Flute, oboe, clarinet, bassoon, horn and piano - Digital Download SKU: S9.Q2610 Musique de brasserie. Composed by Jean Francaix. This edition: set of parts. Downloadable, Set of parts. Duration 9 minutes. Schott Music - Digital #Q2610. Published by Schott Music - Digital (S9.Q2610).

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1198799 Composed by J. Arcadelt. Arranged by Alessandro Macrì. Christian,Classical,Early Music,Film/TV,Sacred. 10 pages. Music Macri Editions #797882. Published by Music Macri Editions (A0.1198799). Questa celebre Ave Maria risale molto probabilmente al XVI secolo ed è tradizionalmente attribuita al compositore franco-fiammingo Jacques (o Jacob) Arcadelt (1505-1568) che fu anche magister puerorum (cioè: direttore del coro delle voci bianche) e successivamente maestro del coro della Cappella Sistina in Roma. In realtà, questo brano – nella versione che noi conosciamo e con le parole del saluto angelico – fu edito per la prima volta nel 1842 da Pierre-Louis Philippe Dietsch (1808 - 1865), un oscuro e modesto compositore francese, che riprendeva la chanson profana a tre voci Nous voyons que les hommes, questa sì composta da Jacques Arcadelt per sole voci femminili ed apparsa per la prima volta a stampa nel 1554 in Tiers livre de chansons, nouvellement mises en musique à quatre, presso l’editore Le Roy & Ballard, in Parigi. La parte del basso, in particolare, è interamente lavoro di Dietsch che ne ha anche modificato l’assetto ritmico per adattarlo al nuovo testo, e ha aggiunto la cadenza plagale con la parola conclusiva Amen. Vari musicisti, in seguito, si sono cimentati sia nel modificare le linee di battuta, sia le durate di alcune note, sia la stessa divisione delle sillabe, per tentare  di correggere quello che è considerato lo stress della parola latina.

Ukulele - Level 2 - Digital Download SKU: A0.1136689 By Michael P Walker. By Arian Le Roy. Arranged by Michael P Walker. Classical,Renaissance. Score. 75 pages. Michael P Walker #736692. Published by Michael P Walker (A0.1136689). Adrian Le Roy and his cousin Robert Ballard founded the printing firm Le Roy & Ballard, and in August 1551 obtained a royal privilege from Henry II to print music. In February 1553, the company was awarded the title of imprimeur du Roi en musique. Over the following two decades, other rival companies dropped out of the market, and from the 1570s onwards Le Roy & Ballard enjoyed a virtual monopoly in music publishing. The publishing house lasted until the 19th century. While Robert Ballard looked after the business side, Le Roy was the artistic director. He achieved renown as a composer and arranger of songs and instrumentals, his published work includes at least six books of tablature for the lute, 5 volumes for the guitar, and arrangements for the cittern. These compositions are presented in the same order as they appeared in the original work published in Paris by Le Roy et Ballard. They were transcribed from a facsimile edition of the original manuscript and every effort has been made to transcribe the original tablature into modern, easy-to-play, tablature and notation.

Small Ensemble - Level 2 - Digital Download SKU: A0.991428 Composed by Daniel Ouimet. Pop,R & B. Score and parts. 3 pages. Daniel Ouimet #4572345. Published by Daniel Ouimet (A0.991428). I compose this piece for my students and he and she love it !J'ai composé cette pièce pour mes élèves en musique et ils l'adorent !Paroles de la talentueuse  Georgina Hilton -  @2017 tous droits réservés

Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) mixed choir (SATB) with soloists (SSATB), 2 flutes, strings and basso continuo - intermediate - Digital Download SKU: S9.Q22960 Composed by Marc-Antoine Charpentier. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 20 minutes. Schott Music - Digital #Q22960. Published by Schott Music - Digital (S9.Q22960). Latin.Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.