Instrumental Duet Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.613023 Composed by Franklin L. Sheppard. Arranged by Gary Lanier. Contemporary,Sacred. Score and parts. 7 pages. The Lanier Company #2024529. Published by The Lanier Company (A0.613023). A classic hymn arranged beautifully for Trombone and Piano. The trombone carries the lead throughout the arrangement, interacting melodically with the piano at different times. Using three verses, Mr. Lanier builds the arrangement with a key change leading into the last verse and chorus. Piano and trombone join together for a jubilant ending.

Large Ensemble Trombone - Level 4 - Digital Download SKU: A0.792079 Composed by Frith, John. Jazz,Latin,Rock. Score and parts. 25 pages. Gordon Cherry #3239557. Published by Gordon Cherry (A0.792079). BIG RIFF is a new work by John Frith for 8-part Trombone Ensemble. It was written as the opening Anthem for Trombonanza 2017, which is a festival takes place annually in the town of Santa Fe, Argentina. Mr. Frith was commissioned to compose this work to open the Festival. The music is about 5 minutes in length and features strong Latin rhythms throughout. The work builds and builds as it adds layers of complexities including a jazz solo for one of the players. The all the middle parts are playable by intermediate performers. Part 1 can be performed on alto or tenor and goes up to high f's. Part 8 is quite low. The work ends in a big climax after building up throughout. Very fun work to perform with a massed group.

Tuba Solo - Level 5 - Digital Download SKU: A0.810859 Composed by Telemann, G. F. Arranged by Sauer, Ralph. Baroque,Classical. Individual part. 8 pages. Gordon Cherry #3636245. Published by Gordon Cherry (A0.810859). These Fantasias are part of a collection of Twelve Fantasias for Viola da Gamba Solo, originally published in 1735 but considered lost until rediscovered in 2015. Mr. Sauer has beautifully transcribed them for unaccompanied Tuba or Bass Trombone and are appropriate for advanced performers. His editorial dynamics have been included as suggestions. Each of the Three Fantasias has contrasting fast and slow movements.

Brass Ensemble Euphonium,Low Brass Trio,Tuba - Level 5 - Digital Download SKU: A0.810921 Composed by Wolfgang Amadeus Mozart. Arranged by Sauer, Ralph. Classical. Score and parts. 120 pages. Gordon Cherry #3859573. Published by Gordon Cherry (A0.810921). The Five Divertimenti K. 439b consists of 25 pieces originally scored for two clarinets or basset horns and bassoon. It is assumed that Mozart wrote these works for the Stadler brothers, Anton (famous for the Clarinet Concerto) and Johann. Originally scored in C major (Mr. Sauer has arranged them in keys that are more suitable for the Euphonium), the 25 pieces were grouped into five movements each. The styles of the movements include Sonata-allegro, Minuet and Trio, Larghetto, Adagio, Rondo and even a Polonaise. This collection of the Five Divertimenti is an immense amount (about 45 minutes and 120 pages total) of very entertaining music, all beautifully arranged by Ralph Sauer for three advanced performers. The third part may be performed on the Tuba.

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1324096 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christmas,Holiday,Jazz,Ska. Individual part. 37 pages. Masquerade Music #912288. Published by Masquerade Music (A0.1324096). Groove Zones Christmas! (for that alternative Christmas!) - Eb saxophone edition (alto or baritone sax) published October 2023 by www.masquerade-music.com ... a journey on three levels and a collaboration of Keri Degg, Chris Lawry, and Jack Lennon. The download includes superior quality full demonstration and accompaniment only audio tracks for all the pieces (street, town, and city variants) so 20 audio tracks in all. The audio downloads code is given in the publication.Groove Zones Christmas! (like the other titles in the Groove Zones series) are designed to grow with you as you explore from street (around grade 2-4) to town (around grade 3-5) and finally to the city (grade 5/6+) and embraces a more commercial saxophone sound that will be highly appealing and a great motivator for personal practice.The five pieces in the book (Jingle Bingle Bells, Carol from Sussex, In Dulci Jubilo, We Three Kings of Old London, and Deck the (Terry) Halls) each appear in the three difficulty levels (so really there are fifteen pieces in the book) and have been carefully notated/articulated to provide that authentic commercial sound (in many styles from Big Band, Metal/Rock, Jazz Waltz, Blues, and even Ska - think of the band Madness or The Specials and you're on the right wavelength!). Jingle Bingle Bells begins as a luscious ballad in a style inspired by some of our popular Crooners like Michael Buble (with regards to the other Crooner, the clue is in the title!) but soon launches into a joyous upbeat big band swing before finally returning from whence it came. You can almost see and smell the gently falling snow! The three versions are included: Jingle Bingle Bells (Street) - around grade 2-4, Jingle Bingle Bells (Town) - around grade 3-5, and Jingle Bingle Bells (City) - grade 5/6+Carol from Sussex is a Metal/Rock twisted arrangement of the original (Sussex Carol) and features the vocal talents of Mr Nick McCarthy with his fun interjections! This arrangement really romps along, though the Street edition is cleverly arranged to make the tune basically half the speed for lesser experienced players. Conjure up an idea of the mysterious Carol from Sussex as you enjoy this festive showpiece! The three versions are included: Carol from Sussex (Street) - around grade 2-4, Carol from Sussex (Town) - around grade 3-5, and Carol from Sussex (City) - grade 5/6+In Dulci Jubilo is a sweet and laid back number arranged in a Jazz Waltz style with oodles of space to soar on notes. Enjoy the little musical quotes at the end (how may Carols can you pick out?). The three versions are included: In Dulci Jubilo (Street) - around grade 2-4, In Dulci Jubilo (Town) - around grade 3-5, and In Dulci Jubilo (City) - grade 5/6+We Three Kings of Old London is a darker Cityscape in a Blues/alternative style. Full of sound effects such as the rumblings of the underground and an echoey sax down a deserted street (and do we hear Father Christmas somewhere in the distance?!) there are some really sleazy play offs between the sax and the guitar at the start and end (inspired perhaps 'Lily was Here' - Candy Dulfer and Dave Stewart). A really satisfying play! The three versions are included: We Three Kings of Old London (Street) - around grade 2-3, We Three Kings of Old London (Town) - around grade 3-5, and We Three Kings of Old London (City) - grade 5/6+

Double Bass,Drums,Piano,Voice - Digital Download SKU: A0.1068167 Composed by Deborah Johnson. Holiday,Love,Musical/Show,Pop,Wedding. Accompaniment. Duration 230. Deborah Johnson #6685199. Published by Deborah Johnson (A0.1068167). This is the background accompaniment track for One Night. It can be used to sing-a-long in performance or special events. It is a beautiful female/male vocal duet originally written for the musical STILTZ (http://StiltzTheMusical.com) by Deborah Johnson. The sheet music consists of 15 pages that includes full piano/vocal score and a vocal lead sheet with chords.Both vocal parts have 1 ½ octave range. Female: G below middle C to Db. Male: C - G.STILTZ MUSICAL STORY: On three separate days, our damsel in distress is imprisoned in Office Number Seven by the evil Mr. Devlin and ordered to raise money to save her dad. She makes a pact with STILTZ, but may lose the man she truly loves! A modern adaptation of the wonderful tale of Rumpelstiltskin. Lacey & Hatfield are our protagonist & love interest. The full musical is also available for licensing and the full score is also available.

Digital Download SKU: A0.1056299 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 213. The Lanier Company #5721319. Published by The Lanier Company (A0.1056299). PATIENTLY WAITINGThis is a wonderful true story song by Gary Lanier. Not only is Mr. Lanier an accomplished composer, he is also a talented artist. This song is about a man and little boy, that did not know each other, on the street and became involved in a conversation about God. Listen to learn what happened.

Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792184 Composed by Edward Elgar. Arranged by Malmstrom, Randall. 20th Century,Romantic Period. Score and parts. 12 pages. Gordon Cherry #4301463. Published by Gordon Cherry (A0.792184). Nimrod, the ninth variation from Elgar's masterpiece Op. 36, Enigma Variations (1898-99) is one of the most recognized works in the classical repertoire. There are so many adjectives to describe this piece of genius: stately, majestic, serious, solemn, moving, noble, languid, stoic, enduring and sublime. There are few works in the repertoire that bring forth such strong emotions as this music, which is often performed for funerals and for Memorial Day / Remembrance Day services. Mr. Malmstrom's beautifully lush arrangement is scored for 2 alto trombones (optional), 3 tenor trombones, 2 bass trombones and 1 contrabass trombone (optional). This arrangement of 3-4 minutes in length is appropriate for advanced performers.

Piano Solo - Level 4 - Digital Download SKU: A0.1505443 Composed by Haven Gillespie and John Frederick Coots. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #1080832. Published by John Fries (A0.1505443). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. You Go to My Head is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Numerous versions of the song have been recorded, and it has since become a pop and jazz standard. Alec Wilder terms Coots' melody a minor masterpiece. According to Ted Gioia, “’You Go to my Head’ is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.

Piano Solo - Level 4 - Digital Download SKU: A0.1273315 Composed by Allie Wrubel and Herb Magidson. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #865467. Published by John Fries (A0.1273315). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.   In 1976, This Masquerade was a top-ten pop and R&B hit for jazz guitarist/vocalist George Benson, who recorded it on his 1976 signature album Breezin'. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single Please Mr. Postman.

Piano Solo - Level 4 - Digital Download SKU: A0.1516432 By Ocr. By George David Weiss, Jerry Bock, and Larry Holofcener. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #1090599. Published by John Fries (A0.1516432). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John.. Too Close for Comfort is a popular song by Jerry Bock, George David Weiss, and Larry Holofcener. It was written in 1956 as part of the score for the Broadway musical Mr. Wonderful starring Sammy Davis Jr., who released the song as a single on Decca Records prior to the musical's premiere.

Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.