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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â?                THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â?               THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â?          THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
Gregory Sullivan Isaacs: Henry Faust for tenor and piano Voix Tenor, Piano

$65.95 55.72 € Voix Tenor, Piano PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.833867 By The Searchers. By Jerry Leiber and Mike Stoller. Arranged by Michael Compton. Contemporary. Score and parts. 24 pages. Kreechur Kumfort Publishing #6479471. Published by Kreechur Kumfort Publishing (A0.833867). Written in 1959 by Lieber of Stoller, Love Potion Number 9 was first released by the Clovers who took it to number 23 on Billboard, then recorded by the Searchers who reached number 3 with it. The song describes a man seeking help to find love who then enlists the help of a gypsy who determines, by means of palmistry, that he needs love potion number 9. The potion, an aphrodisiac, causes him to fall in love with everything he sees, kissing whatever is in front of him, eventually kissing a policeman on the street corner, who breaks his bottle of love potion. This arrangement is set for intermediate level jazz band and has solo space for the piano - but can of course be passed off to any member.
Love Potion Number 9 Ensemble Jazz
The Searchers
$49.99 42.23 € Ensemble Jazz PDF SheetMusicPlus

Violin and piano - Digital Download SKU: S9.Q41080 Composed by Hans Sitt. This edition: Sheet music. Downloadable. Op. 13/1. Schott Music - Digital #Q41080. Published by Schott Music - Digital (S9.Q41080). Any violinist who hears the name Sitt nowadays will probably just think of the author of studies and exercises that have long been a familiar feature in instrumental lessons. Of course the Prague violinist, music teacher and composer Hans Sitt (1850–1922) made a significant impact on methods of violin teaching, but he also wrote a whole series of other works worth listening to: concertos for violin, viola and cello and chamber music for various combinations of instruments. Sitt studied the violin in Prague and was then appointed first as leader of the orchestra and then as musical director in Breslau (now called Wrocław).After posts as director of music in Prague, Chemnitz – where he championed the work of Smetana – and Nice, he was eventually appointed professor of violin, orchestral playing and score reading at the Leipzig Conservatoire from 1884–1921. Besides this he also played viola in the Brodsky Quartet, organised concerts and was conductor of the Bach Society. The composers Franco Alfano - who completed Puccini’s unfinished opera Turandot– and Frederick Delius studied with Sitt, as did the conductor Václav Talich. Three Album Leaves op. 13 were also composed during his time in Leipzig, published by Bosworth & Co in 1894. Romanesca, No. 1 in that collection, is a pretty, slightly melancholy piece of music with romantic appeal that draws out lyrical and expressive playing and is thus eminently suitable for tuition purposes and concert performances.
Romanesca Violon et Piano

$9.99 8.44 € Violon et Piano PDF SheetMusicPlus

Guitar - avancé - Digital Download SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1521). Dedicated to the luminary Steve Cowan, ?empty mind, open heart? is a four-movement suite that centers around the intervals of a fifth and a tritone. Each movement is inspired by a quote from the Tao Te Ching by Lao Tzu. The opening movement is a meditation. The aleatoric rhythms and pacing of the notes are guided by the breathing of the performer, according to specific instructions in the score. Out of that atmosphere emerges a fluid, serene series of arpeggios in irregular rhythms in the second movement. Each new chord changes only one or two notes at a time in a gradual evolution over time. The third movement is a study in rhythm, sometimes dizzying. And the piece ends with a heartfelt, mostly quiet soliloquy.Dédiée à la sommité Steve Cowan, ? esprit vide, c?ur ouvert? est une suite en quatre mouvements centrée sur les intervalles d'une quinte et d'un triton. Chaque mouvement est inspiré d'une citation du Tao Te Ching de Lao Tseu. Le mouvement d?ouverture est une méditation. Les rythmes aléatoires et le rythme des notes sont guidés par la respiration de l'interprète, selon des instructions spécifiques de la partition. De cette atmosphère émerge une série d?arpèges fluides et sereins aux rythmes irréguliers dans le deuxième mouvement. Chaque nouvel accord ne change qu'une ou deux notes à la fois selon une évolution progressive dans le temps. Le troisième mouvement est une étude du rythme, parfois vertigineuse. Et la pièce se termine par un monologue sincère, plutôt calme.
...empty mind, open heart... Guitare

$7.95 6.72 € Guitare PDF SheetMusicPlus

String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.859958 Composed by Henri Casadesus. Arranged by Steven Kruse. 20th Century,Baroque,Standards. Score and parts. 61 pages. String Play for All #6382253. Published by String Play for All (A0.859958). Your students will love playing this new arrangement for three violas of one of the most prominentt  concertos every violist studies. Even though research has shown that Handel did not compose this work, this concerto by Henri Casadesus has remained a staple in the viola repertoire. Very few students have the opportunity to perform the work with orchestra. Keyboard accompaniment provides the melodic lines and harmonies, but it is not the same feeling as performing with a string ensemble. Hearing the individual parts adds to the ensemble experience. This arrangement for three violas is designed to provide this ensemble experience. It is intended for three students all working on the this concerto by Casadesus. The Viola I part is the solo viola part as it appears in the original, with bowings, fingerings and cadenzas provided by the arranger. The Viola I part also plays in the tutti sections as needed. The Viola II part consists mostly of the melody in the orchestra tutti sections, as well as harmonizing lines with the Viola I part. The Viola III part provides the bass line and includes melodic lines as well. By learning and playing all three parts, students become familiar with how the solo part relates to the orchestra. Students learn to listen more carefully to the orchestra lines, developing a better sense of ensemble. By playing all parts, students develop a more complete sense of the concerto. College students and professionals will also have fun with these arrangements, a new approach to teaching this Concerto!
Concerto in B Minor in the Style of Handel, Arranged for Three Violas Trio à cordes: 3 altos
learning and playing all three parts, students become familiar with how the solo part relates to the orchestra Students learn to listen more carefully to the orchestra lines, developing a better sense of ensemble
$12.95 10.94 € Trio à cordes: 3 altos PDF SheetMusicPlus

Choral Choir (SSA) - Level 5 - Digital Download SKU: A0.845956 Composed by Maria Thompson Corley. Concert,Contemporary. Octavo. 7 pages. Maria Thompson Corley #6679309. Published by Maria Thompson Corley (A0.845956). The text to this dramatic, intense song was inspired by the events of the summer of 2020; that said, the trope it addresses goes back for many years. The message is this: no person can be summed up by one emotion, and all have the right to be angry, on occasion. Black women have more reason to be angry than a lot of people, and while we shouldn't be consumed by anger, we shouldn't feel like we can't express it, either. Anger results from hurt or fear; the more lyrical middle section alludes to the pain that we've experienced. The song ends with the defiant question: But what if I were? If you have questions, Raehann Bryce and Jeanne-Minette Cilliers capture this song perfectly in the YouTube video. For reasons I can't explain, I'm unable to add the link, however, it's on my Maria Corley YouTube channel.
I Am Not An Angry Black Woman for mezzo-soprano (Range: A4 to A6) Chorale 3 parties

$9.99 8.44 € Chorale 3 parties PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Trombone - Level 3 - Digital Download SKU: A0.1471944 Composed by Lyrics by Christina Rosetti, Music by Gustav Holst. Arranged by W. C. Kennedy. Christmas,Holiday,Traditional. 18 pages. Weldon C Kennedy #1049577. Published by Weldon C Kennedy (A0.1471944). Duration of this arrangement: approx 3:30This arrangement of the traditional tune In the Bleak MidWinter is ideal for the voicing in a low brass trio (trombones or baritones). The arrangement is well-suited for an intermediate group, but might be playable by an advanced beginner group. The range (concert F below the staff and concert G above the staff) likely determines whether players are able to perform this piece. The pdf file includes all of the files that might be needed for a low brass trio: the score and separate parts in bass clef, and a score and separate parts in treble clef.With beautiful harmony and dynamics that ebb and flow, this arrangement provides a mellow holiday sound that is sure to be a hit with audiences and a pleasure for the players to play. The audio file shown on this page is generated from the  music notation, so is an accurate rendition of the arrangement.
In The Bleak MidWinter
$10.00 8.45 € PDF SheetMusicPlus

Percussion - Beginning-Intermediate - Digital Download SKU: M0.98081BCDEB Composed by Arturo Rodriguez. Technique, Theory and Reference. Latin American. E-book and online audio. Mel Bay Publications - Digital Sheet Music #98081BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.98081BCDEB). ISBN 9781610658881. 8.75x11.75 inches.This course examines the infusion of traditional Afro-Latin and especially Afro-Cuban concepts into contemporary Western music. Upon completion of this book you will have mastered many new skills that will help you become a more accomplished percussionist and, more importantly, a more complete musician. By exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition. While this book focuses primarily on hand percussion, its basic principals are also applied to the drum kit. There is no standard notation in this book; rather, the rhythms are illustrated with easily understood charts based on counting out subdivided beats. The companion audio offers examples of all major points.
Traditional Afro-Cuban Concepts in Contemporary Music Percussion
exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition While this book focuses primarily on hand percussion, its basic principals are also applied to the drum kit
$24.99 21.11 € Percussion PDF SheetMusicPlus

Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
Penitent Thief, The Alto et Harpe

$24.99 21.11 € Alto et Harpe PDF SheetMusicPlus






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