C Instrument - Level 2 - Digital Download SKU: A0.1104621 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707848. Published by Davi Rocha Campos (A0.1104621). All the things you are by Oscar Hammerstein Ii and Jerome Kern. Lead Sheet / Fake Book. this score is in F#, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.

C Instrument - Level 2 - Digital Download SKU: A0.1104610 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Instructional,Jazz,Musical/Show,Traditional,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707836. Published by Davi Rocha Campos (A0.1104610). This score is in Db, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.

C Instrument - Level 3 - Digital Download SKU: A0.1402905 By Stacey Plays Hymns. By Thomas á Kempis / Unknown. Arranged by Anastace. Advent,Christian,Easter,Lent,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #986131. Published by Anastace (A0.1402905). Here is a richly harmonized yet simple version of “O Love, How Deep�, as heard on my YouTube channel. This beautiful minor hymn is perfect for the Easter season, Lent, or all year round in the church calendar. The Revised Common Lectionary as well as many other church music planning guides have this song as a recommended choice during Palm Sunday, Maundy Thursday, Epiphany, and many other weeks of the Church Year. This version is in A minor to facilitate easier reading of the music and has a vocal range of A3-A4.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in A Minor for easier playing [vocal range: A3-A4]Piano Vocal in C Minor for higher voices and to match most hymnals [vocal range: C4-C5]Lead Sheet in Bb minor [original key]For other formats including large print, a different key to match a soloist's preferred range, or piano solo, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!

C Instrument - Level 2 - Digital Download SKU: A0.1504106 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Advent,Christian,Christmas,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #1079561. Published by Anastace (A0.1504106). Here is a beautiful, simple advent song I wrote to serve churches through the season of Advent, particularly during the candle lighting portion of each Sunday the weeks leading up to Christmas. I recommend singing verse 1 on week 1, verse 1 and 2 on week 2, and so on, but you can also just use a different verse each week depending on your service needs and time constraints. There are recordings available for each of the weeks of Advent on all streaming platforms as of November 1, 2024, in case that is helpful to your service preparation or to choirs who are learning the song. This version is in C Major, with a vocal range of C4-A4, a very comfortable range for congregational singing. Also available, by searching Stacey Plays Hymns and the song title on this site, is a full piano vocal accompaniment version and a piano solo that is perfect for a prelude or postlude any time this song is used congregationally, to tie the whole service together muscially.Purchase includes a free license for four church services with under 300 people, with proper attribution and credit to Stacey Plays Hymns in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!

C Instrument - Level 2 - Digital Download SKU: A0.1104596 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Classical,Film/TV,Instructional,Jazz,Musical/Show. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707811. Published by Davi Rocha Campos (A0.1104596). This score is in A, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book. All the things you are.

C Instrument - Level 2 - Digital Download SKU: A0.1104614 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707840. Published by Davi Rocha Campos (A0.1104614). This score is in Eb, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.

C Instrument - Level 2 - Digital Download SKU: A0.1101538 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #704916. Published by Davi Rocha Campos (A0.1101538). This score is in G, but, the audio is in Ab How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book. All the things you are.

C Instrument - Level 2 - Digital Download SKU: A0.1137543 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sabrina Khuzaimi. Hip-Hop,Pop,R & B,Singer/Songwriter,Wedding. Lead Sheet / Fake Book. 2 pages. Sabrina Khuzaimi #737730. Published by Sabrina Khuzaimi (A0.1137543). This arrangement is actually a lead sheet for the vocals. It could also be use for any other instruments that wanted to use the melody part only for your show. I didn't follow the exact melody as it could be hard for the beginners to play it. I hope this piece could help you play the song that you always wanted to play! Copyright © 2012 BMG Gold Songs, Mars Force Music, Northside Independent Music Publishing, Thou Art The Hunger, Warner Geo Met Ric Music, Hipgnosis Side G, Universal Music Corp., Music Famamanem LP, Roc Nation Music and Concord Road c/o Concord Music Publishing All Rights for BMG Gold Songs and Mars Force Music Administered by BMG Rights Management (US) LLC All Rights for Thou Art The Hunger Administered by Northside Independent Music Publishing All Rights for Hipgnosis Side G Administered by Hipgnosis Songs Group All Rights for Music Famamanem LP and Roc Nation Music Administered by Universal Music Corp. All Rights Reserved Used by Permission.

SATB choir - Moderately Difficult - Digital Download SKU: MQ.6076-E Composed by David Conte. 10 pages. E. C. Schirmer Music Company - Digital #6076-E. Published by E. C. Schirmer Music Company - Digital (MQ.6076-E). Composed to a text by John Stirling Walker, The Composer was commissioned by the Walden School, Dublin, New Hampshire, in celebration of its thirtieth anniversary, and was written for Patricia Plude, Director of the Walden School, and for Leo Wanenchak, Conductor of the Walden School Chorus.Appropriate for: concerts, skilled school, community, professional chorusesc. 4:30“The Composer speaks to the nature of an artist’s inspiration as something that can transcend personal will or earth-bound concerns. [I] had in mind Beethoven as an example of this quality of receptivity to a heaven-sent creative impulse. Mr. Conte’s music captures the spirit of the text with the usual inimitable accuracy of feeling.� -John Stirling WalkerThe Composer is included on the album Facing West: Choral Music of Conrad Susa and David Conte.

Piano Solo - Level 3 - Digital Download SKU: A0.508628 Composed by Safflower Music LLC. Instructional,Jazz,Standards. Score. 1 pages. Safflower Music LLC #5825359. Published by Safflower Music LLC (A0.508628). This harmonically rich contemporary composition is presented in the form of a standard jazz lead sheet replete with melody and chord symbols. This study is great for the intermediate pianist looking to develop skills in the areas of sight-reading, technique, theory, and artistry.  â€”by Sarah Jane Cion, Winner of the 1999 Great American Jazz Piano Competition and author of MODERN JAZZ PIANO REVEALED An Intermediate Guide to Jazz Concepts, Improvisation, Technique & Theory

SATB choir and organ - Moderately Difficult - Digital Download SKU: MQ.8702-E Composed by Howard Helvey. Advent. Score. 8 pages. Duration 3 minutes, 20 seconds. E. C. Schirmer Music Company - Digital #8702-E. Published by E. C. Schirmer Music Company - Digital (MQ.8702-E). English.Commissioned to honor Ken and Diane Ketel for their many years of music ministry at First United Methodist Church in Rapid City, South Dakota. Scored for mixed choir and organ, this Advent anthem sets a Greek hymn text translated in 1907 by John Brownlie. The overall musical form is ABABA (and a short coda), with the A section essentially being a newly-composed Common Meter (86.86) hymn tune. Gentle multi-meter is applied throughout and serves to underscore the natural scansion of the text. This anthem was the 2018 winner of the Sewanee Church Music Conference Choral Composition Prize. Duration 3:20.

SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8907-E Composed by Frank Ferko. 14 pages. E. C. Schirmer Music Company - Digital #8907-E. Published by E. C. Schirmer Music Company - Digital (MQ.8907-E). English.Commissioned by Christopher Watson, conductor of the Trinity College Choir, Melbourne, for the ensemble's U.S. concert tour in 2020. With its swinging rhythms and laughing motif throughout, this is a fitting conclusion to Ferko's set of four American folk songs. Eschewing weightier interpretations of the text, this setting is pure fun.

Soprano voice and baritone voice soli, SATB choir, and piano - Medium - Digital Download SKU: MQ.8180-E Composed by Henry Mollicone. 21st Century. 16 pages. Duration 3 minutes, 5 seconds. E. C. Schirmer Music Company - Digital #8180-E. Published by E. C. Schirmer Music Company - Digital (MQ.8180-E). English.Henry Mollicone wrote Now I Can See the Light! for the Choir of the Stone Church of Willow Glen, Nancy Wait Kromm, director. Walter Roach, the parishioner who commissioned the piece, asked Mollicone to compose a work in a gospel style. Set to a text by the pastor at Stone Church, Rev. Ken Henry, this anthem is ebullient and spirited. The choral writing is straightforward and accessible, and a high-voice and low-voice soloist are required. Duration: 3:05.

SSATB choir unaccompanied - Medium - Digital Download SKU: MQ.8741-E Composed by Melissa Dunphy. 11 pages. Duration 1 minute, 30 seconds. E. C. Schirmer Music Company - Digital #8741-E. Published by E. C. Schirmer Music Company - Digital (MQ.8741-E). English.A set of four contrasting “memorial dances� for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving, and each takes after a dance form. This movement is the first. The text is by Nathaniel Schlott (1701), and it's paired with music in the form and feel of a rather jaunty Saltarello, despite the grim title! Duration: 1:30.

SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8998-E Composed by Robert Convery. 11 pages. E. C. Schirmer Music Company - Digital #8998-E. Published by E. C. Schirmer Music Company - Digital (MQ.8998-E). English.The iconic poem by Ella Wheeler Wilcox is set here in a lilting and gentle composition that may be done by an ensemble or by a full choir. Peaceful, serene, and comforting. Commissioned by “The Crossing� and Donald Nally.