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Narrator and organ - intermediate - Digital Download SKU: S9.Q18776 For Narrator and Organ. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q18776. Published by Schott Music - Digital (S9.Q18776). German • English.Der für seine Soundtracks für Film und Fernsehen bekannte Komponist Enjott Schneider (*1950) führt hier durch drei biblische Geschichten. Die Arche Noah, Die Auferweckung des Lazarus und David und Goliath werden eindringlich von einem Erzähler deklamiert und von der Orgel farbenreich illustriert. Eine wirkungsvolle Ergänzung der zeitgenössischen Orgel-Literatur, die mit diesen drei biblischen Geschichten zum dramatischen Storytelling avanciert.
Three Biblical Stories

$15.99 13.51 € PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs  The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
Thérèse Brenet: Sonata for flute and piano
Flûte traversière et Piano

$16.95 14.32 € Flûte traversière et Piano PDF SheetMusicPlus

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
Nevermore
Saxophone

$17.99 15.19 € Saxophone PDF SheetMusicPlus

Recorder - Level 4 - Digital Download SKU: A0.835741 Composed by Paul Burnell, Johann Strauss II. Arranged by Paul Burnell. Contemporary. Recorder Ensemble. 11 pages. Paul Burnell #511029. Published by Paul Burnell (A0.835741). Composed 2015. One of a series of fourteen accompaniments to texts published between 1886-1899. Duration 2:10 approx. For recorder quartet - sopranino, soprano, alto, tenor - and narrator.  Text: 'The Piano-Organ' by Amy Levy (1861 - 1889). The piece may be performed without narrator. Programme note: Amy Levy was a British essayist, poet, and novelist. 'The 'Piano-Organ' was included in her poetry collection 'A London Plane-Tree and Other Verse’ published in 1889, the year of her death. The accompaniment is an distorted version of part of 'An Der Elbe' by Johann Strauss II - published in 1898 one year before his death.
The Piano-Organ, an Accompanied Reading

$1.99 1.68 € PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissance. 6 pages. David Rain, Choral Composer #698441. Published by David Rain, Choral Composer (A0.1094371). “How heavy lies the heart†has drawn inspiration from the traditional French Christmas carol, “Quelle est cette odeur agréableâ€, which John Gay also set as a boisterous drinking song in the Beggar’s Opera, “Fill every glass, for wine inspires us!†The song also draws inspiration from Josquin’s Missa Pange Lingua. I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. Optional endings. Note that choirs have been given the option to choose which of the 3 endings they would like to sing, depending on how they feel the “story line†in the song should best reach its conclusion: (1) The “happy†ending appears to indicate that the narrator has been reunited with the friend or lover who departed. (2) The “less happy†ending plants a seed of doubt that no such reunion has happened; it may be in the narrator’s head. (3) The “even less happy†ending leaves listeners in even more doubt. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. “How heavy lies the heart†seemed to work perfectly as the musical representative of an autumnal spirit.
How heavy lies the heart
Chorale SATB

$2.00 1.69 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Bass Recorder,Viola,Voice - Level 3 - Digital Download SKU: A0.835779 Composed by Paul Burnell. Contemporary. Score and parts. 8 pages. Paul Burnell #3222645. Published by Paul Burnell (A0.835779). Composed 2015.  One of a series of fourteen accompaniments to texts published between 1896 - 1899 For two bass recorders and/or two violas and narrator. Duration 6:00 approx. Text - Dora Sigerson Shorter (1866 - 1918) Dora Sigerson (1866 – 1918) was an Irish poet who, after her marriage in 1895, wrote under the name Dora Sigerson Shorter. 'The Wind on the Hills' appeared in her collection 'Ballads and Poems' published in 1899. The narrator reads the text very slowly and deliberately, beginning each stanza after the instrument grace notes, which coincide with the score rehearsal letters. The 'X' noteheads in the instrument parts indicate air sounds or, if played by viola, a 'white noise' effect produced by bowing the instrument body.Score shows recorders in bass clef up 8.
The Wind on the Hills, an Accompanied Reading

$1.99 1.68 € PDF SheetMusicPlus


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