Choral Choir (SATB) - Digital Download

SKU: A0.724126

Composed by G. P.L. da Palestrina. Renaissance,Sacred. Octavo. 2 pages. Renato Tagliabue #3493975. Published by Renato Tagliabue (A0.724126).

Choral Choir (SATB) - Digital Download

SKU: A0.724123

Composed by G.P.L. da Palestrina. Baroque,Christian,Sacred,Spiritual. Octavo. 4 pages. Renato Tagliabue #3493989. Published by Renato Tagliabue (A0.724123).

Piano - intermediate to difficult - Digital Download

SKU: S9.Q53307

WoO 65. Composed by Ludwig van Beethoven. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Volume WoO 65. 18 pages. Schott Music - Digital #Q53307. Published by Schott Music - Digital (S9.Q53307).

The virtuoso 24 variations on a theme by the Mainz court Kapellmeister Vincenzo Righini were the first of Beethoven’s works to be published by Schott in 1791 (plate number 145). The theme comes from the collection ‘XII Ariette Italiane’ for voice and piano (plate number 92), published by Schott in 1788. The collaboration with Beethoven did not continue until around 35 years later with the operas 121b to 128 and 131 (including the Missa solemnis and the 9th Symphony). Beethoven’s last words, according to Anton Schindler, also connected Beethoven with the publishing house (‘Too bad, too late’): the delivery of the Rhein wine, ordered from Schott following his doctor’s advice, only reached him on his deathbed.

By Johann Joseph Fux (1660-1741). Edited by Chester L Alwes. For SATB choir, a cappella. Educational Octavo. Prima Cantate Series. Published by Roger Dean Publishing

Choral Choir (SATB divisi) - Digital Download

SKU: A0.724124

Composed by G.P.L. da Palerstrina. Christian,Renaissance,Sacred,Spiritual. Octavo. 3 pages. Renato Tagliabue #3493979. Published by Renato Tagliabue (A0.724124).

Choral Choir (SATB) - Level 2 - Digital Download

SKU: A0.778337

Composed by Leo Delibes. Arranged by Thomas R. Vozzella. Romantic Period,Sacred. Octavo. 5 pages. Thomas R. Vozzella #4797215. Published by Thomas R. Vozzella (A0.778337).

Léo Delibes best known as a composer of ballets such as Coppélia, Sylvia, etc. and for the famed Flower Duet from the opera Lakmé. His only known sacred work, the Messe Brève for soprano, alto and organ. It is written without Credo and Benedictus but, contains a setting of the O salutaris hostia which is sung at the Eucharistic blessing or during Communion. Here is an SATB arrangement of this lovely movement from Messe Brève.  

By Crystal L LaPoint. For SSAA choir, Soprano, a cappella. Sacred Anthem. Electa Series. Published by Roger Dean Publishing

Baritone Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.1074034

Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678304. Published by jmsgu3 (A0.1074034).

Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.


Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.


Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.


Contents: 

I. Duo from the Augsberger Liederbuch

II. Agnus Dei II from Missa De Beata Virgine 

III. Duo from the Hör Organ tablature

IV. Agnus Dei II from Missa Ave maris stella

V. Benedictus from Missa Gaudeamus

VI. Agnus Dei II from Missa Gaudeamus

VII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie 

VIII. Agnus Dei II from Missa La sol fa re mi 

IX. Benedictus from Missa L'homme armé super voces musicales

X. Benedictus from Missa L'homme armé Sexti Toni 

XI. Pleni sunt coeli from Missa Malheur me bat 

XII. Pleni sunt from Missa Mater patris (canon at the major second)

XIII. Benedictus from Missa Mater patris 

XIV. Agnus Dei II from Missa Mater patris (canon at the unison)

XV. Pleni sunt caeli from Missa Pange lingua 

XVI. Benedictus from Missa Pange lingua 

XVII. Agnus Dei II from Missa Pange lingua 

XVIII. Pleni sunt from Missa sine nomine 

XIX. Domine non secundum peccata nostra 

XX. Ave verum and Cuius latus 

XXI. In principio erat verbum from Motet Verbum caro factus est 

XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

Contrabassoon,Instrumental Duet - Level 2 - Digital Download

SKU: A0.1074025

Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025).

Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.


Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.


Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.


Contents: 

I. Duo from the Augsberger Liederbuch

II. Agnus Dei II from Missa De Beata Virgine 

III. Duo from the Hör Organ tablature

IV. Agnus Dei II from Missa Ave maris stella

V. Benedictus from Missa Gaudeamus

VI. Agnus Dei II from Missa Gaudeamus

VII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie 

VIII. Agnus Dei II from Missa La sol fa re mi 

IX. Benedictus from Missa L'homme armé super voces musicales

X. Benedictus from Missa L'homme armé Sexti Toni 

XI. Pleni sunt coeli from Missa Malheur me bat 

XII. Pleni sunt from Missa Mater patris (canon at the major second)

XIII. Benedictus from Missa Mater patris 

XIV. Agnus Dei II from Missa Mater patris (canon at the unison)

XV. Pleni sunt caeli from Missa Pange lingua 

XVI. Benedictus from Missa Pange lingua 

XVII. Agnus Dei II from Missa Pange lingua 

XVIII. Pleni sunt from Missa sine nomine 

XIX. Domine non secundum peccata nostra 

XX. Ave verum and Cuius latus 

XXI. In principio erat verbum from Motet Verbum caro factus est 

XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

Bassoon,Instrumental Duet,Oboe - Level 2 - Digital Download

SKU: A0.1073981

Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678247. Published by jmsgu3 (A0.1073981).

Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.


Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.


Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.


Contents: 

I. Duo from the Augsberger Liederbuch

II. Agnus Dei II from Missa De Beata Virgine 

III. Duo from the Hör Organ tablature

IV. Agnus Dei II from Missa Ave maris stella

V. Benedictus from Missa Gaudeamus

VI. Agnus Dei II from Missa Gaudeamus

VII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie 

VIII. Agnus Dei II from Missa La sol fa re mi 

IX. Benedictus from Missa L'homme armé super voces musicales

X. Benedictus from Missa L'homme armé Sexti Toni 

XI. Pleni sunt coeli from Missa Malheur me bat 

XII. Pleni sunt from Missa Mater patris (canon at the major second)

XIII. Benedictus from Missa Mater patris 

XIV. Agnus Dei II from Missa Mater patris (canon at the unison)

XV. Pleni sunt caeli from Missa Pange lingua 

XVI. Benedictus from Missa Pange lingua 

XVII. Agnus Dei II from Missa Pange lingua 

XVIII. Pleni sunt from Missa sine nomine 

XIX. Domine non secundum peccata nostra 

XX. Ave verum and Cuius latus 

XXI. In principio erat verbum from Motet Verbum caro factus est 

XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

Cello,Instrumental Duet,Violin - Level 2 - Digital Download

SKU: A0.1073996

Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678264. Published by jmsgu3 (A0.1073996).

Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.


Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.


Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.


Contents: 

I. Duo from the Augsberger Liederbuch

II. Agnus Dei II from Missa De Beata Virgine 

III. Duo from the Hör Organ tablature

IV. Agnus Dei II from Missa Ave maris stella

V. Benedictus from Missa Gaudeamus

VI. Agnus Dei II from Missa Gaudeamus

VII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie 

VIII. Agnus Dei II from Missa La sol fa re mi 

IX. Benedictus from Missa L'homme armé super voces musicales

X. Benedictus from Missa L'homme armé Sexti Toni 

XI. Pleni sunt coeli from Missa Malheur me bat 

XII. Pleni sunt from Missa Mater patris (canon at the major second)

XIII. Benedictus from Missa Mater patris 

XIV. Agnus Dei II from Missa Mater patris (canon at the unison)

XV. Pleni sunt caeli from Missa Pange lingua 

XVI. Benedictus from Missa Pange lingua 

XVII. Agnus Dei II from Missa Pange lingua 

XVIII. Pleni sunt from Missa sine nomine 

XIX. Domine non secundum peccata nostra 

XX. Ave verum and Cuius latus 

XXI. In principio erat verbum from Motet Verbum caro factus est 

XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download

SKU: A0.1074276

Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276).

Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.


Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.


Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.


Contents: 

I. Duo from the Augsberger Liederbuch

II. Agnus Dei II from Missa De Beata Virgine 

III. Duo from the Hör Organ tablature

IV. Agnus Dei II from Missa Ave maris stella

V. Benedictus from Missa Gaudeamus

VI. Agnus Dei II from Missa Gaudeamus

VII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie 

VIII. Agnus Dei II from Missa La sol fa re mi 

IX. Benedictus from Missa L'homme armé super voces musicales

X. Benedictus from Missa L'homme armé Sexti Toni 

XI. Pleni sunt coeli from Missa Malheur me bat 

XII. Pleni sunt from Missa Mater patris (canon at the major second)

XIII. Benedictus from Missa Mater patris 

XIV. Agnus Dei II from Missa Mater patris (canon at the unison)

XV. Pleni sunt caeli from Missa Pange lingua 

XVI. Benedictus from Missa Pange lingua 

XVII. Agnus Dei II from Missa Pange lingua 

XVIII. Pleni sunt from Missa sine nomine 

XIX. Domine non secundum peccata nostra 

XX. Ave verum and Cuius latus 

XXI. In principio erat verbum from Motet Verbum caro factus est 

XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.