High Voice,Vocal Solo - Digital Download SKU: A0.1408839 Composed by Antoine Dard. Arranged by Early Music Scores. Baroque. 3 pages. Early Music Scores #991442. Published by Early Music Scores (A0.1408839). Voice and fluteMusette. Composed by Antoine Dard (1715-1784). From Nouveaux principes de musique, A Paris : chez l'auteur, [s.d.]. Edited by Felipe Dias. 3 pages.

Soli: SAATBB – Chor: SSAATB – 2Blfl.B-Fl.2.0.0. – 0.2.0.0. – Pk – Str – Bc mixed choir (SATB/SATB), soloists (SATB) and orchestra - Digital Download SKU: S9.Q7080 Hail! Bright Cecilia. Composed by Henry Purcell. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 60 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q7080. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q7080). German • English • French.An annual London celebration of the patron saint of music, in the form of a banquet plus the performance of an ode, was instituted on St. Cecilia’s Day, 22 November 1683. The occasion proved so popular that it continued for some 30 years after. A newspaper account of the first performance of the 1692 Ode informs us that 'the Ode was admirably set to music by Mr. Henry Purcell, and perform’d twice with universal applause'. The popularity of Purcell’s setting is apparent from the many sources that survived from the period and from printed extracts which appeared almost immediately after its first performance. The editor, Christopher Hogwood, is the founder-director of the Academy of Ancient Music with whom he has made over 200 recordings. He is Honorary Professor of Music at the University of Cambridge and Visiting Professor at the Royal Academy of Music, London.Un compte rendu de la première représentation nous informe que l'ode était admirablement mise en musique par Mr Henry Purcell (...) et qu'elle fut exécutée deux fois sous les plus grands applaudissements. La popularité de la composition de Purcell ressort des nombreuses sources qui nous sont parvenues et des critiques parues après la première.

Piano and voice - Digital Download SKU: LV.24032 Composed by Henri Helme. Wine industry, Glassware, Toasting, Spires, Moonlight, Occupations, Containers, Alcoholic beverages, Intoxication. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24032). Dans Mon Tonneau. Chanson. Poesie de S. Borel. Musique de Harlem. Creee par Henri Helme `a l'Alcazar d'Ete. Published [n.d.] by L. Eveillard, Editeur, 39 Boulevard de Strasbourgh in Paris. Composition of sectional with piano and voice instrumentation. Subject headings for this piece include Wine industry, Glassware, Toasting, Spires, Moonlight, Occupations, Containers, Alcoholic beverages, Intoxication. First line reads Dans mon tonneau, foudre geant, comme un volcan le vin bouillonne.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Horn Ensemble Horn - Level 2 - Digital Download SKU: A0.1294767 Composed by Marin Marais. Arranged by Alessandro Macrì. Classical,Contest,Festival. 10 pages. Music Macri Editions #885126. Published by Music Macri Editions (A0.1294767). Le Basque for Horn Solo and Horn Quartet is dedicated to Dennis Brain.A must for aspiring Horn players.Marin Marais was the central figure in the French school of bass-viol composers and performers that flourished during the late 17th and early 18th centuries. He spent his entire life in Paris, and the greater part of it in royal service. First appointed as Ordinaire de la Musique de la Chambre du Roi in 1685, he retained that post throughout the reign of Louis XIV and from 1715 to 1725 served under the Regency and Louis XV. His contemporaries recognized him as an outstanding performer and a composer of stature whose works for viols and the operatic stage were known beyond the boundaries of France.