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Choral Choir (Mixed) - Level 2 - Digital Download

SKU: A0.927453

Composed by Brenda Nansen, Mary Wright, and Roger Jones. Arranged by Annie Routley. Children,Christian,Christmas,Musical/Show,Praise & Worship. Octavo. 51 pages. Christian Music Ministries #6130407. Published by Christian Music Ministries (A0.927453).

A musical of the Nativity, comprising nine songs and lasting approximately 30 minutes. It was written with children in mind and is particularly suitable for primary schools. The only solo vocal part is that of Mary (which is possible for an older child, but may prove a little challenging), but for the drama the parts of Joseph, Gabriel, the Innkeeper and Innkeeper's Wife are also required.

The musical can be performed in a number of ways: as a concert-piece for Choir and Narrator, as a nativity drama, using costume and the movements suggested, as a two-part work for children with an adult Mary, or as a three-part work for infants and juniors or adults and children. This musical is ideal for a school Nativity Concert, or as part of a church Christmas Service.

Away in a Manger - a Roger Jones Christmas musical Chorale SATB

$9.99 8.95 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Bass Voice,Bassoon,Cello,Clarinet,Euphonium,Flute,Horn,Oboe,Percussion,Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download

SKU: A0.722605

Composed by John Philip Sousa. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 77 pages. Custom Chamber Music #4327111. Published by Custom Chamber Music (A0.722605).

Semper Fidelis is one of John Philip Sousa's most popular marches. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional).

This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).

To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.

This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.

Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:
Brass trio, quartet, quintet, and sextet.
Woodwind trio, quartet, quintet, and sextet.
String trio, quartet, quintet, and sextet.
Clarinet trio, quartet, quintet, and sextet.
Saxophone trio, quartet, and quintet.
Mixed trio, quartet, quintet, and sextet, with optional percussion.
Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.

The parts are described as follows:
Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.
Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.
Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.
Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.
Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.
Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.
Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.

We recommend the following combinations:
Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).
Quartet: Parts 1, 2, 3, 4.
Quintet: Parts 1, 2, 3, 4, 5.
Sextet: Parts 1, 2, 3, 4, 5, 6.
Septet: Part 1, 2, 3, 4, 5, 6, 7.

Sousa Semper Fidelis (Flexible Ensemble)
$15.00 13.45 € PDF SheetMusicPlus

Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download

SKU: MQ.8322-E

Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E).

UPC: 600313483226. English.

The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012.

I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music.

“What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.â€

My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David Conte

Duration: 5:42
A Whitman Triptych: II. What Is the Grass? (Downloadable)
$2.85 2.55 € PDF SheetMusicPlus






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