Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Violin Solo - Level 3 - Digital Download SKU: A0.1125917 Composed by Gustav Holst. Arranged by Sharon Sullivan. 20th Century,Christian,Classical,Patriotic,Praise & Worship. 1 pages. Sharon Sullivan #726666. Published by Sharon Sullivan (A0.1125917). A 24 bar arrangement for Grade 4+ violinists. Third and fourth position sections clearly indicated with useful finger numbers added. Includes bowing, dynamics and bar numbers, also chord symbols for optional piano/guitar accompaniment. Arranged by an experienced violin teacher/examiner.

Tenor Trombone,Trombone Solo - Level 3 - Digital Download SKU: A0.1227780 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823743. Published by Tim Curd (A0.1227780). Trombone Scales Grade 5 (Bass Clef). For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed tongued only. The candidate will only need to learn one type of minor scale: either harmonic or melodic.A Major Scale: a 12thA Major Arpeggio: a 12thC Major Scale: a 12thC Major Arpeggio: a 12thF Major Scale: a 12thF Major Arpeggio: a 12thG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesA Harmonic Minor Scale: a 12thA Melodic Minor Scale: a 12thA Minor Arpeggio: a 12thC Harmonic Minor Scale: a 12thC Melodic Minor Scale: a 12thC Minor Arpeggio: a 12thEb Harmonic Minor Scale: 1 Octave and down to the dominantEb Melodic Minor Scale: 1 Octave and down to the dominantEb Minor Arpeggio: 1 Octave and down to the dominantG Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesF Chromatic: 2 OctavesWhole Tone in F, 2 OctavesDominant 7th in the key of Bb, 2 Octaves resolving on the tonicDominant 7th in the key of C, 2 Octaves resolving on the tonicDiminished 7th in F: 2 Octaves.

Composed by Angèle Terorotua, Jean-Pierre Célestin, Johanna Nouveau Patrick Amar, Louis Mamatui, and Maeva Bougues Irmine Tehei. Arranged by Keith Terrett. 20th Century, Patriotic, World. Score and parts. 12 pages. Keith Terrett #1955521. Published by Keith Terrett

Violin Solo - Level 2 - Digital Download SKU: A0.1350888 By Al Bano & Romina Power. By Cristiano Minellono, Dario Farina, and Gino De Stefani. Arranged by Lkmusic. Contemporary,Multicultural,Pop,Singer/Songwriter,Traditional,World. 2 pages. Lucas Kist #935717. Published by Lucas Kist (A0.1350888). Aranged to violin. Enjoy...

By Traditional. Arranged by Douglas Minerd. For tuba quartet (EETT). Quartet music. Score and parts. Published by Cimarron Music Press

Large Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.780779 Composed by Harold Arlen. Arranged by Cathy Stamegna. Blues,Children,Contemporary,Film/TV,Pop. Score and part. 8 pages. Cathy Stamegna #5324315. Published by Cathy Stamegna (A0.780779). Accentuate the Positive - or - Ac-Cent-Tchu-Ate the Positive (Alto Saxophone Solo, Chords, Piano Accompaniment). This arrangement begins and ends with a few measures of slow blues, while the body of the arrangement remains true to the traditional.  Chords included for guitar or mallet players to join in.  Recorded by Bing Crosby and The Andrews Sisters, Aretha Franklin, and Paul McCartney among others, this 1945 Academy Award nominee (for Best Original Song) is still a wonderful message for today. Set of Parts.  Concert Key:  F; Alto Saxophone Range:  A4-C6. 

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.925378 By Alan Walker Ft. Au/Ra & Tomine Harket. By Alan Walker, Anders Froen, Andrew Frampton, Atle Pettersen, Fredrick Borch Olsen, Fredrik Borch Olsen, Gunnar Greve, James Daniel Nije Eriksen, James Eriksen, Jamie Stenzel, Jesper Borgen, Lars Rosness, Marcus Arnbekk, Tommy Laverdi, and William Larsen. Arranged by SJ Studio. Contemporary. Score. 9 pages. SJ Studio #5361773. Published by SJ Studio (A0.925378). Late Intermediate Level Duration 3'37''.

Piano,Tuba - Level 5 - Digital Download SKU: A0.811176 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #5866109. Published by Gordon Cherry (A0.811176). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Tuba (Bass Trombone) and Piano, Volume Two. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously un-mined resource and added immeasurably to the Tuba and Bass Trombone repertoire. For advanced performers with about 14 minutes of exquisite music. Volume III is in preparation. Keep an eye out for it.

String quartet SKU: M2.MOS-12433 Composed by Alfred Koerppen. Score and parts. Möseler Verlag #MOS 12433. Published by Möseler Verlag (M2.MOS-12433). ISBN 9790203710431.Sollte man, wenn man Komponist im prominenten Sinne des Wortes sein mochte, nicht auch ein Streichquartett geschrieben haben? Dieses Genre Streichquartett - mehr ein Formbegriff als eine Besetzungsangabe - war seit seinen Anfangen das Feld eines bewusst fortschrittlichen, zum Teil experimentellen Erkundens und Probierens, in dem die gesellschaftlich-funktionellen, an Spielern und Publikum orientierten Ziele zurucktraten; es ging, allein oder zuerst, um Musik, um ihre Eigengesetzlichkeit und Absolutheit, und nur nebenbei um das gesellige Zusammensein und Musizieren. (Wobei die Vorstellung, Quartettspiel sei wie ein angeregtes Gesprach zwischen vier vernunftigen Leuten (Goethe) immer mitwirkte und dem Gesellig-Kulinarischen Raum liess.) Im Fortgang der Musikgeschichte und ihrer avanciertesten Spitze schufen Streichquartette oft den Prototyp. Durch diese Pragung der Gattung, die sich mir als verpflichtend darstellte, verhielt ich mich reserviert; ich bin kein Entdecker, der unerforschtes Gelande kartographiert sondern vergleiche mich lieber mit einem Siedler und Bauern, der neues Land unter den Pflug nimmt. Nur - uberraschend und unvorhersehbar veranderte sich das Klima, in dem Neues entsteht. Innovationsehrgeiz, Fortschritts- und Veranderungseuphorie wichen einem gelasseneren, kompositorischen Bilden und Schaffen. So bekam ich Lust, mein Oeuvre mit einem Streichquartett zu komplettieren. Alfred Koerppen.

Piano,Violin - Level 1 - Digital Download SKU: A0.1076969 Composed by Sergey Beltiukov. Children,Classical,Contemporary. 62 pages. BFG Publishing LLP #681096. Published by BFG Publishing LLP (A0.1076969). The violin book Mer r y Locomotive is especially composed for the children in first and second grade of the music school. It consists of 14 different pieces. It offers many tools for the initial development of both the right and the left-hand techniques. All melodic pieces help develop the softness of sound and stimulate smooth change of position. Based on the different methodological tasks, they are divided as follows: No. 1 - 3 – Mastering the legato and detaché techniques (rhythmic bowing) and getting to know holds and pauses; No. 4 - 5 – Connecting strings: this essential part of the technique requires the development of right- hand flexibility. Tackling position changing is also part of this section. The mastering of these main techniques largely determines the entire further development of the pupil's violin technique; No. 6 - 9 – Staccato bowing: at this stage it is advisable to learn staccato not by sharp pressure but based on a light acceleration of detaché and the separation of sounds by pauses; No. 10 - 11 – Is a combination of the legato and staccato bow strokes; No. 12 - 13 – Dotted rhythm in combination with legato and staccato bowing; No. 14 – Is a combination of all the above-proposed bow strokes in one piece; The combination of the violin pieces with accompaniment contributes to the stability of intonation and provides the necessary metro-rhythmic support. The artistically enriched material makes learning more attractive to the pupil and awakens a musical interest in classes, as a result of which the effectiveness of the educational process is significantly increased.