Concert Band - Level 3 - Digital Download SKU: A0.1346715 By Dylan Hessler. By Dylan Hessler. Arranged by Dylan Hessler. 21st Century,Contemporary,New Age,Thriller. 15 pages. Dylan Hessler #931494. Published by Dylan Hessler (A0.1346715). This piece is energetic, fast paced, and represents the beauty of the west coast. This song captures the beauty and excitement of the San Francisco Bay Area with powerful brass and melodic woodwinds. As a beginning/amateur composer with no formal training, this piece is with its flaws but I believe it's a solid work for any audience to enjoy! Feel free to express the piece how you desire as there are lots of parts that can be up to your own interpretation!P.S.: This audio is taken from Musecore 4 so it won't sound perfect(NOTE: Once purchased, I will immediately email you the individual parts!)-dylanchessler@gmail.com.

Violin Solo - Level 1 - Digital Download SKU: A0.599975 Arranged by Kevin Busse. Patriotic,World. 1 pages. Kevin Busse #3454097. Published by Kevin Busse (A0.599975). This is a transcription of Luxembourg's National Anthem for ViolinWou d'Uelzécht durech d'Wisen zéit, Duerch d'Fielsen d'Sauer brécht, Wou d'Rief laanscht d'Musel dofteg bléit, Den Himmel Wäin ons mécht: Dat as onst Land, fir dat mer géif Hei nidden alles won, Ons Heemechtsland dat mir so déif An onsen Hierzer dron. Ons Heemechtsland dat mir so déif An onsen Hierzer dronO Du do uewen, deen seng Hand Duerch d'Welt d'Natioune leet, Behitt Du d'Lëtzebuerger Land Vru friemem Joch a Leed; Du hues ons all als Kanner schon De fräie Geescht jo ginn, Looss viru blénken d'Fräiheetssonn, Déi mir sou laang gesinn! Looss viru blénken d'Fräiheetssonn, Déi mir sou laang gesinn!

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.700532 Composed by Franz Schubert. Arranged by Kenneth D. Friedrich. Concert,Romantic Period,World. Score and part. 43 pages. KFS Publishing #6288059. Published by KFS Publishing (A0.700532). Six of Schubert's beautiful lieder arranged for bari sax and piano.List:Die Junge NonneAn Den MondDie ForelleDer MusensohnAve MariaDie Vogel

String Orchestra - Level 4 - Digital Download SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement  for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This  Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level.  For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work.  A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com 

Alto Voice,Soprano voice,Tenor Voice - Digital Download SKU: A0.1490831 Composed by Correa. Arranged by Early Music Scores. Baroque,Early Music. 4 pages. Early Music Scores #1067616. Published by Early Music Scores (A0.1490831). Four voices (SSAT)Composed by Correa. Codex Zuola, Cuzco (s.XVII). From Buenos Aires, Museo Casa de Ricardo Rojas, Fray Gregorio de Zuola, Libro de varias curiosidades y Tesoro de diversas materias, p.359. Edited by Felipe Dias. 4 pages.

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1181044 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. 13 pages. Avery Lynn Jordan #780875. Published by Avery Lynn Jordan (A0.1181044). This arrangement for woodwind quintet and piano, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.

Recorder - Level 3 - Digital Download SKU: A0.1181166 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 13 pages. Avery Lynn Jordan #781001. Published by Avery Lynn Jordan (A0.1181166). This arrangement for recorder quintet and piano with chords, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.

Composed by daMon Goff. For Piano Solo. Post-Romantic,Repertoire,General Instructional,New Age. Early Intermediate. Sheet Music Single. 3 pages. Published by MonMuse

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.

Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories� is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive� is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf� is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.� A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.� This short fable has the allegory of “timing is everything.� The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.� The race between the “Tortoise and the Hare� is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.

Mixed choir (SSATB) SKU: M2.MOS-62018 Lagrime da!! Amante al Sepolcro della!! Amata. Composed by Claudio Monteverdi. Möseler Verlag #MOS 62018. Published by Möseler Verlag (M2.MOS-62018). ISBN 9790203760238.La Sestina (Sestine), ist eine Gedichtform, die aus sechs Strophen zu je sechs Zeilen besteht und durch eine dreizeilige Coda beendet wird. Die Schlussworter der ersten Strophe (tomba, cielo, terra, seno, foco/pianto, Glauco) werden in den nachfolgenden Strophen in geanderter Reihenfolge als Schlussworter wiederholt; die Coda enthalt die Schlussworter, zwei pro Zeile, in ihrer ursprunglichen Reihenfolge. Anlass fur Gedicht und Vertonung war der Tod der erst 18-jahrigen und von Monteverdi sehr geschatzten Gesangsschulerin Caterina Martinelli, die als 13-jahrige zu ihm kam; er hatte ihr die Titelrolle seiner Oper Arianna zugedacht. Zwei Jahre spater vollendete Monteverdi die Trauermusik mit dem Titel Lagrime d'amante al sepolcro dell'amata (Tranen des Liebenden am Grab der Geliebten). - Der Trauernde bezeichnet sich als (Merresgott) Glaukos, der um seine (Nymphe) Corinna weint. Er schreit seinen Schmerz in die Welt hinaus, dass die Luft zittert, seine Tranen fliessen in Stromen. Er beschwort die Nymphen und Musen, die Winde und die Erde am Grab der Geliebten zu singen.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1342184 Composed by Soji Ojeniyi. 21st Century,Broadway,Christmas,Musical/Show,Traditional,Wedding. 4 pages. Tinglescroll Publishers #927706. Published by Tinglescroll Publishers (A0.1342184). Marry the Ghost! is from Star of Wonder the musical theatre set in a fictional African kingdom. All four parts (SATB) are exciting. They help compound the protagonist's puzzle in her sleep, yet create a vibrant atmosphere to amuse the audience.

Guitar - Level 3 - Digital Download SKU: A0.944675 Composed by Frank Reifenstahl. Contemporary. Guitar Tab. 12 pages. Frank Reifenstahl #6083727. Published by Frank Reifenstahl (A0.944675). 40 years ago, in the early years of my musical journey with guitars, me and two other guys founded a guitar trio. For those two guys and the sister (G.) of one of them I wrote some pieces which are assembled here in this small collection. While musescoring them using my old manuscripts it was nice to think and feel back...