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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868821 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596971. Published by Really Good Music, LLC. (A0.868821). Tengo un lampo di speme is an initial aria from Solo cantata XII, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – E5) for low voice.
CAVALLI Francesco: Tengo un lampo di speme, aria from the cantata, arranged for Voice and Piano (G m
Voix moyenne, Piano

$5.95 5.07 € Voix moyenne, Piano PDF SheetMusicPlus

Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115654 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717425. Published by David Neff (A0.1115654). Here’s a fresh medium-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for high voice. Shea wrote the tune for “I’d Rather Have Jesus” at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus” became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
I'd Rather Have Jesus
Voix moyenne, Piano

$4.99 4.26 € Voix moyenne, Piano PDF SheetMusicPlus

Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829030 Composed by David Neff. Sacred,Spiritual. 5 pages. David Neff #4404950. Published by David Neff (A0.829030). The anonymous song Didn’t My Lord Deliver Daniel is one of many African-American spirituals that use biblical imagery to talk about hope for freedom and an end to oppression. The classic arrangement of this spiritual by H. T. Burleigh will no doubt remain a standard, but I hope the rhythmic variety, jazz harmonies, and big finish of this version will add spice to your church and recital repertoire. The audio accompanying this catalog listing features soprano Alexandria Bradshaw Crichlow singing the high-voice edition. This arrangement is be available in high-, medium-high, medium, and low-voice editions.
Didn't My Lord Deliver Daniel - medium-voice edition
Voix moyenne, Piano

$5.99 5.11 € Voix moyenne, Piano PDF SheetMusicPlus

Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'OrphĂ©e2. Ă?pigramme Ă  un mauvais payeur3. Ă  Chloris4. D'une maigre dame5. Dans le fĂ´ret6. Secret Amour 7. Complients Ă  une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4GĂ©rard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin Ă  la française, both elegant and stylish.â?ť Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the SociĂ©tĂ© musical indĂ©pendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la PlĂ©iade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ?ť and the Quatuor Ă  cordes en RĂ©. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included GĂ©rard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the OpĂ©ra de Paris on 27 July 1949, with choreography by Serge Lifar. The OpĂ©ra de Paris immediately commissioned a second work, which was La VĂ©nus noire, based upon a short story by Prosper MĂ©rimĂ©e. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mĂ©lodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. GĂ©rard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
Jacques Leguerney: Sept Počmes de François Maynard for medium voice and piano
Voix moyenne, Piano

$19.95 17.01 € Voix moyenne, Piano PDF SheetMusicPlus


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