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Concert Band - Digital Download

SKU: AX.00-PC-0017441_TX1

B-flat Tenor Saxophone. Composed by Todd Stalter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017441_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017441_TX1).

UPC: 038081517636.

In Greek mythology, Helios is a Titan who faithfully drove the Sun's chariot across the sky each day, disappearing in the west into Oceanus (the ocean, which the Greeks believed encircled the Earth), and rising out of it again in the east the next morning. Helios' journey at sunrise is referenced musically by the ascending leap in the main theme and the strong driving rhythms of the low winds and percussion. The contrasting light and dark textures in the slow section depict twilight inevitably giving way to the darkness of night. (2:45)
Concert/Contest; Festival.

Helios Rising: B-flat Tenor Saxophone
Orchestre d'harmonie

$3.00 2.84 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble Alto Flute,Piccolo - Level 5 - Digital Download

SKU: A0.998582

Composed by Gustav Holst. Arranged by Michael Barrera. Romantic Period. 107 pages. Michael Barrera #6345945. Published by Michael Barrera (A0.998582).

Https://www.michaelbarreraflute.com/shop/p/planets-mars-flute Program Notes In ancient Roman mythology, Mars was the god of war and the most prominent military god. The planet itself is often referred to as the “Red Planet†due to the reddish hue of its surface. Its two moons Phobos and Deimos, meaning panic and terror respectively, are named after the sons of Mars who would accompany him into battle. The movement is unrelenting and fierce, flaunting the ravaging power of war. Instrumentation 2 Piccolos 6 Flutes 3 Alto Flutes 2 Bass Flutes 1 Contrabass Flute Parts may be doubled with more players as necessary. The contrabass flute part may be omitted if needed.

Holst: The Planets - I. Mars, the Bringer of War | Flute Orchestra

$39.99 37.86 € PDF SheetMusicPlus

Bassoon Solo - Level 4 - Digital Download

SKU: A0.1018909

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064765. Published by Benjamin Sajo (A0.1018909).

Programme Notes:

 It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller

 Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time.

 This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.


Aubade: A Pairing with Beethoven's Symphony #1 - Bassoon 2
Basson

$3.50 3.31 € Basson PDF SheetMusicPlus

Viola Solo - Level 4 - Digital Download

SKU: A0.1018957

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957).

Programme Notes:

 This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.

 The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  

 The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.

 Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.



Kommos (Lamentation) / "When the World Moved On" - Viola
Alto (partie séparée)

$3.50 3.31 € Alto (partie séparée) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download

SKU: A0.527617

Composed by Jacques Offenbach. Arranged by Diego Marani. Classical,Holiday,Instructional,Opera,Standards. 19 pages. Diego Marani #3029389. Published by Diego Marani (A0.527617).

Orphée aux enfers, whose title translates from the French as Orpheus in the Underworld, is an opéra bouffe (a form of operetta), or opéra féerie in its revised version. Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux.

The work, first performed in 1858, is said to be the first classical full-length operetta. Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow full-length works of certain genres. Orpheus was not only longer, but more musically adventurous than Offenbach's earlier pieces.

This also marked the first time that Offenbach used Greek mythology as a background for one of his pieces. The operetta is an irreverent parody and scathing satire on Gluck and his Orfeo ed Euridice and culminates in the risqué Galop infernal (Infernal Galop) that shocked some in the audience at the premiere. Other targets of satire, as would become typical in Offenbach's burlesques, are the stilted performances of classical drama at the Comédie-Française and the scandals in society and politics of the Second French Empire.

The Infernal Galop from Act 2, Scene 2, is famous outside classical circles as the music for the can-can (to the extent that the tune is widely, but erroneously, called can-can).

This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.

Infernal Galop (Can Can) for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$16.90 16 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.755301

Composed by Sy Brandon. 20th Century,Contemporary. Score. 23 pages. Sy Brandon #6287697. Published by Sy Brandon (A0.755301).

Aurora was composed for Cristian Pastorello, Assistant Professor of Music at Aurora University. The name of the university where Dr. Pastorello teaches was the inspiration for this composition. Further research into the meaning and mythology surrounding Aurora gave rise to the individual movements.

I. Goddess of Dawn – The music of this movement reflects a sunrise from its first hint of light to its full-blazed glory.

II. Ravens - Spirit Guides – Many North American cultures believed that the Aurora Borealis represented spirits of departed ancestors. Ravens were often thought to be the conveyor of the spirit to the heavens. This movement is a scherzo and trio. The scherzo represents the dancing and playful spirits where the trio has an ethereal quality.

III. Sister of the Sun and Moon - The Greeks held that Aurora was the sister of Helios and Seline, the sun and moon respectively, and that she raced across the early morning sky in her multi-colored chariot to alert her siblings to the dawning of a new day. This movement contains colorful harmony. The left hand plays a rising line representing dawn while the right hand represents Aurora racing across the sky through rapid musical motifs.

IV. Celestial Battle Between Good and Evil - It is said that many of the early Chinese legends associated with dragons were a result of the Northern Lights. The belief is that the lights were viewed as a celestial battle between good and evil dragons that breathed fire across the firmament. Battle music dominates the first two-thirds of this movement before giving way to the triumph of good over evil.

Aurora for Solo Piano
Piano seul

$14.99 14.19 € Piano seul PDF SheetMusicPlus

Small Ensemble,Strings Piano - Level 3 - Digital Download

SKU: A0.549783

Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 27 pages. Jmsgu3 #3535793. Published by jmsgu3 (A0.549783).

Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for String Quartet and Piano (Piano Quintet). Duration: ca. 7:00. Score: 11 pages. Violin I: 4 pages, Violin II: 3 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception.

Eine kleine Nachtmusik

Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass.

Publication

A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works.

 

Early Years

Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty.

Middle Period

At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos.

Final Period

The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music.

 

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Mozart: Romanze from K. 525 for Piano Quintet

$19.95 18.89 € PDF SheetMusicPlus

Cello,Instrumental Duet,Oboe - Level 2 - Digital Download

SKU: A0.1226665

By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Early Music,Folk,Irish,Traditional. 4 pages. Arezzo Music #822676. Published by Arezzo Music (A0.1226665).

In this Sheet Music, we present a captivating arrangement of Fairy Queen of Turlough O'Carolan that has been arranged for Oboe and Cello, a traditional Irish tune composed by the legendary harpist Turlough O'Carolan in the 18th century. This arrangement is performed by oboe and celloSheet Music, two instruments that complement each other perfectly to capture the beauty and magic of this beloved melody. So whether you're a fan of traditional Irish music, classical music, or just appreciate the beauty of woodwind and string instruments, you won't want to miss this enchanting arrangement of Fairy Queen of Turlough O'Carolan. Tune in and let yourself be transported to the magical world of Irish mythology and music.

Fairy Queen -Turlough'o Carolan Oboe and Cello Sheet Music
Hautbois, Violoncelle
Turlough O'carolan
$3.99 3.78 € Hautbois, Violoncelle PDF SheetMusicPlus

Flute Solo - Level 4 - Digital Download

SKU: A0.1018904

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064739. Published by Benjamin Sajo (A0.1018904).

Programme Notes:

 It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller

 Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time.

 This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.


Aubade: A Pairing with Beethoven's Symphony #1 - Flute 2
Flute (partie séparée)

$3.50 3.31 € Flute (partie séparée) PDF SheetMusicPlus

Concert Band - Digital Download

SKU: AX.00-PC-0017387_BC

B-flat Bass Clarinet. Composed by Roland Barrett. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017387_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017387_BC).

UPC: 038081516097.

As the title implies, this stunning overture opens with an ominous initial statement and erupts to a driving musical force to the end. Inspired by an Antarctic mountain, the story is based on the Norse mythology story about a monstrous wolf. Engaging and charismatic, this composition sounds more difficult than it plays and will serve equally well on concerts or contest programs. (1:45)
Concert/Contest; Festival.

The Jaws of Fenris: B-flat Bass Clarinet
Orchestre d'harmonie

$3.00 2.84 € Orchestre d'harmonie PDF SheetMusicPlus


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