Katherine Burr. 20th Century,Folk,Pop,Singer/Songwriter,Wedding. 13 pages. Katherine Burr #994070. Published by Katherine Burr (A0.1411809). This is a gooey three part arrangement, backing a soloist or soloists on the lead line. I have always split the solos when performing, as some parts of the lead line suit themselves to different ranges - feel free to experiment with octaves.There are some close, sustained seconds in the harmony parts, be sure that these aren’t too loud or prominent against the other chord notes, just adding a touch of colour to the sound.

Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score and parts. 15 pages. Gabriel Vinicius #704925. Published by Gabriel Vinicius (A0.1101547). Johann Sebastian Bach wrote his Harpsichord Concerto no. 2 in E, BWV 1053 in 1738, and it was published in 1854 in Leipzig by C.F. Peters. This concerto is thought to be based on a concerto for a wind instrument, probably oboe or oboe d'amore, and from stylistic considerations, it may have dated from Bach's time in Leipzig. It exists, like BWV 1052, in a later transcription in his cantatas Gott soll allein mein Herze haben, BWV 169, and Ich geh und Suche mit Verlangen, BWV 49, from which further inferences can be made about the original concerto. Bach changed his method of arrangement with this work, significantly altering the ripieno parts from the original concerto for the first time, limiting much more to the tutti sections. The lower string parts were much reduced in scope, allowing the harpsichord bass to be more prominent, and the upper strings were likewise modified to allow the harpsichord to be at the forefront of the texture. A standard rendition of the piece lasts 19 minutes. The work calls for two violins, a viola, and a continuo section, besides the solo harpsichord.