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Instrumental Solo,Keyboard - Level 4 - Digital Download SKU: A0.1153365 Composed by Joshua Bickford. Arranged by Joshua Bickford. 19th Century,20th Century,Christmas,Classical,Holiday. Individual part. 11 pages. Joshua Bickford #753620. Published by Joshua Bickford (A0.1153365). This is a piano sonata based on the Christmas Carol, We Three Kings. In movement one, the original carol melody is changed to half notes and is turned into a three voice canon. The overall effect of movement one is the feeling of three mystics and their camels journeying in a foreign land. At the very end of movement one is one exact phrase from the original piece. In movement two, the melody is used in retrograde to create new melodic material. It is a slow movement. To me, it is reminiscent of the music of Satie or Chopin. In movement three, the new melodic material is created by taking the original melody and inverting it. In the development section, phrases from the original melody do appear. The last two measures also contain an exact quote from the original melody. It is an upbeat, fast paced movement.
Piano Sonata 5 - The Journey of the Three Mystics
Piano seul

$1.99 1.69 € Piano seul PDF SheetMusicPlus

Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)

$47.95 40.79 € Trompette, Trombone (duo) PDF SheetMusicPlus

Violin and piano - Digital Download SKU: BQ.979-0-50179-707-3 Composed by John Mitchell. This edition: softcover. Bisel New Classics. Score. With Text Language: English / German. Opus 208. 42 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-707-3). ISBN 9790501797073.This Sonata was born in a phase of creative output of the Californian composer, pianist and organist John Mitchell in the year 2011, a period in which he brought forth twelve other large works. It was a phase, that the Hollywood born composer dedicated above all to the creation of chamber music. The son of the concert pianist John Stewart Mitchell and the opera singer and writer Teresa Hideg Mitchell had been composing music already at the early age of sixteen and enjoyed extensive musical studies with Dr. John Vincent at the University of California, Los Angeles. His prolific creative output currently comprises the large number of over 400 songs, sacred music for choir and orchestra as well as five operas. Please refer to the site www.abmenterprises.net for comprehensive and updated information on John Mitchell.
Sonata No. 2 for Violin and Piano, Opus 208
Violon et Piano

$21.95 18.67 € Violon et Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.894468 Composed by Ludwig van Beethoven. Arranged by Jordan Clawson. Romantic Period. Score. 2 pages. Jordan Clawson #4299699. Published by Jordan Clawson (A0.894468). An arrangement of Sonata No. 20, Op. 49, No. 2 - Allegro ma non troppo, by Ludwig van Beethoven. This arrangement is shorter and less technically demanding than the original, meant for pianists who wish to play the movement but may still be working towards the complete original.Thank you for purchasing this arrangement of the song - please leave a review if you have a moment.Jordan Clawson is an ASCAP composer who writes film, instrumental and vocal music. For more information, please visit www.jordanclawson.com and https://www.facebook.com/jordan.clawson, or email jordanclawson@gmail.com.
Sonata No. 20, Op. 49, No. 2 - Allegro ma non troppo
Piano seul

$3.99 3.39 € Piano seul PDF SheetMusicPlus






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