Small Ensemble Clarinet,Flute,Oboe,Trumpet,Violin - Level 2 - Digital Download SKU: A0.811780 Composed by Josepg Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 16 pages. Piper Publications #6285081. Published by Piper Publications (A0.811780). This Suite is the last of a set of six first published by Boivin in Paris in 1727 for two musettes (bagpipes). This arrangement is for pairs of flutes or oboes or violins or two different instruments. It is also suitable for a pair of clarinets or trumpets. The five movements, Prelude, Rondeau. Passacaille, Boureé, Brunette & a pair of Menuets are suitable for players of early intermediate standard and above.The original edition used the ‘violin clef’ which placed the g above middle c on the bottom line of the stave instead of the line above as is usual today. The notation has been modernised for ease of reading. All edits have been indicated using dashed lines or parentheses ( ). No dynamics are marked in the original edition since bagpipes do not usually have means of volume control. The dynamics I have added (in parentheses) are suggestions only. The Suite would have been bought and played by flute, oboe and violin players as well as bagpipers. Boismortier wrote and published a substantial number of chamber works aimed at amateur players which were very popular and made him a very wealthy man.

Violin Solo - Level 1 - Digital Download SKU: A0.599975 Arranged by Kevin Busse. Patriotic,World. 1 pages. Kevin Busse #3454097. Published by Kevin Busse (A0.599975). This is a transcription of Luxembourg's National Anthem for ViolinWou d'Uelzécht durech d'Wisen zéit, Duerch d'Fielsen d'Sauer brécht, Wou d'Rief laanscht d'Musel dofteg bléit, Den Himmel Wäin ons mécht: Dat as onst Land, fir dat mer géif Hei nidden alles won, Ons Heemechtsland dat mir so déif An onsen Hierzer dron. Ons Heemechtsland dat mir so déif An onsen Hierzer dronO Du do uewen, deen seng Hand Duerch d'Welt d'Natioune leet, Behitt Du d'Lëtzebuerger Land Vru friemem Joch a Leed; Du hues ons all als Kanner schon De fräie Geescht jo ginn, Looss viru blénken d'Fräiheetssonn, Déi mir sou laang gesinn! Looss viru blénken d'Fräiheetssonn, Déi mir sou laang gesinn!

Jazz Combo - Level 4 - Digital Download SKU: A0.1160585 By MuseVerse. By Lataydrick Willis. Jazz,Latin. Score and parts. 30 pages. Lataydrick Willis #760872. Published by Lataydrick Willis (A0.1160585). A development of a exerpt of a jazz solo of my friend, who inspired me to do more musically. Listening back on his solos, I then took a piece of it, and made it into the melody of this song.

Flute and piano - easy - Digital Download SKU: S9.Q7305 Composed by Jose Fernandez Diaz. Arranged by Uwe Korn. This edition: Sheet music. Edition Schott - Single Edition. Qui ne connaît la chanson “Guantanamera� ? Elle a été chantée dans d’innombrables versions. La présente édition vous offre l’opportunité de jouer maintenant ce hit mondial devant une audience familiale – amusez-vous bien ! Downloadable. Schott Music - Digital #Q7305. Published by Schott Music - Digital (S9.Q7305). Is there anyone who does not know the song 'Guantanamera'? Going back to a melody of the Cuban music style Guajira and a text by the local national hero José Martí, it was used by José Fernández Díaz in the 1930s as a refrain for improvisations on topical daily news. In 1963 Peter Seeger took up Martí's original version at a concert at the New York Carnegie Hall – which then became a 'hymn' of the American Trade Union Movement. Since then the title has been sung in countless versions. The current edition offers the opportunity to play the worldwide hit in front of a 'home audience' – enjoy and have fun!

Guitar, harp, harpsichord and large string ensemble - Digital Download SKU: S9.Q3152 Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 18 minutes. Schott Music - Digital #Q3152. Published by Schott Music - Digital (S9.Q3152). In my ballet Orpheus, a full symphony orchestra is employed. Woodwind, brass and percussion represent Apollo, the god-sent Master of the Muses who has handed over to Orpheus the Power of Music. The (opposite) sound world of Orpheus is made of stringed instruments: the guitar, reaching back into classical history, contains the basic intervals of Orpheus' music in this context, harp and harpischord represent further technical and harmonic developments of the literature for plucked instruments, consequently their music shows more developed aspects, more elaborate variations, of the basic material. The sound of the plucked strings is embedded in the sound of a small orchestra of bowed strings. - Hans Werner Henze.

Oboe, clarinet, bassoon - Digital Download SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imagine Music - Digital #BCMS171. Published by Imagine Music - Digital (IZ.BCMS171). 9 x 12 in inches.Divertimento is in three movements. The first movement, Frolic, has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic.The second movement, Ballad, is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines.All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently.The last movement, Tarantella, is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1252366 Composed by Lee Mitchell. 21st Century,Contemporary,Contest,Festival,Instructional. 15 pages. T.U.X. People's Music #846335. Published by T.U.X. People's Music (A0.1252366). Extracted from The 9 Muses, Lee Mitchell presents for string quartet a light and joyous air of comedy, suspense, and intrigue.

Piano Solo - Level 3 - Digital Download SKU: A0.958754 Composed by Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A. Classical,Concert,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6326837. Published by Juan Carlos Cortés Aguirre (A0.958754). Adaptación musical para Piano Solo por: JUAN CARLOS CORTÉS A.Basado en la más completa y antigua composición musical que se conserva después del Himno de culto Hurrita (del grupo de composiciones canciones hurritas) de la Antigua Mesopotamia (aproximadamente 1225 a. C.). Es parte de una inscripción griega escrita en una columna de mármol puesta sobre la tumba que había hecho construir Sícilo para su esposa Euterpe, cerca de Trales (en Asia Menor), actual ciudad de Aydın, a unos 30 km de la ciudad costera de Éfeso (en Turquía) y datada en el siglo I aproximadamente. El autor es anónimo. El tema de El Epitafio de Seikilos (en griego Ἐπιτάφιος τοῦ Σεικίλου), es inscripción funeraria grabada hacia el siglo I en una columna de mármol. Bonita inscripción puesta sobre la tumba que había hecho construir un tal Sícilo (o Seikilos) para su esposa Euterpe en la actual ciudad de Aydın (en Turquía). Actualmente se encuentra en un museo en Dinamarca. La inscripción y su particular descripción de su musicalidad están precedidas por el siguiente texto:Soy una imagen de piedra. Seikilos me pone aquí, donde soy por siempre, señal de eterno recuerdo. El epitafio consta de este texto, sobre el que se anota la melodía cuya línea intermedia recoge la pronunciación aproximada en griego koiné: Brilla, mientras estás vivo, no estás triste, porque la vida es por cierto corta, y el tiempo exige su derecho.La melodía, escrita en Harmonia o Tonoi Griego frigio en la adaptación escrita, e hipofrigio en género diatónico, se desenvuelve en un ámbito de octava justa. La canción es melancólica, clasificada como skolion o 'canción para beber'. Se desconoce la velocidad (tempo) de la canción, ya que no está explicada en la notación. El ethos de la composición es equilibrado y está definido por la especie de octava (Harmonía o Tonoi) escogido (Frigio). No se pretende, aparentemente, expresar sentimientos de tristeza ni alegría. La composición está construida y organizada según principios modales. Está en modo mixolidio actual. Cibergrafía : https://es.wikipedia.org/wiki/Epitafio_de_S%C3%ADcilo Tema fundamental que inspiró la composición musical denominada Pequeña Invención No 8 de carácter contrapuntístico, compuesta este mismo autor.Observar y Escuchar Vídeo Pequeña Invención No 8 por Juan Carlos Cotés A. https://www.youtube.com/watch?v=u2e3mZFEIPE

Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories� is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive� is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf� is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.� A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.� This short fable has the allegory of “timing is everything.� The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.� The race between the “Tortoise and the Hare� is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.

Small Ensemble Bassoon,Clarinet,Flute,Horn - Level 3 - Digital Download SKU: A0.786140 Composed by Bill Malcolm. Contemporary. Score and parts. 24 pages. Bill Malcolm #3624349. Published by Bill Malcolm (A0.786140). This four-movement quartet was written to be played by our quintet when the oboist was late. The sound clip has excerpts from each movement. The March is so obviously influenced by Fucik that one horn player thought it was an arrangement. The third movement is more difficult than the others due to the compound meters. We actually programmed it for audiences who seemed amused. One of our PC members wanted me to change the title of the second movement; I didn't. Enjoy.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1253696 Composed by Lee Mitchell. Arranged by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. 14 pages. T.U.X. People's Music #847322. Published by T.U.X. People's Music (A0.1253696). Extracted from The Nine Muses, Lee Mitchell's The Tale of Polyhymnia, arranged for saxophone quartet by Josh Trentadue, waltzes and enchants with every twist and turn it takes.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1383522 Composed by Daniel Elder. Classical,Contemporary. 28 pages. Daniel Elder Music #967970. Published by Daniel Elder Music (A0.1383522). The decisions we make in our lifetime utterly define us. To fixate on roads untraveled is to conjur an infinite array of alternate versions of oneself. And this—the very fact that we have no idea exactly where our lives will take us—is the single greatest adventure. This evocative setting of Robert Frosts' The Road Not Taken muses wistfully on the concept of 'what could have been.'

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1199584 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #798652. Published by John Fries (A0.1199584). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Over the Rainbow is a ballad composed by Harold Arlen with lyrics by Yip Harburg. It was written for the 1939 film The Wizard of Oz and was sung by actress Judy Garland. Arlen would often carry blank pieces of music manuscript in his pockets to jot down short melodic ideas. He described how the inspiration for the melody to Over the Rainbow came to him suddenly while his wife Anya drove: I said to Mrs. Arlen... 'let's go to Grauman's Chinese ... You drive the car, I don't feel too well right now.' I wasn't thinking of work. I wasn't consciously thinking of work, I just wanted to relax. And as we drove by Schwab's Drug Store on Sunset I said, 'Pull over, please.' ... And we stopped and I really don't know why—bless the muses—and I took out my little bit of manuscript and put down what you know now as 'Over the Rainbow.'.

Alto Voice,Tenor Voice - Digital Download SKU: A0.1490832 Composed by Tomas de Herrera. Arranged by Early Music Scores. Baroque,Early Music,Renaissance. 3 pages. Early Music Scores #1067617. Published by Early Music Scores (A0.1490832). Three voices (AAT)Composed by Tomas de Herrera, Codex Zuola, Cuzco (s.XVII). from Buenos Aires, Museo Casa de Ricardo Rojas, Fray Gregorio de Zuola, Libro de varias curiosidades y Tesoro de diversas materias, p.136. Edited by Felipe Dias. 3 pages.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1453230 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Tom Steer. March,Pop. Brass Band. 30 pages. Tom Steer #1032453. Published by Tom Steer (A0.1453230). Slai All Your Love On Me was arranged for Fulham Brass Band in 2024 for the Whit Friday marches in Saddleworth. Inspired by the uncanny resemblence between the chorus of ABBA's Lay All Your Love On Me and the opening of William Rimmer's Slaidburn, this mashup will amaze and amuse your audience in equal measure.