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Brass Band,Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download

SKU: A0.1504183

Composed by Traditional Scottish Air. Arranged by Alex Wilson. Celtic,Classical,Folk,Irish. 11 pages. Alexander Wilson #1079638. Published by Alexander Wilson (A0.1504183).

O ye'll tak' the high road, and I'll tak' the low road,
And I'll be in Scotland afore ye,
But me and my true love will never meet again,
On the bonnie, bonnie banks o' Loch Lomond.

Loch Lomond is a story of two imprisoned Scottish soldiers, one scheduled to be released and the other scheduled for execution.  In Celtic mythology, the slain soldier's soul will travel back to his homeland via the low road.  The music is a strange and beautiful mixture of sad and uplifting emotions.

Based on R. Vaughan Williams' 1921 choral arrangement of Loch Lomond, this arrangement is for 3 Bb trumpets, 1 horn in F, 1 trombone, and 1 tuba, with optional treble and bass clef euphonium parts.  Performance time is approximately 1'45.  The arranger is willing to accomodate minor changes of instrumentation upon request.

Loch Lomond

$10.00 9.47 € PDF SheetMusicPlus

Two Horns & String Orchestra - Digital Download

SKU: IZ.CMS206

Composed by Daniel Baldwin. Score and Parts. 50 pages. Imagine Music - Digital #CMS206. Published by Imagine Music - Digital (IZ.CMS206).

9 x 12 inches.

I have long been inspired by mythology, nature, and space as a primary influence in my writing. I keep updated on all things astronomical. Though I likely won't live to see it, I greatly look forward to mankind's inevitable exploration of deep space and other galaxies.

An aphelion is defined as the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun. This phenomenon was the inspiration for this concert piece for two horns and string orchestra (or piano). The work begins starkly, with just the horns playing by themselves before a single string drone enters. This is the light of the sun a long ways away. The piece then takes us on a few adventures as it begins its revolution around the sun. The piece ends warmly as we arrive at perihelion (the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun).

Aphelion for two horns and string orchestra was commissioned by and is gratefully dedicated to the Chech American Horn Duo (Steven Gross and Jiri Havlik) and the Symphony of the Vines, Greg Magie, conductor, who premiered the piece in January of 2018.

Aphelion
Orchestre à Cordes

$50.00 47.34 € Orchestre à Cordes PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.981183

Composed by Judith Cloud (b. 1954). Concert,Contemporary. Score and parts. 63 pages. Judith Cloud #4621665. Published by Judith Cloud (A0.981183).

A programmatic piece about Cerberus, the three-headed dog who guards the gates of Hades; Argos, the faithful dog of Odysseus, the only one to recognize his master upon his return after 19 years of war; Laelaps, a magical hunting dog who always captured his prey and the Teumessian Fox, another magical animal who could never be caught. Three poems by Michael Collier inspired the musical composition, which is a little over 10 minutes long. Composed in 2009. Powerpoint with poems and illustrations of the dogs is available from the composer.

Three Dogs from Greek Mythology for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$25.00 23.67 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download

SKU: A0.1502903

Composed by EK Wong ???. Arranged by EK Wong ???. Broadway,Comedy,Contemporary,Musical/Show,Pop,Rock. Score. 7 pages. Musical Trio Ltd. (HK) #1078572. Published by Musical Trio Ltd. (HK) (A0.1502903).

A Tale of the Young Shennong, a rock musical

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They call me Shennong, but I only know myself as a young man. They say I tasted a hundred herbs for medicine, but I was merely hungry and bored. They praise my great achievements, yet I only remember her. She was the first person who left me at a loss.

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HE is a man consumed by love, traversing heaven and earth, seeking only to join his beloved in the afterlife. SHE is a college student, exhausting all possibilities, yearning for a pure and genuine romance. No one can fully articulate their story, especially since the invention of writing by Cangjie. Everyone has been desperately searching for the truth about Shennong, caught between emotions and words. Of course, there is only one truth.

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Adapted from Dung Kai-chung's short story Young Shennong, this work blends historical accounts with mythology. It uses songs to interpret the differences in experiences and employs rock music to fill in the gaps left by language.

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Original Story ??: Dung Kai-chung ???

Adaptation??: Alastor Chow ???

Music, Arrangement and Music Director??????????: EK Wong ???

Lyrics ??: Yoki Fong???

Artistic Director and Director???????: Seth Chan  ???

 

More information ????:
www.musicaltrio.hk

Musical Trio is financially supported by HKADC
??????????????.

Lily Bulb ?? Piano, Voix et Guitare

$5.99 5.67 € Piano, Voix et Guitare PDF SheetMusicPlus

Bassoon Solo - Level 5 - Digital Download

SKU: A0.1018928

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Basson

$3.50 3.31 € Basson PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download

SKU: A0.1018956

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956).

Programme Notes:

 This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.

 The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  

 The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.

 Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.



Kommos (Lamentation) / "When the World Moved On" - Violin II
Violon

$3.50 3.31 € Violon PDF SheetMusicPlus

Trumpet Solo - Level 4 - Digital Download

SKU: A0.1018953

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953).

Programme Notes:

 This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.

 The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  

 The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.

 Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.



Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette (partie séparée)

$3.50 3.31 € Trompette (partie séparée) PDF SheetMusicPlus

Clarinet,Piano - Level 4 - Digital Download

SKU: A0.787316

Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. Burke & Bagley #427707. Published by Burke & Bagley (A0.787316).

Meleagro: Music for Thomas  was composed in 2015 for Thomas Piercy. Duration ca. 2'30.  This is the original version for clarinet & piano.  It is also available for alto saxophone.  

The title is a riff on Meleager, a hero in Greek mythology and one of the Argonauts famed as the host of the Calydonian boar hunt in the epic tradition that was reworked by Homer.  

The artwork on the cover is Meleagro from the Ombra Suite (Italian Shadow Series) by artist Richard Hutter. Used with permission.  Â© Richard Hutter www.richardhutter.com/ombra.html 

Watch a performance on YouTube:  https://youtu.be/hsHvlTq0cZs?list=PLC467B58A453D766A

Download free piano accompaniment track:  http://www.gregbartholomew.com/piano/BB326P.mp3

Meleagro: Music for Thomas (for clarinet & piano)
Clarinette et Piano

$9.95 9.42 € Clarinette et Piano PDF SheetMusicPlus

Percussion Solo,Timpani - Level 4 - Digital Download

SKU: A0.1018954

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954).

Programme Notes:

 This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.

 The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  

 The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.

 Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.



Kommos (Lamentation) / "When the World Moved On" - Timpani

$3.50 3.31 € PDF SheetMusicPlus


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