Concert Band - Digital Download SKU: AX.00-PC-0002553_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by John Zdechlik. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002553_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002553_WPTN2BC). UPC: 029156131482.Psalm 46 is based upon the chorale melody from A Mighty Fortress is our God, the best known Martin Luther hymn which was composed sometime between 1527 and 1529. The hymn's words paraphrase Psalm 46. Zdechlik's setting is divided into four major sections with a wide variety of styles and meters that draw to a powerful heroic conclusion. The work, originally published in 1971, is dedicated to Mr. Leon Titus and the Concordia College Band, St. Paul, Minnesota. (9:18) This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, Perc.

Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement  Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcíaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.

Concert Band - Digital Download SKU: AX.00-PC-0014304_H1 1st F Horn. Composed by Ralph Ford. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014304_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014304_H1). UPC: 038081351063.Characterized with sweeping melodies driving dynamic rhythms interrupted with peaceful serene passages built upon charismatic melodies---this musical tribute will not soon be forgotten. Dedicated to Gene Wilder and commissioned by Georgia Band Directors Association, this revered mentor will be remembered for eternity. The catalyst for the predominant part of the material are the notes G, E, and N (either an upper or lower neighboring note), and E---combined with the melody from Mr. Wilders' favorite hymn. One listen and you'll be hooked. High energy paired with deep emotion is the recipe for this wonderful work. (7:00)Concert/Contest; Festival.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1217097 By Sam Smith. By James Napier and Sam Smith. Arranged by Mr. Sean Benz. 21st Century,Pop,Singer/Songwriter. Octavo. 12 pages. Sean Benz #813633. Published by Sean Benz (A0.1217097). This SAB arrangement is based on Sam Smith's acoustic version of Love Me More.  To make this piece more soulful, you can include optional snapping on the second chorus.  Guarenteed to wow your audience and inspire listeners.  New for Fall 2023, an SATB Version is available also!  Thanks for looking and expect an SSA and TTB on the way soon!

Digital Download SKU: HX.475209 By Mr & Mrs Cello. Arranged by Fulvia Mancini and Massimiliano Martinelli. Classical. Cello Duet. 4 pages. Published by Hal Leonard - Digital (HX.475209).

Piano,Trombone - Level 5 - Digital Download SKU: A0.810899 Composed by Prokofiev, S. Arranged by Sauer, Ralph. 20th Century. Score and part. 31 pages. Gordon Cherry #3676419. Published by Gordon Cherry (A0.810899). The Prokofiev Five Songs Without Words, Opus 35 were written in December 1920 during a tour of the USA. The musical format of songs without words is not unusual, as Mendelssohn composed a number of very beautiful ones for the Piano and of course Rachmaninoff’s Vocalise is one of the most famous works in the musical repertoire.The Five Songs Without Words were premiered in New York City in 1921 by the soprano Nina Koshetz. In 1925, while living in Paris the composer arranged the five brief songs for Violin and Piano. Their haunting, bittersweet and lyrical style is typical of Prokofiev and the advanced performer will find these wonderful miniatures totaling 12 minutes in length a perfect vehicle for a major work on a recital. Mr. Sauer has scored these songs beautifully for the Trombone and Piano.

Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1291408 Composed by John Frith. 21st Century. 28 pages. Gordon Cherry #882058. Published by Gordon Cherry (A0.1291408). WAKE-UP-CALL for Tenor Trombone, Bass Trombone and Piano by British composer John Frith throws down the gauntlet to challenge any brave performers who wish to attempt to conquer this exciting new work.Mr Frith describes the work as follows:WAKE-UP-CALL was composed to showcase the talents of three very capable musicians. It has many Jazz elements beginning with a 1920's - style 'flapper' introduction which reappears as a central section and, later, in the coda. A second theme provides a contrasting 'latin' come 'swing' element which is shared equally between the trombones. The piano part is integral to the music and of equal importance throughout. This lyrical second theme is developed using improvisatory techniques. Some of these 'Jazz licks' will challenge even experienced musicians and yet they are not beyond the technique of serious students of the trombone. The pianist will also have their work cut out to master this score but I'm confident that the end result will more than justify the means.This work is about 5-minutes in length and is appropriate for very advanced performers.Composer Frith dares pros and amateurs to perform this challenging work and send in their recording (live or otherwise). The first group to submit a good quality track will receive a generous gift from Cherry Classics Music.

B-Flat Trumpet,B-Flat trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.752396 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Film/TV,Opera,Patriotic,Traditional. 1 pages. RBMusic #5740059. Published by RBMusic (A0.752396). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two treble-clef instruments in the same key. This version is in G major (written pitch) – part 1 has a written range from C#4 to D5 and part 2 has a written range from G#3 to A4. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.   Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

Concert Band - Digital Download SKU: AX.00-PC-0014853_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by John O'Reilly. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014853_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014853_WPTN1TC). UPC: 038081344379.This arrangement of two Irish folk songs is dedicated to the memory of Danny Pearl, the Wall Street journalist who was kidnapped and subsequently murdered by Islamic Militants in February 2002. The choice of Danny Boy is an obvious one. The arranger, John O'Reilly, always thinks of Danny when he hears this tune since Mr. O'Reilly's daughter was very close to Danny during their high school years. Danny was a violinist and he loved to play fiddle music. The Wearin' of the Green is in the style Danny enjoyed and the lyrics of the song relate to the struggle of the Irish people as they defied the British oppression. Correlates with Book 2. Page 15.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1196098 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Chamber,Comedy,March,Religious,Sacred. 6 pages. RayThompsonMusic #795260. Published by RayThompsonMusic (A0.1196098). Arranged string quartet.Changed key from C min to E min to suit the string quartet.Kleiner Trauermarsch (Little Funeral March) in C minor, K. 453a is a keyboard work composed in 1784 by Wolfgang Amadeus Mozart, written in the notebook of his student Barbara Ployer.The piece is also sub titled Marche funebre del Sigr Maestro Contrappunto (Funeral March for Mr. Master/Maestro Counterpoint). It was dedicated to Barbara Ployer.It was first published in 1930. The autograph was thought to have been lost in 1945.Mozart was Ployer's teacher, so the sub title would seem to be another musical joke about himself.Is is quite short.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.547292 Composed by Giacomo Puccini. Arranged by Brooks Holmes. Classical,Contest,Festival,Instructional,Opera,Romantic Period. Score and part. 4 pages. Brooks Holmes #157121. Published by Brooks Holmes (A0.547292). This arrangement is designed so intermediate level musicians can get a feel of this beautiful melody without it being so difficult with range issues. Puccini’s original tempo marking and use of fermatas has been changed to create a lighter & playful mood. Set in the comfortable key of Concert Eb, this song is easy on the embouchure yet still sounds totally professional. Check out Mr. Holmes’ YouTube link for helpful hints and the customized backing track.

String Orchestra - Level 3 - Digital Download SKU: A0.1027735 Composed by Johnathan Wales (ASCAP). Contemporary. Score and parts. 29 pages. Spotlight Music #2916899. Published by Spotlight Music (A0.1027735). In December 2009, one of my heroes past away. I am pretty sure that he never saw himself as a hero or even knew how many lives he changed. It is because of him that I stayed involved with music. There were many times that I almost put down my trumpet and walked out but every time I started to I would hear his voice telling me Dammit, get back in your spot! Well, over twenty four years later, I am not only playing, but I have learned how to write down the music that I have always heard in my head. He was the First in a long line of Professors, who taught me not only about music but about life and its real meaning. Mr. Robert Nygaard, this is what I heard as the sun set at your memorial service.