Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.747036 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Individual part. 6 pages. Keith Terrett #5902953. Published by Keith Terrett (A0.747036). Arranged for Bb Soprano Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

Piano,Violin - Level 3 - Digital Download SKU: A0.747038 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. 6 pages. Keith Terrett #5902959. Published by Keith Terrett (A0.747038). Arranged for Violin & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

Flute,Piano - Level 3 - Digital Download SKU: A0.747031 By Elton John. By Bernie Taupin and Elton John. Arranged by Music for all Occasions. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902601. Published by Keith Terrett (A0.747031). Arranged for Flute  & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797820 By Bread. By David Gates. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 13 pages. Derek Hasted #6348733. Published by Derek Hasted (A0.797820). IF (David Gates/Bread) Bb CLARINET and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This simple but charming melody has a guitar accompaniment that uses a clever mixture of stopped and open strings to create a campanella effect. Many of the arrangements that are out there don’t have same notes as the original, and therefore some of the cleverness and simplicity of the original gets lost.This arrangement uses the same shapes as the original, and there’s guitar and tablature as well guitar notation only so that you can easily see that almost all the measures in the music have the same right hand fingering, despite the mix of open and stopped strings making the score look much more complex than it actually is!The original key makes for undue complexity in the clarinet part, so I have arranged the piece to be played by the guitar with a Capo on fret one, so that all the clever shapes can be retained, and the piece moved from 5 sharps in the Clarinet to no sharps. In both the score and the tablature the fingering and positions are marked relative to the Capo, so fret 5 means 5 frets up from the Capo (actually fret 6 on the guitar).I’ve produced two clarinet parts - one sits almost entirely in the chalumeau register, and one sits almost entirely in the clarion register. The span of the piece means there always has to be places where the clarinettist is crossing the break but these are few and far between, making the piece accessible to players from early intermediate upwards.I hope you enjoy playing this piece!

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797819 By Bread. By David Gates. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 12 pages. Derek Hasted #6348717. Published by Derek Hasted (A0.797819). IF (David Gates/Bread) FLUTE and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This simple but charming melody has a guitar accompaniment that uses a clever mixture of stopped and open strings to create a campanella effect. Many of the arrangements that are out there don’t have same notes as the original, and therefore some of the cleverness and simplicity of the original gets lost.This arrangement uses the same shapes as the original, and there’s guitar and tablature as well guitar notation only so that you can easily see that almost all the measures in the music have the same right hand fingering, despite the mix of open and stopped strings making the score look much more complex than it actually is!Set in the same key as the original, the sustain of the flute complements the rippling sound of the guitar perfectly.I hope you enjoy playing this piece!

Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797822 By Bread. By David Gates. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 19 pages. Derek Hasted #6356173. Published by Derek Hasted (A0.797822). IF (David Gates/Bread) GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This simple but charming melody has a guitar accompaniment that uses a clever mixture of stopped and open strings to create a campanella effect. Many of the arrangements that are out there don’t have same notes as the original, and therefore some of the cleverness and simplicity of the original gets lost.This arrangement uses the same shapes as the original, and there’s tablature as well so that you can easily see that almost all the measures in the music have the same right hand fingering, despite the mix of open and stopped strings making the score look much more complex than it actually is!Set in the same key as the original, the tune does go rather high but it’s not difficult to play and it makes for much greater clarity than playing down the neck.As the piece progresses, both players have a go at the tune and also the accompaniment...Each guitar part is provided in score (which will easily fit on a music stand) and score + tab which is a bit more bulky.I hope you enjoy playing this piece!

Brass Ensemble,Trumpet Trio Trumpet - Level 3 - Digital Download SKU: A0.553505 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Wedding. Score and parts. 9 pages. RayThompsonMusic #2999097. Published by RayThompsonMusic (A0.553505). The Five pieces of music  which are now known as the Suite for the Mechanical Organ or the Suite for Mechanical Clock (WoO33) surfaced after Beethoven's death, bringing with them several very puzzling mysteries. Most challenging of them all was the instrument for which they were written. Piano, strings, harp and most other common instruments were instantly ruled out, building on the perplexing mystery and adding to the frustration. Eventually, Albert Kopfermann set forth a convincing argument that their strange scoring seemed a perfect fit for the Flötenuhr or Spielühr, a mechanical organ or clock. He observed that the notation in No. 1, in F, matched that in Mozart's K. 608 Fantasia (for Flötenuhr), the score of which Beethoven possessed. Other circumstantial factors pointed to the Flötenuhr as the instrument Beethoven designed these pieces for. None of these five pieces was published until the twentieth century, and, not surprisingly, all are rarely heard.This is my arrangement of Mvt 3 Allegro for a brass trio of 3 trumpets.It will work work equally well with any three similar treble clef brass instruments (i.e all 3 must be in the same key either Bb or Eb)e.g 3 treble clef reading trombones/euphoniums/tubas/cornets or a mixture of cornet/euph/tbn/tuba.Sim. a mix of 3 Eb horns/Eb tubasI have simplified some of the semi quaver passages, and moved some of the notes to fit within the range of the instrument(s).Fun for all 3 players.Enjoy!!

Piano Solo - Digital Download SKU: A0.507427 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 4 pages. Published by Heather Cattanach (A0.507427). Hero, hunter, strong and mighty, Orion, one of the most ancient constellations, recognised by Greek, Sumerian, Chinese and other cultures, strides across the autumn sky, his three-star belt glittering fiercely. In Mixolydian mode, we hear a mix of light and shadow. Intermediate Piano Solo from “88 Constellations� a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 2 1/2 minutes. 3 pages. (General Instructional, Modern, Modal, 21st Century, Repertoire, Recital).

12-String Guitar,Accordion,Acoustic Guitar,Banjo,Bass Voice,Bouzouki,C Instrument,Cello,Celtic Harp,Double Bass,Electric Violin,Flute - Level 2 - Digital Download SKU: A0.1317797 Composed by Traditional Great Britain. Arranged by Tom Aufrance. 19th Century,Christmas,Early Music,Folk,Holiday. 1 pages. Mary Kay Aufrance #906480. Published by Mary Kay Aufrance (A0.1317797). Tom Aufrance's arrangement of this familiar carol and traditional tune is compellingly beautiful yet simple. This A Mixolydian arrangement is inspired by playing with smallpipes (bagpipe parlor pipes) that are tuned to A.  The score has D as the key, and students of music theory will recognize it as A Mix. Our ensemble for performing this arrangement includes the pipes, guitar, accordion and bass.  However, we think this lovely arrangement can be enjoyed using a variety of instruments.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clàrsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clàrsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clàrsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.

Violin Duet Violin - Level 1 - Digital Download SKU: A0.1450388 By Concert Quick Violin Duets. By Traditional. Arranged by Sarah McLellan. Folk,Jewish,Multicultural,Traditional,World. 12 pages. Sarah McLellan #1030119. Published by Sarah McLellan (A0.1450388). This ‘Concert Quick Violin Duet’ arrangement of the traditional Yiddish folksong - Tumbalalaika - is deliberately written for early level Violin Players, to sound good quickly, if you have limited rehearsal time!Violin 1 - Suitable for ABRSM Grade 1 or 2 LevelViolin 2 - Suitable for those who have only been playing a short whileAlso included with every Concert Quick Duet:Optional Violin 3 - Additional Harmony Part, which can be played by the teacher or slightly more advanced students.Optional Violin 4 - Open String Part, which can be used instead of (or in addition to) the Violin 2 part if required. You can find Play-Along video versions of all Open String Violin Parts on our YouTube channel @PicknMixStrings for students to practise with at home as well.Optional versions of each part are also included with STRING FINGERING written in, for any students who may need that little bit of extra support.“Concert Quick Violin Duets” is an off-shoot of Pick ’n’ Mix Strings - see our website for the other titles available!

Violin Duet Violin - Level 1 - Digital Download SKU: A0.1468184 By Concert Quick Violin Duets. By Traditional Chinese Folksong. Arranged by Sarah McLellan. Folk,Multicultural,Traditional,World. 20 pages. Sarah McLellan #1046494. Published by Sarah McLellan (A0.1468184). This ‘Concert Quick Violin Duet’ arrangement of the traditional Chinese Folksong - Jasmine Flower (or Mo Li Hua) is deliberately written for early level Violin Players, to sound good quickly, if you have limited rehearsal time!Violin 1 - Suitable for ABRSM Grade 1 or 2 LevelViolin 2 - Suitable for those who have only been playing a short whileAlso included with every Concert Quick Duet:Optional Violin 3 - Additional Harmony Part, which can be played by the teacher or slightly more advanced students.Optional Violin 4 - Open String Part, which can be used instead of (or in addition to) the Violin 2 part if required. You can find Play-Along video versions of all Open String Violin Parts on our YouTube channel @PicknMixStrings for students to practise with at home as well.Optional versions of each part are also included with STRING FINGERING written in, for any students who may need that little bit of extra support.“Concert Quick Violin Duets” is an off-shoot of Pick ’n’ Mix Strings - see our website for the other titles available!

Violin Duet Violin - Level 1 - Digital Download SKU: A0.1448438 By Concert Quick Violin Duets. By Traditional Sword Dance. Arranged by Sarah McLellan. Early Music,Historic,Medieval,Renaissance,Traditional. 12 pages. Sarah McLellan #1028328. Published by Sarah McLellan (A0.1448438). This ‘Concert Quick Violin Duet’ arrangement of the traditional sword dance - Mattachins - is deliberately written for early level Violin Players, to sound good quickly, if you have limited rehearsal time!Violin 1 - Suitable for ABRSM Grade 1 or 2 LevelViolin 2 - Suitable for those who have only been playing a short whileAlso included with every Concert Quick Duet:Optional Violin 3 - Additional Harmony Part, which can be played by the teacher or slightly more advanced students.Optional Violin 4 - Open String Part, which can be used instead of (or in addition to) the Violin 2 part if required. You can find Play-Along video versions of all Open String Violin Parts on our YouTube channel @PicknMixStrings for students to practise with at home as well.Optional versions of each part are also included with STRING FINGERING written in, for any students who may need that little bit of extra support.“Concert Quick Violin Duets” is an off-shoot of Pick ’n’ Mix Strings - see our website for the other titles available!

Violin Duet Violin - Level 1 - Digital Download SKU: A0.1447427 By Concert Quick Violin Duets. By Traditional. Arranged by Sarah McLellan. Celtic,Folk,Irish,Traditional. 12 pages. Sarah McLellan #1027208. Published by Sarah McLellan (A0.1447427). This ‘Concert Quick Violin Duet’ arrangement of the well loved folk tune - The Wind That Shakes The Barley - is deliberately written for early level Violin Players, to sound good quickly, if you have limited rehearsal time!Violin 1 - Suitable for ABRSM Grade 1 or 2 LevelViolin 2 - Suitable for those who have only been playing a short whileAlso included with every Concert Quick Duet:Optional Violin 3 - Additional Harmony Part, which can be played by the teacher or slightly more advanced students.Optional Violin 4 - Open String Part, which can be used instead of (or in addition to) the Violin 2 part if required. You can find Play-Along video versions of all Open String Violin Parts on our YouTube channel @PicknMixStrings for students to practise with at home as well.Optional versions of each part are also included with STRING FINGERING written in, for any students who may need that little bit of extra support.“Concert Quick Violin Duets” is an off-shoot of Pick ’n’ Mix Strings - see our website for a full list of other titles available!

Woodwind Ensemble - Level 2 - Digital Download SKU: A0.971469 Composed by Wolfgang Amadeus Mozart. Arranged by Christopher Pence. Classical. 18 pages. Austin Pence #6073091. Published by Austin Pence (A0.971469). These six simple Mozart minuets are suitable for ANY young woodwind duo looking to enhance their ability to play in a small ensemble. Mix and match the parts to create your own instrument combination. These arrangements are awesome for solo and ensemble, school events, and even weddings and receptions! Dynamics are included but not required. Please enjoy these lovely pieces from the mind of a young Mozart, now adapted for a duo of various woodwinds! NOTE: Oboe players should read the flute part when mixing with other instruments.