Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.788728 Composed by Karl Logue. Arranged by LogueRhythm Productions. Christmas,Contemporary,Renaissance. Octavo. 13 pages. LogueRhythm Productions #2949353. Published by LogueRhythm Productions (A0.788728). An exciting take on Noel Nouvelet. This is the TTBB/Piano reduction of an orchestral score. The theme-and-variation piece poses rhythmic variations on the theme, starting in 4/4, then 5/4, then a more complex time (3-3-2 notated in cut time). Great holiday piece for GALA Choruses TTBB ensembles.Member of ASCAP. Mr. Logue can be contacted at d.karl.logue@gmail.com.

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon.                                                                                         As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.

Piano Solo - Level 5 - Digital Download SKU: A0.1414692 Composed by Dana Suesse. Arranged by Zellev. 20th Century,Blues,Broadway,Film/TV,Jazz,Musical/Show. Score. 5 pages. Zellev Music #996473. Published by Zellev Music (A0.1414692). Key Signature: Eâ™­ majorTime Signature: 4/4Tempo: Moderato misteriosoDifficulty: AdvancedDana Suesse (1911-1987) was an American Composer. She was born in Kansas, Missouri but moved with her mom to New York when she was 15.While in New York, Suesse studied piano under Alexander Siloti, Franz Liszt's last surviving pupil. She studied composition under Rubin Goldmark, one of George Gershwin's teachers, and spent three years studying with Nadia Boulanger after World War II. In 1931, bandleader Paul Whiteman (following Gershwin's Rhapsody in Blue) commissioned her to write Concerto in Three Rhythms.On December 11, 1974, Suesse and her husband produced a symphony concert at Carnegie Hall, devoted exclusively to her compositions. (In the 1990s, Robert Stern produced a CD of the concert using masters from Voice Of America.) On July 31, 1975, the Newport Music Festival (Rhode Island) presented four of her works in their concert series. A year after the Carnegie Hall concert, Suesse and her husband moved to the U.S. Virgin Islands.After her husband's death in 1981, Suesse moved back to New York, the city where she had spent her most creative years. She took two apartments in the Gramercy Park Hotel and continued to write plays and songs for the theatre. Just before her death from a stroke on October 16, 1987, she was writing a new musical, putting the finishing touches on Mr. Sycamore, which had been optioned for off-Broadway, and was looking for a New York home for a straight play, Nemesis.

Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair.  Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration)  For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator  Text: Clementina Maria Black (1853-1922)  / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments.  Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum.  The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note.  From bar 62 to the end the cimbalom may be played an octave higher than written.  The cimbalom and gongs are played laissez vibrer throughout.  The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique.  The narrator may choose one of two texts: A:  The Troubles of an Automaton (Excerpt) by Clementina Maria Black B:  The Table and the Chair by Edward Lear.  The start of each section of Narrator text is indicated in the score with boxed text.  Where necessary the end of a text section is shown as unboxed text.  The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'.  'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876.  The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton.  'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870.  In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.

Euphonium,Piano - Level 4 - Digital Download SKU: A0.811047 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period,World. Score and part. 15 pages. Gordon Cherry #4803973. Published by Gordon Cherry (A0.811047). • Also known as Four Grandmother Songs and Old Granny Tales, this work was composed in New York in 1918 at the beginning of the composer’s self- imposed exile from Russia after its Revolution. • These short pieces were immediately successful and were performed worldwide. • In the epigraph to this work Prokofiev wrote, Some recollections had become half erased from her memory; others will never be erased. • Mr. Sauer once again, has produced a magnificent new work for Euphonium & Piano. • This work with its great character is a joy to perform, about 8 - 9 minutes in length for moderately advanced performers.

Piano Accompaniment, SSA - Intermediate - Digital Download Composed by traditional Cebuano (Philippines) Melody. Arranged by Joy T. Nilo. Neo- Classical. Octavo. 7 pages. Published by MR. JOY T. NILO

Accordion,Double Bass,Instrumental Duet - Level 3 - Digital Download SKU: A0.1096106 By Antônio Gregório Pereira. By Antônio Gregório Pereira. Arranged by CELIO AUGUSTO SOUZA PEREIRA. 20th Century,Folk,Historic,Multicultural,Traditional,World. 2 pages. Célio Guiga #700056. Published by Célio Guiga (A0.1096106). The musical production of Guiga reaches its apex in the early decades of the twentieth century. There were countless invitations for him to present his songs, especially in evenings, dances and parties. That was a season that earned fame to the artist. He accessed means of great social prestige in the region. He was even honored by the President, Mr. Arthur Bernardes in 1934. At this time, Guiga got the second most important gift from his musical life. In recognition of the talent of the musician, the illustrious politician (that was born in Viçosa, MG) presents him with a 12-string viola (country guitar). The instrument was specially ordered from the manufacturer Tranquillo Giannini. Guiga wielded and used that viola until 1961, the year he died. It is estimated that Guiga has composed around 100 songs throughout his life.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - Digital Download SKU: A0.1098264 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Classical,Latin,Multicultural,World. Score and parts. 86 pages. Fiona Alice Hickie #702140. Published by Fiona Alice Hickie (A0.1098264). A preview score of a collection of 5 pieces for wind quintet and piano inspired by wome of the world's amazing creatures. It features: 1. Little Red Squirrel - classical 2. Mr Platypus - classical 3. Japanese Crane - world music 4. Blue Whale - classical 6. The Sneaky Piranha - Latin All the pieces are also available individually.

Double Bass,Drums,Piano,Voice - Digital Download SKU: A0.1068167 Composed by Deborah Johnson. Holiday,Love,Musical/Show,Pop,Wedding. Accompaniment. Duration 230. Deborah Johnson #6685199. Published by Deborah Johnson (A0.1068167). This is the background accompaniment track for One Night. It can be used to sing-a-long in performance or special events. It is a beautiful female/male vocal duet originally written for the musical STILTZ (http://StiltzTheMusical.com) by Deborah Johnson. The sheet music consists of 15 pages that includes full piano/vocal score and a vocal lead sheet with chords.Both vocal parts have 1 ½ octave range. Female: G below middle C to Db. Male: C - G.STILTZ MUSICAL STORY: On three separate days, our damsel in distress is imprisoned in Office Number Seven by the evil Mr. Devlin and ordered to raise money to save her dad. She makes a pact with STILTZ, but may lose the man she truly loves! A modern adaptation of the wonderful tale of Rumpelstiltskin. Lacey & Hatfield are our protagonist & love interest. The full musical is also available for licensing and the full score is also available.

Piano Solo - Level 5 - Digital Download SKU: A0.1253097 Composed by Moshe S. Knoll. 21st Century,Contemporary,Contest,Festival. Score. 51 pages. ArtsAhimsa #846842. Published by ArtsAhimsa (A0.1253097). This is a large scale Tryptich, inspired by Debussy's Suite pour le Piano.It was begun in 2021 and it kept being re-written till 2023.I dedicate this Tryptich to the loving memory of the great American Pianistand pedagoge Mr. Beveridge Webster, who was my last teacher at Juilliard.The first piece is a Prelude, playful but not too carefree, the dance-like atmosphere gets interrupted several times by a serious, contemplativeChorale-like passage.The second piece, Nocturno-Fantasia is a desolated landscape of pain and despair,a reflection of the harsh times the human family has had to endure these last three years.The last movement, is a large-Scale Toccata in the Phrygian Mode, usingirregular time signatures.This Toccata must be played in strict tempo, to highlight those irregular rhythms.Dies Irae is referenced in both the second and third movements, discreetly, just beneath the surface.This Cycle of three can be performed as a unit, or as three separate pieces.It is designed to give virtuosi a new warhorse for competitions, certainlythe Toccata.I do believe this Toccata has great technical value for pianists as an Etude in articulationand rhythm.Beyond this, I hope that this music will express a wide range of human sufferings and aspirations, and that it will deliver an emotional catharsis for all potential listeners.With this composition I am joining the large group of composers who have created New Music these last few years, music testifying to the resilience of the human spirit in the face of adversity.