Strings, percussion and piano (harpsichord); guitar ad libitum - easy to intermediate - Digital Download SKU: S9.Q16286 Zwei Suiten nach französischen Tanzmeisterweisen. This edition: score. Concertino. Downloadable, Score. Duration 14 minutes. Schott Music - Digital #Q16286. Published by Schott Music - Digital (S9.Q16286). This edition contains vigorous dance tunes with illustrative titles such as „Les Noces, „La Coquette or „Le Tambourin de la folie. With -simple technique, they have been made into four- or five-movement suites with alternative scoring (strings soloistic or choric). To the guitar part (ad lib.) written out in full, chord letters have been added. Small percussion instru-ments (tambourine, hand drum and triangle) should not be missing.

Schlagzeug ad lib.: 4 Plattengl. [c, e, As, G] · 3 Tamt. · Sandbl. · Maracas · gr. Tr.) (1 Spieler, nur in Nr. VI u. IX, kann evlt. von Sänger/in übernommen werden) mixed choir (SATB) a cappella (and 1 percussion ad libitum) - Digital Download SKU: S9.Q17858 Motette nach Gedichten von Kurt Marti. Composed by Heinz Holliger. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 25 minutes. Schott Music - Digital #Q17858. Published by Schott Music - Digital (S9.Q17858). German.The writings of the Swiss pastor and poet Kurt Marti are characterised by a wide-ranging discussion on belief which frequently takes on a political dimension. This also applies to the poems which Heinz Holliger has selected for his work hölle himmel: a vision of life after death is accompanied by numerous other more worldly themes ranging from the unbridled avarice of multinational companies to the recognition that ’atomic waste will kill our grandchildren’.

Piano; violin and cello ad libitum - Digital Download SKU: S9.Q23401 For Piano, Violin and Violoncello ad lib.. Composed by Carl Maria von Weber. This edition: score and parts. Downloadable, Score and parts. Op. 6. Duration 17' 40. Schott Music - Digital #Q23401. Published by Schott Music - Digital (S9.Q23401). Key: B flat major.Das Thema, das Weber als Grundlage zu den vorliegenden Variationen (Kompositionsjahr: 1804) diente, stammt aus der Oper Samori des Abbé Vogler, bei dem er in Wien von 1803 bis 1804 Schüler war. Die Variationen op. 6 entstanden offenbar auf die Veranlassung Voglers hin. Ursprünglich plante Weber noch Variationen zu 5 weiteren Themen aus der Oper, die Vogler schließlich aber selbst schrieb. Die vorliegende praktische Ausgabe folgt dem Text der Weber-Gesamtausgabe.