Instrumental Solo,Soprano voice,Tenor Voice - Digital Download

SKU: A0.1263251

By Paul Emmett. By Paul Emmett. A Cappella,Celtic,Folk,Irish,Traditional. Individual part. 7 pages. Paul Emmett #856210. Published by Paul Emmett (A0.1263251).

The text has been taken directly from Scottish Poet Robert Burn's catalogue of work in the traditional Scots language and Scottish English. For this reason, a modern English translation has been adapted from Michael Burch to allow for a greater understanding of the text.

For Solo Unaccompanied Voice.

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.950763

Composed by Chris Monteiro. Christian,Sacred,Spiritual. Score. 4 pages. Christopher M. Monteiro #3360777. Published by Christopher M. Monteiro (A0.950763).

He spread a cloud for a covering, fire to give light in the night. They asked, and he brought quails, and satisfied them with the bread of the sky. He opened the rock, and waters gushed out. They ran as a river in the dry places. For he remembered his holy word, and Abraham, his servant. He brought his people out with joy, his chosen with singing. He gave them the lands of the nations. They took the labor of the peoples in possession, that they might keep his statutes, and observe his laws.  Praise Yah!

This lilting song in G Major for Piano, Voice, and Guitar has been fashioned to help you internalize God’s Word.

The range of the melody is from D above Middle C to the 2nd E above Middle C. The piano part is not difficult. It has a single note melody in the right hand until the tag at the end. The left hand follows a simple arpeggiated chord pattern.

The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download

SKU: A0.1039937

Composed by Alfred Reed. Arranged by Warren Campbell. 20th Century,Contest,Festival. Brass Band. 114 pages. Robert Campbell #644812. Published by Robert Campbell (A0.1039937).

This classic concert overture written originally by Alfred Reed in 1980 for wind orchestra, is now arranged here for a traditional (British-style) brass band. It was inspired by the poem Atalanta in Calydon by Victorian era English poet, Algernon Charles Swinburne, a recreation in modern English verse of an ancient Greek tragedy. The poem's magical picture of young love in springtime, forms the basis for his musical setting in traditional three-part overture form.

Small Ensemble Harpsichord,Organ,Piano,Voice - Level 4 - Digital Download

SKU: A0.939899

Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Praise & Worship. Score and parts. 8 pages. Richard St. Clair #6660019. Published by Richard St. Clair (A0.939899).

This energetic 4'20 song sets an Old English poem (in Modern English translation) praising Christ Jesus, the Morning Star. The style is traditionally tonal and suitable for worship or concert venues. The accompaniment is within the range of Church organ, or can be played on the piano or even the harpsichord or any electronic keyboard.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.950771

Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 3 pages. Christopher M. Monteiro #3399871. Published by Christopher M. Monteiro (A0.950771).

Therefore, receiving a Kingdom that can’t be shaken, let’s have grace, through which we serve God acceptably, with reverence and awe, for our God is a consuming fire.

This song in E Major for Piano, Voice and Guitar has been fashioned to help you internalize God’s Word.

The melody ranges from B below Middle C to the 2nd C♯ above Middle C.

If playing an electronic keyboard, a right-hand Piano/String With Sustain setting and a left-hand Piano/String With Fade setting are recommended.

The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.

B-Flat Clarinet,Piano - Level 4 - Digital Download

SKU: A0.1424650

Composed by David Ellis, John Casken, Julia Usher, and Richard Orton. Arranged by John Turner. 20th Century,Classical,Contemporary. Score and part. 44 pages. Forsyth Brothers Ltd #1005815. Published by Forsyth Brothers Ltd (A0.1424650).

Forsyth's Modern Wind Music series contains exciting and challenging, but not unduly difficult, works by talented English composers of current or recent vintage for recital, study or recreation. Each volume includes three works with piano, one unaccompanied piece, and one piece for two or more players of the instrument.

In this volume for clarinet John Casken's Taerset takes its title from Tarset in Northumberland, inspired by a holiday there, while Julia Usher's Subsequent Darkness is inspired by a game of chess. The solo work is a capricious Arabesque by Richard Orton, who also contributes a quartet for clarinets that plays on diaphragm articulation. David Ellis' Berceuse is an extended lullaby, but not without its troubled dreams.

Contents:

1. Berceuse by David Ellis
2. Taerset by John Casken
3. Subsequent Darkness by Julia Usher
4. Arabesque by Richard Orton
5. Sonora by Richard Orton (for four clarinets)

Oboe,Piano - Level 4 - Digital Download

SKU: A0.1423263

Composed by Anthony Gilbert, Margaret Lucy Wilkins, Richard Orton, and Thomas Pitfield. Arranged by John Turner. 20th Century,Classical,Contemporary. Score and part. 42 pages. Forsyth Brothers Ltd #1004561. Published by Forsyth Brothers Ltd (A0.1423263).

Forsyth's Modern Wind Music series contains exciting and challenging, but not unduly difficult, works by talented English composers of current or recent vintage for recital, study or recreation. Each volume includes three works with piano, one unaccompanied piece, and one piece for two or more players of the instrument.

In this volume for Oboe, Anthony Gilbert's Sunrising is an aubade inspired by a short and sublime poem by Sir Willian Davenant, and contrasts sharply with the skittish humour of Thomas Pitfield's Polka. There are also two pieces by Margaret Lucy Wilkins - a poised Pirouette for solo oboe, and its companion piece for four oboes - Pas de Quatre. Richard Orton provides a contribution steeped in Greek mythology - the story of the shepherd Gyges and his magical ring of invisibility.

Contents:
Polka by Thomas Pitfield 
Sunrising by Anthony Gilbert
Gyges by Richard Orton
Pirouette by Margaret Lucy Wilkins
Pas De Quatre by Margaret Lucy Wilkins (four oboes)

Flute,Piano - Level 4 - Digital Download

SKU: A0.1426085

Composed by Duncan Druce, Edward Cowie, Michael Ball, Nicholas Marshall, and Peter Racine Fricker. Arranged by John Turner. 20th Century,Classical,Contemporary. Score and part. 44 pages. Forsyth Brothers Ltd #1006899. Published by Forsyth Brothers Ltd (A0.1426085).

Forsyth's Modern Wind Music series contains exciting and challenging, but not unduly difficult, works by talented English composers of current or recent vintage for recital, study or recreation. Each volume includes three works with piano, one unaccompanied piece, and one piece for two or more players of the instrument.

This volume for flute has a natural history slant. Lacerta Agilis by Duncan Druce is a portrait of a sand lizard, Michael Ball's piece takes as its cue the Greek legend of Philomel who was turned into a nightingale to escape the Wrath of Tereus, whilst Edward Cowie's A Lesson For Reed Warblers (for two flutes) is designed for one bird (or flute) to teach the other to sing. The magical solo work in the album is Two Spells by Peter Recine Fricker, and the remaining piece is Nicholas Marshall's rhythmic and jazz-influenced Jump.

Contents:
Jump by Nicholas Marshall
Lacerta Agilis by Duncan Druce
Philomel by Michael Ball
Two Spells by Peter Racine Fricker
A Lesson For Reed Warblers by Edward Cowie (Flute Duet).

English Horn,Piano - Level 3 - Digital Download

SKU: A0.592532

Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366333. Published by David McKeown (A0.592532).

It’s Been a Long Long Time is arranged as a solo for one Cor Anglais with Piano accompaniment. 

It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.

Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes.

Click the link above to listen to a full performance of the clarinet version on YouTube.

To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Composed by Michael E. Ekbladh. 21st Century, Post-Modern, Minimalism. Octavo. 16 pages. Published by Michael E. Ekbladh (S0.65981). - Octavo - 21st Century,Post-Modern,Minimalism - Michael E. Ekbladh

Oboe Duet Oboe - Level 3 - Digital Download

SKU: A0.588948

Composed by David McKeown. Concert,Latin,Standards,World. Score. 6 pages. David McKeown #5857409. Published by David McKeown (A0.588948).

Calypso d’Isaac is an exciting original composition by David McKeown, arranged as a duet for two Oboes.

This duet is written in the style of Calypso music. Calypso’s roots lie in West Africa but first appeared in recognisable form in the late 19th century in Trinidad.  Originally sung in French Creole, the music quickly spread throughout the Caribbean and Venezuela. The modern English-language Trinidadian style is often topical and political in content. Calypso performers such as Mighty Sparrow in turn have inspired new styles such as Ska, Reggae and Soca, while Calypso rhythms can be heard in countless international hits such as Mary’s Boy Child and Disney’s Under the Sea.

If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Following the articulation in the score will help convey the relaxed but rhythmic style. Calypso d’Isaac has a performance time of two and a half minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Calypso d’Isaac.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.1272763

Composed by Stephanie K. Andrews. 21st Century,Chamber,Classical,Sacred,Traditional. Octavo. 20 pages. Stephanie K Andrews #864958. Published by Stephanie K Andrews (A0.1272763).

Written in December of 2020 for Be near me when my light is low, a collaborative Requiem by the composers of Inversion Ensemble (a conductor-composer collaborative based in Austin, Texas), the Offertory movement text is a modern English rendition of the Offertory (“Domine Jesu Christe� and “Hostias et preces tibi, Domine�) from the traditional Latin Requiem Mass. 

The Offertory is introduced by a light, flowing sixteenth note pattern in the righthand of the piano that is rhythmically repetitive and meditative. The voices then appear in unison at first, gradually beginning to divide into harmony as the piece progresses until at the word death they fall back into a stark, unaccompanied unison. The Archangel Michael appears in the section that follows, leading the souls of the faithful to eternal light as the music crescendos and moves through an accelerando, ending on a triumphant C major chord on the final repetition of eternal light. A motive of assurance that this light is promised to the faithful for all eternity is presented in E-flat major, a motive that will reappear in the finale of the piece. The flowing sixteenth notes and harmonic shifts of the first section return at Sacrifices and praises we offer you, O Lord. The movement concludes with a fugue in the victorious key of C major, once again offering comfort to Christ's faithful ones through the assurance of heavenly light for all eternity.