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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1232192 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. Score. 4 pages. Maria João Maia #827876. Published by Maria João Maia (A0.1232192). 4 Hands version, intermediate level, perfect to motivate teenagers in the piano lesson :) Personally tested with my own students! When you don't know what piece to give for 2 friends who want to play together, whose taste is more directed for pop music....why not some good oldies?Being a classical pianist, it's difficult to find good material for students who prefer to play pop music. So I decided to go for the amazing 70's and arrange some songs myself. They came out so good, that I needed to share them with the world!
Gimme! Gimme! Gimme! (a Man After Midnight)
1 Piano, 4 mains
ABBA
$14.99 12.8 € 1 Piano, 4 mains PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1000329 Composed by Johann Sebastian Bach, Paul Eber, and Steve Boudreau. Arranged by Steve Boudreau. 20th Century,Jazz,Sacred. Score. 2 pages. Steve Boudreau #6681051. Published by Steve Boudreau (A0.1000329). The Bach Chorales are ultimate examples of melodies creating harmonies, the parts coming together to form a whole. They are also great examples of a musician taking a melody and making a new arrangement of it, like jazz musicians do today. This piece is a combination of two chorale melodies that Bach arranged, originally based on hymns by 16th-century composer Paul Eber. For context, Bach set the melody around 200 years after it was written, and I re-worked the melodies with my own harmonies nearly 300 years after that.The first job I had when I moved back to Ottawa from Boston was as a church pianist. At one point there was a two-month stretch where I was in charge of programming the instrumental music we played, and I challenged myself to come up with new arrangements every week- the way Bach would have in his time, just on a much smaller scale. This was a terrific creative outpouring of music for me, and it renewed my enormous respect for the church music community and the work involved.For this piece I took two seemingly unrelated chorales (they are actually from the same Cantata, BWV 127) and attached them, using their distant keys of A Major and F Major to set up an interesting modulation halfway through. I had to actively try out some more modern harmonic progressions to take the overall sound of the piece further away from Bach's version. One of my favourite moments is when you finish the C major resolution and then repeat back into F# Minor at the top for improvising. In the solo piano version this surprising cut doesn't occur unless you take a second pass through the piece, so I encourage you to try repeating the piece even if you don't feel comfortable embellishing or changing anything the second time around.
Chorale
Piano seul

$1.99 1.7 € Piano seul PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.923612 Composed by Daniel Moore. Arranged by Daniel Moore Music. Folk. Score and parts. 110 pages. Daniel Moore Music #516781. Published by Daniel Moore Music (A0.923612). A must-have for community bands, and a fun nostalgic novelty number for high school musicians. The Chicago Auto Show has been a yearly sojourn for me for more than thirty years. One year, while taking my family along, I found myself humming the old tune In My Merry Oldsmobile, finding that the tune changed character, depending on what kind of cars I was looking at at the time. Thus, a theme and variations was born. This piece presents a journey to the Auto Show, showcasing Concept Cars, Muscle Cars, Luxury Cars, Four-by-fours, and Family Cars.
Auto Show
Orchestre d'harmonie

$40.00 34.17 € Orchestre d'harmonie PDF SheetMusicPlus

Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
South Bay Angle for violin and piano
Violon et Piano

$28.00 23.92 € Violon et Piano PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.985262 By Judy Garland. By Harold Arlen. Arranged by Tom Rundle-Wood. Contemporary. Score and parts. 28 pages. Tom Rundle-Wood #6638265. Published by Tom Rundle-Wood (A0.985262). A classic...but with a twist!An opening ballad with some scrumptious chords will lull your audience in to a false sense of relaxation, then boom! release the drummer!!Flexi-band arrangement: parts in C, Bb, Eb, F and Percussion (kit).Marching Over The Rainbow plays on the classic melody we all know and love with a typical march accompaniment and countermelody passed around the parts. There is a separate Piccolo (part 1) towards the end to give their tongues and fingers a work out!As the NHS (UK) adopted this as their theme during the COVID-19 pandemic, I did this arrangement for myself and some friends to play on the street during our Thursday night Clap for Carers. Seemed to go down well so thought I'd share with you all. Enjoy!
Over The Rainbow
Orchestre d'harmonie
Judy Garland
$24.99 21.35 € Orchestre d'harmonie PDF SheetMusicPlus






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