EUROPE
1876 articles
USA
2164 articles
DIGITAL
3746 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
3746 partitions trouvées


Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1199584 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #798652. Published by John Fries (A0.1199584). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Over the Rainbow is a ballad composed by Harold Arlen with lyrics by Yip Harburg. It was written for the 1939 film The Wizard of Oz and was sung by actress Judy Garland. Arlen would often carry blank pieces of music manuscript in his pockets to jot down short melodic ideas. He described how the inspiration for the melody to Over the Rainbow came to him suddenly while his wife Anya drove: I said to Mrs. Arlen... 'let's go to Grauman's Chinese ... You drive the car, I don't feel too well right now.' I wasn't thinking of work. I wasn't consciously thinking of work, I just wanted to relax. And as we drove by Schwab's Drug Store on Sunset I said, 'Pull over, please.' ... And we stopped and I really don't know why—bless the muses—and I took out my little bit of manuscript and put down what you know now as 'Over the Rainbow.'.
Over The Rainbow
Piano, Voix et Guitare
Judy Garland
$4.99 4.32 € Piano, Voix et Guitare PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1023046 Composed by Kyle Rowan. Contemporary. Individual part. 3 pages. Penguinman Music #4595893. Published by Penguinman Music (A0.1023046). Il cielo dietro il monte was composed in 2011 in Maccagno, Italy, as part of the soundSCAPE Festival's Fresh Ink project in collaboration with the Civico Museo Parisi-Valle. The piece shares the title of the work that inspired it, a painting by Maria Clara Quarenghi. Il cielo dietro il monte, or the sky behind the mountains, is a beautiful composition of blues and greens, light and dark. The twin guitars form a delicate texture of quiet harmonics to complement the subtlety of the painting.Il cielo dietro il monte was composed for Andy Booth and Declan Zapala.Learn more about me and my music at www.penguinmanmusic.com
Il cielo dietro il monte
Guitare

$5.00 4.33 € Guitare PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
FORNUDDSVALSEN

$1.99 1.72 € PDF SheetMusicPlus

Guitar, harp, harpsichord and large string ensemble - Digital Download SKU: S9.Q3152 Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 18 minutes. Schott Music - Digital #Q3152. Published by Schott Music - Digital (S9.Q3152). In my ballet Orpheus, a full symphony orchestra is employed. Woodwind, brass and percussion represent Apollo, the god-sent Master of the Muses who has handed over to Orpheus the Power of Music. The (opposite) sound world of Orpheus is made of stringed instruments: the guitar, reaching back into classical history, contains the basic intervals of Orpheus' music in this context, harp and harpischord represent further technical and harmonic developments of the literature for plucked instruments, consequently their music shows more developed aspects, more elaborate variations, of the basic material. The sound of the plucked strings is embedded in the sound of a small orchestra of bowed strings. - Hans Werner Henze.
Arien des Orpheus

$22.99 19.9 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1032612 By The Clash. By Joe Strummer, Mick Jones, and Topper Headon. Arranged by Hector R. Barrionuevo. Punk,Rock. 37 pages. Hector R. Barrionuevo #5750157. Published by Hector R. Barrionuevo (A0.1032612). Highly energetic, driving, dance song hit by the British rock band The Clash, from their 1982 album, Combat Rock. A chart-topping (Billboard Top 100) anthem that demands attention and provides irrepressible joy to performers and audiences alike. The original video of the song was shot in Austin, Texas.The song structure remains, of course, the same throughout the arrangement. Both, clarinet and horn, participate in carrying Joe Strummer's unique, repetitive tune; the horn also has a prominent part in the chorus sections and often provides an insidious counter-melody. The bassoon plays the driving bass part. The flute and oboe mirror the guitar parts through accented, staccato harmony, throughout; at times, their flurries also evoke the guitar licks and sound effects.The arrangement is appropriate to play in concerts at schools, conservatories, community centers, and museums by Intermediate-to-Advanced ensembles. The duration of the arrangement is about 3:45.
Rock The Casbah
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
The Clash
$12.99 11.24 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.505159 Composed by Kurt Schulenburg. Blues,Jazz. Score and parts. 48 pages. Kurt Schulenburg #6565335. Published by Kurt Schulenburg (A0.505159). This is a slow start in the morning sort of blues, meant to be played like the coffee hasn't quite kicked in. It's a simple blues in Concert F (despite the key signature where I've added that flatted seventh!) and is a great vehicle for developing young soloists - or pushing those with more experience to new highs! The mp3 is just a MuseScore3 export, nothing fancy, but it gives you an idea of what to expect. I've not included any solos, making this a good mp3 to give to your soloists to play along with. It's not too tough, should be playable by many advanced grade school and all high school bands - and it's scored to sound good even with pro groups.
Blues Every Morning
Ensemble Jazz

$49.99 43.27 € Ensemble Jazz PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1181121 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. 13 pages. Avery Lynn Jordan #780957. Published by Avery Lynn Jordan (A0.1181121). This arrangement for saxophone quintet and piano, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
The Swan by Saint-Saëns for Sax Quintet and Piano
Quintette de Saxophone: 5 saxophones

$19.99 17.3 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.799751 Composed by Georges Bizet. Arranged by Grant Gilman. Opera,Romantic Period. Score and parts. 19 pages. Dr. Grant Gilman #5224045. Published by Dr. Grant Gilman (A0.799751). Habanera from Bizet's Carmen - for Unique String Quartet: 2 violins, 2 cellos - Score & Parts. Composed by Georges Bizet (1838-1875). Arranged by Grant Gilman. Classical. Digital Sheet Music. This unique arrangement uses the original, complete vocal part of the Habanera with an easily accessible accompaniment. Use this at a gig or as a showcase to give your audience fully immersing experience with an old standard.I am here to specialize! Please do not hesitate to contact me if you would like some modifications:  conductor@grantgilman.com www.grantgilman.comwww.americanmusepodcast.com .
"Habanera" from Bizet's Carmen - for Unique String Quartet: 2 violins, 2 Cellos - Score & Parts
Quatuor à cordes: 2 violons, alto, violoncelle

$12.99 11.24 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Brass Ensemble - Level 2 - Digital Download SKU: A0.1180874 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Score and parts. 11 pages. Avery Lynn Jordan #780730. Published by Avery Lynn Jordan (A0.1180874). This arrangement for brass quartet and piano, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
The Swan by Saint-Saëns for Brass Quartet and Piano
Ensemble de cuivres

$12.99 11.24 € Ensemble de cuivres PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
LÄTTA FINGRAR

$1.99 1.72 € PDF SheetMusicPlus

Recorder Quartet Recorder - Level 3 - Digital Download SKU: A0.1181152 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 10 pages. Avery Lynn Jordan #780988. Published by Avery Lynn Jordan (A0.1181152). This arrangement for recorder quartet, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
The Swan by Saint-Saëns for Recorder Quartet
Quatuor de Flûtes à bec

$9.99 8.65 € Quatuor de Flûtes à bec PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale