Flute,Piano - Level 3 - Digital Download SKU: A0.727400 Composed by Sarah Flowers Adams. Arranged by Carol Troutman Wiggins. Christian,Contemporary,Religious,Sacred,Traditional. Score and part. 6 pages. Carol Troutman Wiggins #3507817. Published by Carol Troutman Wiggins (A0.727400). NEARER, MY GOD, TO THEEFlute & Piano DuetNearer, My God, to Thee is a Christian hymn from the 19th century, written by Sarah Flower Adams. The hymn tells the story of Jacob's dream in Genesis 28:11-12. This hymn is also known as the last song the band on RMS Titanic played before the ship sank.Excellent for intermediate level musicians.Great for use as a prelude, offertory, postlude, or funeral.

Cello,Piano - Level 5 - Digital Download SKU: A0.993415 Composed by William H. Doane, Lelia M. Morris. Arranged by Jonathan Simmons. Christian,Contemporary,Sacred. Score and part. 9 pages. Simmons Music #3882967. Published by Simmons Music (A0.993415). This advanced cello solo with piano features the well-know hymns I am Thine, O Lord and Nearer, Still Nearer. The cello part makes use of thumb position.

Organ - Level 2 - Digital Download SKU: A0.1512245 By Markus Dreja. By Lowell Mason (1792-1872). Arranged by Markus Dreja. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 3 pages. Markus Dreja #1087296. Published by Markus Dreja (A0.1512245). Näher, mein Gott, zu dir ist einer der bekanntesten christlichen Choräle. Er basiert auf dem Gedicht Nearer, My God, to Thee der englischen Dichterin Sarah Flower Adams von 1841. Das Gedicht wurde mit verschiedenen Melodien vertont, die bekannteste ist Bethany von Lowell Mason. Der Choral wird vor allem in der englischsprachigen Welt häufig bei Begräbnissen gesungen oder gespielt und spätestens seit dem Film Titanic in aller Munde. Biblischer Hintergrund des Textes ist die Erzählung von Jakobs Traum von der Himmelsleiter im 1. Buch Mose. Jakob hat sich auf einem Stein schlafen gelegt und erfährt durch die Traumvision Stärkung in schwerer Bedrängnis. Er nennt den Ort Bet-El (Bethel), Haus Gottes (Gen 28,10–19 EU).“Näher mein Gott zu dir” is one of the most famous Christian hymns. It is based on the 1841 poem Nearer, My God, to Thee by the English poet Sarah Flower Adams. The poem was set to music with various melodies, the best known being Bethany by Lowell Mason. The chant is often sung or played at funerals, especially in the English-speaking world, and has been on everyone's lips since the film Titanic. The biblical background of the text is the story of Jacob's dream of the ladder to heaven in Genesis. Jacob has gone to sleep on a stone and finds strength in his severe distress through the dream vision. He calls the place Bet-El (Bethel), house of God (Gen 28:10-19 EU).

Flute,Piano - Digital Download SKU: A0.1065587 Composed by Sarah Flowers Adams. Arranged by Carol Troutman Wiggins. Contemporary,Sacred,Standards. Accompaniment. Duration 180. Carol Troutman Wiggins #3507819. Published by Carol Troutman Wiggins (A0.1065587). NEARER, MY GOD, TO THEEFlute & Piano DuetNearer, My God, to Thee is a Christian hymn from the 19th century, written by Sarah Flower Adams. The hymn tells the story of Jacob's dream in Genesis 28:11-12. This hymn is also known as the last song the band on RMS Titanic played before the ship sank.Excellent for intermediate level musicians.Great for use as a prelude, offertory, postlude, or funeral.

Piano Solo - Level 2 - Digital Download SKU: A0.918297 Arranged by Brenda Dillon. Sacred. Score. 3 pages. Dillon's Music Group #6221735. Published by Dillon's Music Group (A0.918297). Nearer, My God, to Thee is a 19th century hymn by Sarah Flower Adams which was allegedly the last song played on the RMS Titanic before the ship sank. The bandmaster of the rescue ship, the RMS Carpathia spoke with survivors who reported they had requested the Titanic bandmaster to play hymns. The hymn they most wanted to hear was Nearer, My God, to Thee.About the composer: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. In addition to her contributions to the RMM Track for MTNA's Pedagogy Saturday, she also presented group piano and RMM sessions throughout the U.S. As well as serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred Music listed on her website. (www.brendadillon.com).

String Orchestra - Level 5 - Digital Download SKU: A0.1518654 Composed by Heather Sorenson, Lowell Mason, and Sarah F. Adams. Arranged by Charles Effiong Otok (C violin). 21st Century,Christian,Classical,Contemporary,Historic. 14 pages. Charles Effiong Otok (C violin). #1092776. Published by Charles Effiong Otok (C violin). (A0.1518654). A detailed Orchestral Arrangement Sheet Music Score of Nearer my God to thee piece in G Major. Written by Sarah F. Adam, Heather Sorenson, Lowell Mason. Here in, a spirit filled and soul lifting arrangement for Strings Orchestra by Charles Effiong Otok (C violin), and with all Instrument parts separately embeded here in the pdf.Mastered for the enjoyment and pleasure of Everyone, be it Professional/ Beginner Musicians or Music Students who wish to have in their hands a Standard Printable Sheet Music Score to this wonderfull piece Nearer my God to thee. See YouTube Video above or below or Press the Watch icon for Sheet music content preview.

Piano,Viola - Digital Download SKU: A0.993418 Composed by William H. Doane, Lelia M. Morris. Arranged by Jonathan Simmons. Christian,Contemporary,Sacred,Standards. Score and part. 8 pages. Simmons Music #5034135. Published by Simmons Music (A0.993418). This intermediate viola solo with piano features the well-known hymns I am Thine, O Lord and Nearer, Still Nearer.

C Instrument - Digital Download SKU: A0.1473344 Composed by Sarah Adams. Arranged by R. Salvario. Folk,Multicultural,Praise & Worship,Sacred,Traditional,World. Lead Sheet / Fake Book. 1 pages. Brambilla-Morris Press #1051157. Published by Brambilla-Morris Press (A0.1473344). Nearer, My God, to Thee (Key of D-Flat Major)This is an arrangement for the song Nearer, My God, to Thee; you will love how it sounds! You will get the score when you download the PDF.

Brass Quartet - Level 3 - Digital Download SKU: A0.1414548 Composed by Chloe Powell. 21st Century,Chamber,Classical,Contemporary. 16 pages. Chloe Powell #996325. Published by Chloe Powell (A0.1414548). Linear Moments is based on the mathematical concept of the same name. The piece takes you through the various aspects of L-moments and their associated concepts. The piece begins with a Sloping melody distributed through each part. It then moves into a chaotic progression which devolves into a volatile state between the flugel and euphonium. The solo flugel is joined by two other flugels to reinforce a sense of order before crashing into discordant uncertainty. This uncertainty is heightened by the entrance of the euphonium for a hectic tonal melody descending into the latter half of the piece. A flugel and trumpet canon emerges to drives the piece into its final quantile region , before progressing into a non-dimensional cadence, leaving the audience with a sense of certainty and order. My Website

Brass Quartet Euphonium,Flugelhorn,Trumpet - Level 3 - Digital Download SKU: A0.1414553 Composed by Chloe Powell. 21st Century,Chamber,Classical,Contemporary. 24 pages. Chloe Powell #996330. Published by Chloe Powell (A0.1414553). Linear Moments is based on the mathematical concept of the same name. The piece takes you through the various aspects of L-moments and their associated concepts. The piece begins with a Sloping melody distributed through each part. It then moves into a chaotic progression which devolves into a volatile state between the flugel and euphonium. The solo flugel is joined by two other flugels to reinforce a sense of order before crashing into discordant uncertainty. This uncertainty is heightened by the entrance of the euphonium for a hectic tonal melody descending into the latter half of the piece. A flugel and trumpet canon emerges to drives the piece into its final quantile region , before progressing into a non-dimensional cadence, leaving the audience with a sense of certainty and order.My Website

String Orchestra - Level 3 - Digital Download SKU: A0.1517572 By Keith Terrett. By Original: Korofo Moussa, 1904 Modern: Fodéba Keïta, 1958. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 9 pages. Keith Terrett #1091734. Published by Keith Terrett (A0.1517572). Korofo Moussa's song:The music of the anthem is derived from a praise song for the late-1800s king of Labé, in Fouta Djallon, Alpha Yaya Diallo (or Alfa Yaya). Alpha Yaya is, along with Wassoulou Empire founder Samory Touré, considered central by Guineans to the foundation of the modern Guinean nation, in part because of his fierce attempts to resist colonisation.In 1904, Alpha Yaya was one of many traditional chiefs and kings summoned to a doctrinal conference with French colonists, who were still in the process of consolidating his territory.The chiefs each brought along a retinue for the journey; in Alpha Yaya's retinue was griot Korofo Moussa, from Kissidougou in the south of the country. Alpha Yaya arrived to the conference on its sixth day, and Korofo Moussa is said to have spontaneously improvised, along with his troupe of dancers and kora players, a praise song for Alpha Yaya after he arrived. The song began with the line Alpha Yaya, Mansa bè Manka (Alpha Yaya, mansas (kings) are not the same). According to Fodéba Isto Keira, former Minister of Youth, Sports and Culture, the performance took place in the building of the modern Directorate of the Judicial Police in the Kaloum sub-prefecture of Conakry.Korofo Moussa's air quickly became popular; it was sung and played by all the griots for the rest of the conference, and within a few days it was known throughout Conakry. Alpha Yaya's personal griot immediately trained to play the song. Upon the return of the kings and their retinues to their regions, it spread throughout the country.Modern anthem:Upon approaching independence in 1958, the lyrics of Korofo Moussa's song were reworked and written in French by artist, choreographer and politician Fodéba Keïta and Jean Cellier for the national anthem of Guinea. Korofo Moussa's melody was retained for the anthem. According to Keira, Keïta used the solfège method when working with the music. Keira stated that the national anthem had to be inspired by something from Fouta Djallon for the sake of avoiding frustrations and preserving national unity.

Pedal Harp - Level 3 - Digital Download SKU: A0.1319588 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 252 pages. A work by Alessandro Palazzani #908147. Published by A work by Alessandro Palazzani (A0.1319588). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp Vol. 4 MISCELLANEAOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.

Piano Solo - Level 4 - Digital Download SKU: A0.1415781 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 6 pages. White Piano International Publishing #993621. Published by White Piano International Publishing (A0.1415781). CHIN JING (I WANT TO BE NEAR YOU) (Original Piano Music) from “CHINA LOVE�Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo6 pagesDuration approximately 4:30CHIN JING (I WANT TO BE NEAR YOU) stands out as the sole composition in the CHINA LOVE album not originating from Singapore. Upon my return to California in 1989, I felt compelled to add one more piece to complete the collection of ten. My aim was to curate an album featuring ten piano compositions in the evocative style of Chinese music, aptly named “CHINA LOVE.�The term CHIN JING, when spoken phonetically in Mandarin with the appropriate accents, translates to I Want To Be Near You. This invented phrase seemed fitting as the title for this particular piece, drawing inspiration from the theme of romantic love prevalent in many traditional Chinese melodies.CHIN JING (I WANT TO BE NEAR YOU) employs open fifths introducing the sostenuto pedal for an echoing effect, followed by a pentatonic melody that infuses the piece with its essence.The sheet music is meticulously notated, providing clear instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.Suitable for advanced intermediate students, professional pianists, and piano instructors alike, this arrangement offers a rewarding musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of CHIN JING (I WANT TO BE NEAR YOU) can be enjoyed on Robert’s “CHINA LOVE� album.For those interested in an EARLY INTERMEDIATE PIANO arrangement of the entire collection TEN MUSICAL THEMES FROM ‘CHINA LOVE  can be obtained through:SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.

Small Ensemble Piano,Trombone - Level 4 - Digital Download SKU: A0.790011 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533751. Published by Diamond S Music (A0.790011). THIS NEARLY WAS MINE from South Pacific. For SOLO TROMBONE AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949  Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at:  https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Small Ensemble Euphonium,Piano - Level 4 - Digital Download SKU: A0.790012 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533753. Published by Diamond S Music (A0.790012). THIS NEARLY WAS MINE from South Pacific. For SOLO EUPHONIUM (or Baritone) AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949  Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at:  https://www.sheetmusicplus.com/publishers/diamond-s-music/6940