Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1353473 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. Score. 5 pages. Michael Gene Drake #938208. Published by Michael Gene Drake (A0.1353473). I WishYou Were MineFrom My CD Savor the Moment     I Wish You Were Mine       I wish you were mine, I wish you were mine, I wish you were mine to keep to myself, to myself if you were mine.I wish you were mine, I’d love you always,The stars would shine every night, From my heart to you.Oh the glory, of loving you is within my reach, Oh the glory, of having you is all that I dream.I wish you were mine, I’ll wait till the last drop of dew, Then if not of this earth, then in heaven, you’re my fountain of youth.I wish you were mine, I’ll wait till the last sunset, A love that would follow the sun streams forever,With us floating away. Oh the glory, of loving you is within my reach, Oh the glory, of having you is all that I dream. michaeldrakemusic@outlook.com   www.drakemusic.com.

Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4)  The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part.  Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings  Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately.  This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland   SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings.   YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.715292 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Joe Cox. Pop. Score. 7 pages. Joe Cox #5887963. Published by Joe Cox (A0.715292). Rachel Platten said of her inspiration: 'Fight Song' was inspired by a lot of experiences that were hurting me and that were making me feel like maybe I didn’t have a chance in this industry. I wrote it because I needed to remind myself that I believed in myself. No matter what, I still was gonna make music, even if it was on a small scale. Even if it was just for me. This arrangement makes this great pop song accessible to the young student.

Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - Digital Download SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 83 pages. Sonata Grendel Publishing #5330711. Published by Sonata Grendel Publishing (A0.837487). I’ve made a performing career out of the ability to play more than one woodwind instrument. In pits and bands all over the world multiple woodwind players, or doublers, are often the unsung heroes of the show. The first one in the pit and the last one out, they bring a technical knowledge of three, sometimes four or five different instrumental traditions not to mention an ability to play in any number of musical styles all in the name of saving the producer a little money. They spend inordinate amounts of time taking lessons, practicing, and dealing with reeds of all shapes and sizes. Over the years the doubler has become an indispensable artist and many top universities and conservatories now offer multiple woodwinds as a major.   The Sonata for Multiple Woodwinds and Piano was written for myself and long time friend, colleague, and collaborator, Mark Evans. Professor Evans is a marvelously sensitive and powerfully technical pianist and although the piece is written with myself in mind as the doubler, I owe much of the inspiration to the twenty-plus years I’ve spent making music with Mark. It was my intention to create a sonata for multiple woodwinds that is not a novelty piece but provides the doubler with an opportunity to perform a serious work that explores the expressive and technical boundaries of their instrument(s). By the same token, the pianist is not an accompanist but an equal partner with the doubler.

B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.1313715 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 46 pages. Geraldine (Denny) Green at Oakmountmusic #902441. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1313715). ALL PURCHASES COME WITH SCORE AND PARTSPlease note: This is the arrangement for clarinet and bass clarinet!The Sonatina For Bflat Clarinet And Bassoon was written between March and June 2018 and is dedicated to my good bassoonist friend Jane Thompson and her family. It was her husband, Astley Jones, who asked me to write the piece as a way of showing her how much we all loved her! I thought that was the sweetest thing and the rest is history!We hoped to give this piece its world premiere at some point in 2018 or 2019, with Jane herself playing the bassoon and myself on clarinet. However, the first major hurdle was Jane having an operation on each hand to cure her Carpal Tunnel Syndrome, and the second big hurdle was Covid-19! Due to life’s normal pressures, the work still awaits its long awaited for premiere.It has three movements, fast, slow, fast, and a total duration of approximately 15 minutes.I have also transcribed the bassoon part for bass clarinet so the piece can be played by either combination. It could even be played by two bass clarinets, which would be hilarious!I feel, as a player myself, that its main challenge is in sheer breathing and playing stamina as it certainly gets you working up a sweat by the end, but its comical, quirky character will hopefully make it great fun for players and audience alike.

Piano Solo - Level 5 - Digital Download SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (A0.1015500). This is a 5-6 minute long piano solo piece that uses styles from blues, jazz, and contemporary genres. If you have questions please contact me at one of the following:Facebook page- https://www.facebook.com/dakanthony1Email- dakanthony1@gmail.comI write a poem for all of my songs. Hopefully it helps give a little meaning to its purpose!One songIt just takes one song to move myself to another world,And my heart beats faster.One songMakes me feel I can conquer every problem-All the world's disasters.One songIt makes my heart break and mend itself overAnd overAnd overUntil it's a whole new heartWith a whole new stature.One songI hear joy. I hear peace.But it's all for myself.It doesn't even matter.One songI don't know how to share what I hear.One songSo what I hear disappears.One songTurns to none, so I fear,And try to find another one songThat I can hold dear.One song,But it all happens again.One songBreaks a heart that's already bee mendedBy the first one song,And the heart's offended.Now there's two songs;The one song has ended.Two songs Clash and pretend thatTwo songsAre unique but they can't be - insteadTwo songsAffected the same heart.With two songsThe first's uniqueness is upended.Two songsSplit the heartHalf as powerfulAs the start,So I need another two one songsTo double the power.But the result is the same, And the dilution gets stronger.And what was difficult to share initiallyBecomes impossible because my heart isn't free.It's torn into a million piecesEach tied to a one song, each song with the thesisThat I want to share my songs to everyoneBecause of how it broke and mended my heart.But too many songs made my heart hardenedUntil the songs hardly affect a heart - just scar it.By the time I learn how to share any songThey'll all be goneJust the heart's shadow of what it longed to share.So I watch others to see if my one song was a myth.They all have one songs creating the semblance of mended heart.So my one song could only make another heart splitDiluting their one song to half as powerful as its start.

Violin Solo - Level 4 - Digital Download SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.

Large Ensemble Horn - Level 3 - Digital Download SKU: A0.1015751 Composed by Dylan Dukat. 20th Century,Contemporary. Score and parts. 36 pages. D. Dukat #4895001. Published by D. Dukat (A0.1015751). The Majesty of Blue and Green is a tone poem written in dedication to the powerful nature of nature itself, and specifically as an ode to the history of Saranac, New York. Saranac was originally established as a town for treating Tuburculosis (TB), and subsequently was aptly nicknamed The Healing Town. The medical cottages established the foundation of the town that would later grow from it, which carries the legacy of healing. Although the physical healing has stopped, the town and its gorgeous lake now serve me as a place of spiritual healing. Every time I find myself encased in nature I seem to slip into an incredibly introspective and reflective state. In writing this piece for the Saranac Horn Retreat, I found myself refinding those deep, complex mental states which I constantly sought out in nature so dearly before. The piece is written to be a breadth of color, utilizing a wide palette to create a colorful work of art in one's own mind. The melodic motifs are simply vehicles on which the color and emotion journeys.- D. Dukat

Ukulele - Level 3 - Digital Download SKU: A0.910269 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Carol Hills. Pop. Score. 5 pages. Carol Hills #6323345. Published by Carol Hills (A0.910269). This is an Intermediate Level arrangement written in a chord-melody style.  It includes ukulele tab, chords, standard notation and the song's lyrics.  This arrangement was inspired by watching a video of Feng E playing this song on YouTube (it's amazing!).  As an intermediate ukulele player myself, his version is too difficult for me to play.  So I created this arrangement of the song.  It is intended for other intermediate ukulele players, like myself, who love this song and want to play it on the ukulele.Special thanks to Gary Glewinski for his advice in the preparation of this arrangement.

Viola Solo - Level 5 - Digital Download SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Cello - Digital Download SKU: A0.1103919 By Mády-Szabó Eszter. By David Warin Solomons. Baroque,Chamber,Classical,Jewish. Full Performance. Duration 258. David Warin Solomons #707203. Published by David Warin Solomons (A0.1103919). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind Performed by Mády-Szabó Eszter of Budapest Scoring Cellos.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1167223 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 13 pages. Sally Whitwell #767600. Published by Sally Whitwell (A0.1167223). As a composer, I feel I always need to be working on somethinng. Even if it's not for a commission, I like to work on my skills, on my composing craft, on keepng the creative ideas flowing. So occasionally, I set myself assignments of a sort, which is how this song cycle Spectrum came to be. I set myself the task of interpreting the colours of the rainbow pride flag. Because I am so gay. The cycle is not actually LGBTQIA+ themed in its subject matter as such, the flag was just a kind of framework for my creativity.In thje intervening years since the cycle was first conceived, the LGBTQIA+ community has embraced a new flag, the Progress Pride FLag, which will give me a few more colours to interpret and add to the original cycle.Thie song Yellow Rain is a setting of a joyous poem by Monique Duval about getting caught in a sun shower on the beach.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.576530 By Budapest Scoring Clarinet Ensemble. By David Warin Solomons. 20th Century,Contemporary. 12 pages. David Warin Solomons #35751. Published by David Warin Solomons (A0.576530). This is one of several arrangements based on my lullaby song The quiet way you move me (also available on this site). The pdf file contains score and parts. This is one of several arrangements based on my lullaby song The quiet way you move me.Lyrics of the original song:Sometimes when you fall asleep, it seems you take me with you deep into a peaceful land far from all the heartache; that you'll understand one day, you will understand one day the quiet way quiet way you move me quiet way quiet way you move me. Sometimes when you fall asleep it seems you take me with you, deep into a peaceful land far from all the heart ache. I find myself complete; I find myself repeating a prayer and smiling at the sky: the quiet way you move me even when you cry. Now within your drowsy eyes I can see why the world has lost all its wonders. A new dream is rising, impatient to begin. A new dream is rising impatient to begin. And when the dream is through, your hungry feelings will find me. My comfort is you. My comfort is you. The quiet way quiet way you move me quiet way quiet way you move me

Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Piano - Digital Download SKU: A0.1068480 Composed by 1776, 1830, Music – Thomas Hastingsm, and Words – Augustus M. Toplady. Arranged by Pat Holmberg. Christian,Contemporary,Gospel. Full Performance. Duration 122. Patricia Tanttila Holmberg #1966901. Published by Patricia Tanttila Holmberg (A0.1068480). This is an old well-known Christian hymn played on the piano. It has an updated rhythmic feel to give it a bit of life. Here are the lyrics, if you want to sing along with it: Rock of Ages cleft for me; Let me hide myself in Thee. Let the water and the blood from thy wounded side which flowed, Be of sin the double cure; Save from wrath and make me pure. Could my tears forever flow, Could my zeal no respite know, This for sin could not atone – Thou must save, and Thou along; In my hand no price I bring, Simply to Thy cross I cling. When I draw my final breath, When my eyes shall close in death. When I rise to worlds unknown And be hold Thee on Thy throne, Rock of Ages, cleft for me, Let me hide myself in Thee. BMI www.patholmberg.com.