Concert Band - Level 3 - Digital Download SKU: A0.1261594 By Bjork. By Bjork Gudmundsdottir. Arranged by John Ivor Holland. 20th Century,Pop,Singer/Songwriter. Score and Parts. 41 pages. John Ivor Holland #854673. Published by John Ivor Holland (A0.1261594). All Is Full of Love is a song by Icelandic musician Björk from her third studio album, Homogenic (1997). The lyrics were inspired by love in spring and Ragnarök of Norse mythology; released as a single with a music video directed by Chris Cunningham. The video depicts Björk as a robot being assembled in a factory, who passionately kisses another identical robot. The video is often cited as one of the best of all time and a milestone in computer animation; it has been displayed in art exhibitions and was on display at the Museum of Modern Art in New York City. This version draws upon the original version of the song, but also upon other choral and instrumental versions of the song to create a new arrangement for concert band.

Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses

Concert Band - Digital Download SKU: AX.00-PC-0017045_B1 Bassoon. Composed by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017045_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017045_B1). UPC: 038081498133.Gaia is a primordial deity in the Ancient Greek pantheon and is sometimes referred to as Mother Nature. In mythology she had numerous children, many of whom are of great significance to the ancient Greeks. Three of these children are represented in this dramatic work for concert band---the fearsome Typhon, the water goddess Tethys, and the menacing Enceladus. (6:00)Concert/Contest; Festival.

Concert Band - Digital Download SKU: AX.00-PC-0017045_BTC1 Baritone T.C.. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017045_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017045_BTC1). UPC: 038081498133.Gaia is a primordial deity in the Ancient Greek pantheon and is sometimes referred to as Mother Nature. In mythology she had numerous children, many of whom are of great significance to the ancient Greeks. Three of these children are represented in this dramatic work for concert band---the fearsome Typhon, the water goddess Tethys, and the menacing Enceladus. (6:00)Concert/Contest; Festival.

Trumpet and Piano - intermediate - Digital Download SKU: F2.FM1193 Composed by Garry Wilkinson. Inspired by astrology and mythology. Classical. Score and Parts. 52 pages. Forton Music - Digital #FM1193. Published by Forton Music - Digital (F2.FM1193). 8.25 x 11.75 inches.

Solo Trombone - Grade 4 - Digital Download SKU: FX.FX072638 Composed by Pascal Proust. Original Composition. Classical, Educational. Solo Part. FLEX Editions - Digital Sheet Music #FX072638. Published by FLEX Editions - Digital Sheet Music (FX.FX072638). A hero of Greek mythology, his life, his adventures ... for already experienced trombonists. - Pascal Proust ; Instruments: 1 Solo Trombone; Difficuly Level: Grade 4; Duration: 2 minutes 15 seconds; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal Proust;.

Concert Band - Digital Download SKU: AX.00-PC-0017387_PC1 1st Percussion. Composed by Roland Barrett. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017387_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017387_PC1). UPC: 038081516097.As the title implies, this stunning overture opens with an ominous initial statement and erupts to a driving musical force to the end. Inspired by an Antarctic mountain, the story is based on the Norse mythology story about a monstrous wolf. Engaging and charismatic, this composition sounds more difficult than it plays and will serve equally well on concerts or contest programs. (1:45)Concert/Contest; Festival.

Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Concert Band - Digital Download SKU: AX.00-PC-0017045_BBC1 Baritone B.C.. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017045_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017045_BBC1). UPC: 038081498133.Gaia is a primordial deity in the Ancient Greek pantheon and is sometimes referred to as Mother Nature. In mythology she had numerous children, many of whom are of great significance to the ancient Greeks. Three of these children are represented in this dramatic work for concert band---the fearsome Typhon, the water goddess Tethys, and the menacing Enceladus. (6:00)Concert/Contest; Festival.

Concert Band - Digital Download SKU: AX.00-PC-0017045_TN3 3rd Trombone. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017045_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017045_TN3). UPC: 038081498133.Gaia is a primordial deity in the Ancient Greek pantheon and is sometimes referred to as Mother Nature. In mythology she had numerous children, many of whom are of great significance to the ancient Greeks. Three of these children are represented in this dramatic work for concert band---the fearsome Typhon, the water goddess Tethys, and the menacing Enceladus. (6:00)Concert/Contest; Festival.

String Orchestra - Level 4 - Digital Download SKU: A0.965600 Composed by Kevin Price. 20th Century,Classical,Contemporary. Score and parts. 61 pages. Kevin Price #6246479. Published by Kevin Price (A0.965600). I would like to present my first string orchestra, Walk Among The Gods. It includes a director's score, as well as individual parts for Violin I, Violin II, Viola, Violoncello, and Contrabass. This composition is centered around Greek Mythology by highlighting a different character in each movement; Aphrodite, Hades, Kronos and Zeus.Aphrodite: Dance With The Goddess of Love is written as a Polonaise (Polish dance) in a Rondo format. This movement is taken at an Andante.Hades: March to the Underworld is a haunting march written in G minor. I composed this in cut time at an Allegro Moderato. This is definitely my favorite of all four movements. Kronos: The God of Time is comprised of many different time signatures to go along with its meaning; 5/4, 6/8, 12/8, 4/4, 6/4, 3/8 and 3/4.   Zeus: King of the Gods is meant to create a regal, but triumphant feel as the finale. I also had fun writing a good portion of this movement pizzicato. Enjoy!

Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.