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Small Ensemble Drums,Flute,Guitar,Hand Percussion,Harp,Violin - Level 2 - Digital Download SKU: A0.924287 Arranged by Z.M. Barnes. Celtic,Holiday,Love,Wedding,World. Score and parts. 31 pages. ©Z.M. Barnes & Rising Lark Music #4805127. Published by ©Z.M. Barnes & Rising Lark Music (A0.924287). Looking for music for a celebration, a wedding, or a Celtic reel? Mairi's Wedding, a delightful Mixolydian tune from the Hebrides will fill the bill. With its interesting romantic history -- words (full poems not included) in honor of two women, one a singer, the other a mistress of the distillery craft -- this music is used for the Scottish country dance of the same name.    A reel, set for flexible folk ensemble.     Score, 13 pp. Tune page with guitar chords. Individual parts. Total 31 pages.   About 2-4 min. depending on tempos and repeats. Part of The Lark Sings series.
Mairi's Wedding

$10.99 9.24 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 5 in Bb Major Lydian
Piano seul
Brian Golden
$5.99 5.04 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.938282 Composed by Sharona Clarke. Concert,Contemporary,Instructional,Jazz,Standards. Score. 3 pages. PianoBea Publishing Inc. #6256535. Published by PianoBea Publishing Inc. (A0.938282). Educational Piano Music by Sharona Clarke. Published and distributed by PianoBea Publishing. Copyright © 2009-2020 PianoBea Publishing Inc. All rights reserved. www.pianobea.com Intermediate Level. Catalogue # PB009A jaunting, jazz waltz in 3/4 time in the key of G Mixolydian, hence the name Jazzy G! Partially inspired by Christopher Norton’s Wombling, and just as cool and fun to play! Keep a strong left-hand rhythm and articulate the right hand carefully. Overlapping pedal marks indicated should be used only lightly in order to smooth the transition between the blocked chords. Hope you enjoy!
Jazzy G - Sharona Clarke - Intermediate
Piano seul

$4.29 3.61 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 13 in F# Major Ionian
Piano seul
Brian Golden
$5.99 5.04 € Piano seul PDF SheetMusicPlus






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