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Acoustic Guitar,Double Bass,Instrumental Duet - Level 3 - Digital Download SKU: A0.1096099 By Antônio Gregório Pereira. By Antônio Gregório Pereira. Arranged by CELIO AUGUSTO SOUZA PEREIRA. 20th Century,Folk,Historic,Multicultural,Traditional,World. 3 pages. Célio Guiga #700049. Published by Célio Guiga (A0.1096099). The musical production of Guiga reaches its apex in the early decades of the twentieth century. There were countless invitations for him to present his songs, especially in evenings, dances and parties. That was a season that earned fame to the artist. He accessed means of great social prestige in the region. He was even honored by the President, Mr. Arthur Bernardes in 1934. At this time, Guiga got the second most important gift from his musical life. In recognition of the talent of the musician, the illustrious politician (that was born in Viçosa, MG) presents him with a 12-string viola (country guitar). The instrument was specially ordered from the manufacturer Tranquillo Giannini. Guiga wielded and used that viola until 1961, the year he died. It is estimated that Guiga has composed around 100 songs throughout his life.
Amparo de Nossa Senhora
Antônio Gregório Pereira
$2.00 1.74 € PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
Elegy Sentimentale for Orchestra
Orchestre

$30.00 26.05 € Orchestre PDF SheetMusicPlus

Euphonium,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1475298 Composed by Andrew Clayden. 21st Century,Contemporary. 91 pages. Linden Brass Press Inc. #1052841. Published by Linden Brass Press Inc. (A0.1475298). ===Part 1: Trombone or Euphonium (Bass or Tenor Clef, Bb Treble)Part 2: Trombone or Euphonium (Bass Clef or Bb Treble)Part 3: Bass Trombone or Tuba (F)1. Whirling Wind and Waves2. Meditation3. Tide Pool Microcosmos4. Dog Daze5. Wacky Weed6. Shifting Tides7. Saga8. Tenacious9. Thinker's Folly10. Modal MidsummerThese newly minted trios by Canadian composer Andrew Clayden are great for friendly get-playing-togethers! They have been tested on both trombone and euphonium.Andrew Clayden served as Principal Trombone of the National Orchestra of Taiwan before taking up the Second Trombone position of the Orchestre symphonique de Québec, a post he held for 21 years. Mr. Clayden currently performs as a soloist and teacher, and in 2014 he was awarded a Certificate in Human Psychology by Bishop's University.===.
Ten Summer Trios for Low Brass

$14.95 12.98 € PDF SheetMusicPlus

Piano,Tuba - Level 5 - Digital Download SKU: A0.792172 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. 31 pages. Gordon Cherry #3887183. Published by Gordon Cherry (A0.792172). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Tuba or Bass Trombone. Mendelssohn wrote eight volumes of songs for the Piano throughout his life.  These pieces became popular immediately because of their beauty and technical accessibility.  The Songs are mostly lyrical and of utmost beauty.  Mr. Sauer has found a previously unmined resource and added immeasurably to the Tuba & Bass Trombone repertoire.
Six Songs Without Words for Tuba or Bass Trombone & Piano
Tuba et Piano

$20.00 17.37 € Tuba et Piano PDF SheetMusicPlus

Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730382 Composed by James Nathaniel Holland. Broadway,Children,Contemporary,Musical/Show. Score. 133 pages. James Nathaniel Holland #3070675. Published by James Nathaniel Holland (A0.730382). Kenneth Grahame's classic children's novel is brought to musical life by American Costa Rican composer James Nathaniel Holland in his adaptation of The Wind in the Willows for theatrical dance production, orchestra, soloists and chorus. This fine work is waiting to be premiered. Perfect for children's concerts.A musically sophisticated, lyrical and sentimental adaptation of Grahame's novel, which emphasizes his poetic chapters of Rat and Mole, while maintaining the comedy of Mr. Toad. The genius of this adaptation is full of orchestral colors; a fine introduction to classical music and the orchestra for any young person or novice. --- The Nutley Globe This reduced orchestral score for piano and voices includes all stage directions and aligns measure by measure with the full score for orchestra.  Can be used for dancers, or vocalists and final conducting for easier use and rehearsal.  Can be used with the performance CDs of this work also.
The Wind in the Willows, A Ballet Pantomime in Three Acts Piano Vocal (Reduced) Score
Piano, Voix

$19.95 17.32 € Piano, Voix PDF SheetMusicPlus

Double Bass,Drums,Piano,Voice - Digital Download SKU: A0.1068167 Composed by Deborah Johnson. Holiday,Love,Musical/Show,Pop,Wedding. Accompaniment. Duration 230. Deborah Johnson #6685199. Published by Deborah Johnson (A0.1068167). This is the background accompaniment track for One Night. It can be used to sing-a-long in performance or special events. It is a beautiful female/male vocal duet originally written for the musical STILTZ (http://StiltzTheMusical.com) by Deborah Johnson. The sheet music consists of 15 pages that includes full piano/vocal score and a vocal lead sheet with chords.Both vocal parts have 1 ½ octave range. Female: G below middle C to Db. Male: C - G.STILTZ MUSICAL STORY: On three separate days, our damsel in distress is imprisoned in Office Number Seven by the evil Mr. Devlin and ordered to raise money to save her dad. She makes a pact with STILTZ, but may lose the man she truly loves! A modern adaptation of the wonderful tale of Rumpelstiltskin. Lacey & Hatfield are our protagonist & love interest. The full musical is also available for licensing and the full score is also available.
One Night-Accompaniment Track

$8.99 7.81 € PDF SheetMusicPlus

Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair.  Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration)  For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator  Text: Clementina Maria Black (1853-1922)  / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments.  Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum.  The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note.  From bar 62 to the end the cimbalom may be played an octave higher than written.  The cimbalom and gongs are played laissez vibrer throughout.  The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique.  The narrator may choose one of two texts: A:  The Troubles of an Automaton (Excerpt) by Clementina Maria Black B:  The Table and the Chair by Edward Lear.  The start of each section of Narrator text is indicated in the score with boxed text.  Where necessary the end of a text section is shown as unboxed text.  The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'.  'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876.  The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton.  'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870.  In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.
The Troubles of an Automaton, or The Table and the Chair

$3.95 3.43 € PDF SheetMusicPlus

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.596510 Composed by Juan María Solare. 20th Century,Instructional,Jazz,World. 11 pages. Juan Maria Solare #3368739. Published by Juan Maria Solare (A0.596510). Vorbeiziehende Bäume [Trees passing by] is a piece for 2 saxophones where the Southamerican origin of the composer clearly arises to the surface: an original metamorphosis of the tango argentino flirting with jazz. Vorbeiziehende Bäume is part of a set of eleven pieces for saxophone duo (all others will be uploaded soon) called Eisenbahn (Railroad). All eleven pieces have titles related to the railway. If you are wondering why a German title, the reason is quite simple: that's where the composer lives. In this edition, Vorbeiziehende Bäume is offered in four instrumental combinations: - 2 saxophones (2 Tenor or 2 Alto) - Alto Sax + Tenor Sax - 2 Baritone Sax - Bb Clarinet + Tenor Sax No parts are needed: scores are already transposed (practice showed that it is much efficient to read this piece from the score, seeing also the partner's part). The piece, that is dedicated to Albanian clarinetist Ibrahim Gunbardhi, has been performed by him together with Mr. Thomas Sauer. Here is a rehearsal: https://www.youtube.com/watch?v=Y0_6xIGHRb0   The composer's description on the score reflects an experience that most of us had: Imagine you are on a train. You see different landscapes through the window. But somehow it's always the same.
Vorbeiziehende Bäume [Trees Passing By - 2 Sax]

$2.50 2.17 € PDF SheetMusicPlus






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