EUROPE
1869 articles
USA
2164 articles
DIGITAL
3751 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
3751 partitions trouvées


Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
SNÖKÄNGAN

$1.99 1.67 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
LÄTTA FINGRAR

$1.99 1.67 € PDF SheetMusicPlus

String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1180319 Composed by Camille Saint-Saens. Arranged by Ander. Classical,Romantic Period,Wedding. Score and parts. 10 pages. Avery Lynn Jordan #780216. Published by Avery Lynn Jordan (A0.1180319). This arrangement for string quartet and piano, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
The Swan by Saint-Saëns for String Quartet and Piano
Quatuor à cordes: 2 violons, alto, violoncelle

$12.99 10.93 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Solo Guitar - Digital Download SKU: A0.1104812 By Genesis. By Anthony Banks, Mike Rutherford, Peter Gabriel, Steve Hackett, and phillip collins. Arranged by Greg Eaton. Classical,Early Music,Medieval,Pop,Rock. Individual part. 3 pages. Greg Eaton #708049. Published by Greg Eaton (A0.1104812). This quaint little guitar piece by Steve Hackett was clearly inspired by the famous Bach cello suite no. 1, and I have notated it in semiquavers to emphasize this link. The time signatures I have used represent how I feel the music can best be written down, but can largely be ignored as a source of information. This piece was mused and recorded, not notated, and so this is, in my opinion, the best interpretation of the recording. The chords are for reference only.
Horizons
Guitare
Genesis
$4.99 4.2 € Guitare PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.912998 Composed by Paul Mazzolini and Pierluigi Giombini. Arranged by Andrei-Lucian Drăgoi. Contemporary. Score. 3 pages. Andrei-Lucian Dragoi #4321855. Published by Andrei-Lucian Dragoi (A0.912998). This is a 2-pages arrangement for piano solo (intermediate level) of the famous piece I like Chopin by Gazebo (Paul Mazzolini). Important note. As part of my major project to propose a periodical musical staff (to replace the traditional Western musical staff), I frequently use the G-clef 8vb (an octave inferiorly to the central octave) or the 15vb (2 octaves inferiorly to the central octave) for the (piano) left hand AND the G-clef 8va (an octave superiorly to the central octave) or the 15va (2 octaves superiorly to the central octave) for the (piano) right hand, mainly for the simplicity of reading, but also for a unified G-clef-based notation for any standard (Western) orchestral instrument.SEE ALSO:My music catalog:https://www.researchgate.net/publication/328352315https://www.academia.edu/38013818My LeadMuse software and the modular staff concept)https://www.researchgate.net/publication/325877146https://www.academia.edu/36909545A collection of easy piano pieces using the periodic musical staff:https://www.researchgate.net/publication/330716995Enjoy!
I Like Chopin
Piano seul

$5.00 4.21 € Piano seul PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.599972 Arranged by Kevin Busse. Patriotic,World. Score. 1 pages. Kevin Busse #3454075. Published by Kevin Busse (A0.599972). This is a transcription of Luxembourg's National Anthem for the right hand on PianoWou d'Uelzécht durech d'Wisen zéit, Duerch d'Fielsen d'Sauer brécht, Wou d'Rief laanscht d'Musel dofteg bléit, Den Himmel Wäin ons mécht: Dat as onst Land, fir dat mer géif Hei nidden alles won, Ons Heemechtsland dat mir so déif An onsen Hierzer dron. Ons Heemechtsland dat mir so déif An onsen Hierzer dronO Du do uewen, deen seng Hand Duerch d'Welt d'Natioune leet, Behitt Du d'Lëtzebuerger Land Vru friemem Joch a Leed; Du hues ons all als Kanner schon De fräie Geescht jo ginn, Looss viru blénken d'Fräiheetssonn, Déi mir sou laang gesinn! Looss viru blénken d'Fräiheetssonn, Déi mir sou laang gesinn!
Ons Heemecht - Piano
Piano Facile

$4.99 4.2 € Piano Facile PDF SheetMusicPlus

Trumpet in Bb and piano - easy - Digital Download SKU: S9.Q7307 Composed by Jose Fernandez Diaz. Arranged by Uwe Korn. This edition: Sheet music. Edition Schott - Single Edition. Qui ne connaît la chanson “Guantanamera†? Elle a été chantée dans d’innombrables versions. La présente édition vous offre l’opportunité de jouer maintenant ce hit mondial devant une audience familiale – amusez-vous bien ! Downloadable. Schott Music - Digital #Q7307. Published by Schott Music - Digital (S9.Q7307). Is there anyone who does not know the song 'Guantanamera'? Going back to a melody of the Cuban music style Guajira and a text by the local national hero José Martí, it was used by José Fernández Díaz in the 1930s as a refrain for improvisations on topical daily news. In 1963 Peter Seeger took up Martí's original version at a concert at the New York Carnegie Hall – which then became a 'hymn' of the American Trade Union Movement. Since then the title has been sung in countless versions. The current edition offers the opportunity to play the worldwide hit in front of a 'home audience' – enjoy and have fun!
Guantanamera
Trompette

$4.99 4.2 € Trompette PDF SheetMusicPlus

Mixed choir (SSATB) SKU: M2.MOS-62018 Lagrime da!! Amante al Sepolcro della!! Amata. Composed by Claudio Monteverdi. Möseler Verlag #MOS 62018. Published by Möseler Verlag (M2.MOS-62018). ISBN 9790203760238.La Sestina (Sestine), ist eine Gedichtform, die aus sechs Strophen zu je sechs Zeilen besteht und durch eine dreizeilige Coda beendet wird. Die Schlussworter der ersten Strophe (tomba, cielo, terra, seno, foco/pianto, Glauco) werden in den nachfolgenden Strophen in geanderter Reihenfolge als Schlussworter wiederholt; die Coda enthalt die Schlussworter, zwei pro Zeile, in ihrer ursprunglichen Reihenfolge. Anlass fur Gedicht und Vertonung war der Tod der erst 18-jahrigen und von Monteverdi sehr geschatzten Gesangsschulerin Caterina Martinelli, die als 13-jahrige zu ihm kam; er hatte ihr die Titelrolle seiner Oper Arianna zugedacht. Zwei Jahre spater vollendete Monteverdi die Trauermusik mit dem Titel Lagrime d'amante al sepolcro dell'amata (Tranen des Liebenden am Grab der Geliebten). - Der Trauernde bezeichnet sich als (Merresgott) Glaukos, der um seine (Nymphe) Corinna weint. Er schreit seinen Schmerz in die Welt hinaus, dass die Luft zittert, seine Tranen fliessen in Stromen. Er beschwort die Nymphen und Musen, die Winde und die Erde am Grab der Geliebten zu singen.
Sestina

$12.95 10.9 € PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2026

Accueil - Version intégrale