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Piano Solo - Level 2 - Digital Download SKU: A0.899957 Composed by Jeanne Allie. Concert,Instructional,Standards. Score. 3 pages. Jeanne Allie #3113081. Published by Jeanne Allie (A0.899957). This little suite is written for early intermediate students, especially with older teens and adults in mind. Each individual movement could be learned on its own, or the student can learn all three for a special recital piece or simply for personal enjoyment. This piece includes several components that I like to have incorporated into student pieces at this level: meter change, clef change, grace notes, accidentals,  chord progressions,  interesting rhythmic changes. A challenging, but still accessible piece for a teen or adult to work on, especially during the summer.
Summer Suite
Piano seul

$2.99 2.85 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.888144 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Erin Craig. A Cappella,Contemporary,Pop. Octavo. 10 pages. Erin Craig #4575997. Published by Erin Craig (A0.888144). This is an accessible a cappella arrangement of Bryan Adams' hit Summer of '69. The vocal lines are harmonically intuitive, and singers will enjoy switching between singing the lyrics, and singing fun non-lexical sounds of a backup band. This is a great piece to learn and refine a cappella singing and intonation, as the harmonies and voice-leading are intuitive. A piano reduction is included for rehearsal purposes.The rhythms are accessible, and there is minimal divisi - only about 8 measures in the soprano line. If you have a small choir, or a choir without evenly balanced sections, this would be a satisfying piece to work on with them.This would work well for a beginning vocal jazz ensemble, or an intermediate SATB choir, and could easily start or end a concert.Duration: ~3'30arranged by Erin Craig www.ErinCraig.ca 
Summer Of '69
Chorale SATB
Bryan Adams
$3.50 3.34 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1172986 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Pop,Romantic Period. Score. 2 pages. Phil Beaman #773179. Published by Phil Beaman (A0.1172986). Tis Summer In Thine Eyes is a piano solo arrangement of the 1901 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  I have slowed the piece down for a more romantic pop and reharmonized the original melody.  I then created contrasting sections for more emotional drama.  All sections are in 4 instrumental voices; so a rich, busy texture.  The opening section is gently flowing, with the 4 voices interweaving.  The second section is bolder and rhythmic, with the inner voicing as off beat chords in both hands.  It builds in intensity to the climax then winds back out.  The coda returns with the flowing parts which further wind out and fade away.   This is a dramatic solo composition of 20th century romantic pop with a few other flavors mixed in.  2 page score; 2:30 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.
Tis Summer In Thine Eyes - piano solo
Piano seul

$3.25 3.1 € Piano seul PDF SheetMusicPlus

Guitar - Level 3 - Digital Download SKU: A0.1407241 Composed by Michel Jean Legrand. Arranged by David Ritsema. Contemporary,Film/TV,Pop. 18 pages. David Ritsema #989932. Published by David Ritsema (A0.1407241). This is a 4-part guitar adaptation of George N. Terry's piano arrangement of Michel Legrand's film music for Summer Of '42. Terry’s piano arrangement opens in Fminor. I set it in Eminor – a more guitar-friendly key. By the 7th bar, the descending bass line required that Guitar 4 would need to be in Drop D tuning.  I occasionally positioned the melody line at different octaves for better effect.Chord voicing needed to be adapted to suit familiar chord shapes on the fretboard. Some of the key changes would be awkward reading for most guitarists, so the use of accidentals actually smoothed it over. Where helpful, I voiced chord shapes in enharmonic equivalents – rather than be true to the key signature. Finally, although not included in the conductor’s score, I thought it helpful to include an additional tab version for Guitar 2 to clarify chord shapes.Just one performance note: At bar 3, Guitar 2 plays a downward strum, using the right index fingernail (no plectrum) for a crisp sound. Played as a slow strum it gives a more dramatic effect, and the player is encouraged to use the technique throughout.
Summer Of 42
the 7th bar, the descending bass line required that Guitar 4 would need to be in Drop D tuning  I occasionally positioned the melody line at different octaves for better effect
$24.99 23.83 € PDF SheetMusicPlus






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