Guitar - Level 2 - Digital Download SKU: A0.1407199 By Brent C Robitaille. By Brent C Robitaille. Arranged by Brent C Robitaille. Celtic,Instructional,Irish,Multicultural,Traditional,World. Guitar Tab. 126 pages. Brent C Robitaille #989892. Published by Brent C Robitaille (A0.1407199). 40 tunes arranged for Resonator Guitar (Dobro-LapSteel) in Open G (GBDGBD) to sink your tone bar into. A good selection of the most popular session tunes, including jigs, reels, hornpipes, waltzes, slip-jigs, and polkas. There are also some excellent exercises to perfect your muting, slide and intonation techniques, major, minor, and modal scales, arpeggios, and valuable tips for playing Celtic music. Audio tracks are available at the author's website (https://brentrobitaille.com), 120 pages.The Resonator Guitar may not be the first instrument that springs to mind when playing Celtic music, but as it turns out, the resonator is an excellent choice despite its challenges. What can be more expressive than a lovely slide and vibrato on a beautiful Celtic Air? The human voice comes to mind, with the resonator a close second with its non-fretted glissandos and steel on steel.

Piano - Digital Download SKU: B8.EB-8935 Urtext. Composed by Eduard Franck. These Six Piano Sonatas op. 40 comprise the first great sonata cycle by Eduard Franck. Composed in a longer period before 1882, the sonatas immediately found a great, in part brilliant reception after publication. Score. 152 pages. Breitkopf and Haertel - Digital #EB-8935. Published by Breitkopf and Haertel - Digital (B8.EB-8935). ISBN 9790004186022. 9 x 12 in inches.So, for instance, the Neue Zeitschrift fur Musik opined on 11 May 1883: Since Beethoven probably few top-ranking composers have brought into being such creations as Eduard Franck. […] Several of them deserved to be performed symphonically, because prevalent in them are dramatic elements […]. Eduard Franck's piano sonatas are perceived in our time as a modest continuation of the classical and romantic piano sonata in line with a recognized and proven model. With op. 40 now appearing, Breitkopf & Hartel begins its edition of Eduard Franck's piano works, thus completing the picture of the romantic piano sonata in the second half of the 19th century.

Choral Choir (SATB) - Digital Download SKU: A0.723707 Composed by Renato Tagliabue. Baroque,Christian,Sacred. Octavo. 4 pages. Renato Tagliabue #2968733. Published by Renato Tagliabue (A0.723707). GLORIA IN EXCELSIS DEO - Chorus on the Giga by CORELLI (From Sonata IX, op. V). Arr. for SATB Choir and OrganCorale di R Tagliabue su Giga di Arcangelo CorelliVisit my website on Youtube: https://www.youtube.com/user/liutebaag?

Drums,Guitar,Piano,Tenor Voice - Digital Download SKU: A0.1069555 Composed by Heraldo Melo dos Santos. Arranged by Heraldo, Willian. Folk,World. Full Performance. Duration 210. Heraldo Melo dos Santos #3060129. Published by Heraldo Melo dos Santos (A0.1069555). NATUREZA AO NATURAL (Heraldo Hadu).

Drums,Guitar,Viola,Violin - Digital Download SKU: A0.1069563 Composed by Heraldo Melo dos Santos. Arranged by Heraldo. Country,World. Full Performance. Duration 210. Heraldo Melo dos Santos #3060665. Published by Heraldo Melo dos Santos (A0.1069563). NATUREZA AO NATURAL versão II.

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.837485 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,Jazz. Score and part. 53 pages. Sonata Grendel Publishing #4346989. Published by Sonata Grendel Publishing (A0.837485). Samuel Detweiler is a superb musician and accomplished saxophonist, equally at home in both jazz and classical idioms. Naturally, I was thrilled when Sam told me of his plans to commission a work that incorporated improvisation in what would otherwise be a neo-classical sonata form. The result is a piece that is technically demanding for most classical saxophonists but also requires a reasonable amount of proficiency in improvisation. Much of classical music is driven by development (the restatement, fragmentation, exploitation, evolution, and eventual transformation of musical ideas). In this sonata much of the development is left to the performer. The first movement is in sonata allegro form with the development being largely improvised. The second movement leaves one entire statement of the form open for improvisation much like any jazz standard. The third movement is a sonata rondo, again, leaving the development section open for improvisation.This 17 minute piece is ideal for college and professional players. You can find information on Brett L. Wery’s music at: http://www.societyofcomposers.org/members/BrettL.Wery/  or follow him on Facebook at: https://www.facebook.com/werymusic/  

Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.534369 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #3395439. Published by Musik Fabrik Music Publishing (A0.534369). I. InventionII. AriosoIII. GigueThe Sonatine for Two Like Saxophones is dedicated to the memory of Germaine Tailleferreand is especially influenced by her Sonata for Solo Clarinet, a work in which she exploredatonal language. It may be played on any two saxophones of the same type (ie two sopranosaxophones in Bb, two baritone saxophones in Eb etc).The work is in three movements. The first, « Invention », uses a strict contrapunctaltreatment of a theme in fourths. The Second, « Arioso », is a slow lyric dance in ¾. TheThird movement, « Gigue », is based on a « hunting horn » motif which also exploits the useof 6/8 superimposed on ¾.

Piano Solo - Level 4 - Digital Download SKU: A0.960655 Composed by Steven Kudlo. Contemporary,Standards. Score. 18 pages. Steven Mark Kudlo #44221. Published by Steven Mark Kudlo (A0.960655). Yet another sonata from the pen of the unjustly neglected composer of the Popular Sonata series. While most in the series are more like sonatinas, the first movement of this attempt is larger by far than the other three movements. It is responsible for the Advanced in the title, because of the difficulty. Nevertheless, the whole sonata reaches pleasure centers maybe not known before. Always tonal, always popular.

Clarinet,Piano - Level 5 - Digital Download SKU: A0.918832 Composed by Celeste Leitch Gates. 20th Century,Chamber,Contemporary,Jazz. Score and part. 47 pages. Celeste Leitch Gates #3425701. Published by Celeste Leitch Gates (A0.918832). This Sonata has equal parts between the clarinet and the piano. It is equally difficult and would be a good recital piece for music majors. It's final movement is full of vivaciousness and makes a great finale. It has been performed many times and each time the audience has received it extremely well. It is filled with mixed meters and hemiolas, the rhythm gives this piece it's cohesiveness from beginning to end. The mp3 is of the composer performing it and unfortunately the person recording it did not get the audience applause at the end which was an immediate enthusiastic standing ovation. An mp3 is available by searching for each movement.  Mvt. 1 is called Sassy, Mvt 2 Reflection, Mvt. 3 Playful all from Sonata for Clarinet and Piano by Celeste Leitch Gates. The clarinet sheet music is sold separately.

Piano,Trombone - Level 3 - Digital Download SKU: A0.1253585 Composed by George Frideric Handel. Arranged by Vern Weygandt. Baroque. Score and part. 18 pages. Vern Weygandt #847233. Published by Vern Weygandt (A0.1253585). Originally composed for recorder and piano, this version of Handel's Sonata in A Minor (Hallenser Sonate Nr.1, HWV 374) was edited and arranged for trombone in the same manner as Keith Brown's edition of Telemann's Sonata in F, originally for bassoon.

Concert Band - Level 5 - Digital Download SKU: A0.872472 Composed by John Smith/F.S. Key. Arranged by James K. Taylor. Folk,Graduation,Patriotic,Standards. Score and parts. 64 pages. James K. Taylor #2852185. Published by James K. Taylor (A0.872472). This advanced version of the NATIONAL ANTHEM has many familiar harmonies and walking bass lines, but I have added a few new musical items I think you will enjoy. For one thing, I put a big emphasis on FLAG WAS SITLL THERE!. You are welcome to use your own percussion parts as the ones I have written (with the exception of the mallets) are pretty much traditional. Instrumentation: picc, flute, oboe, bassoon, clar. 1,2,3, bass clar, alto 1,2, tenor, bari, tpt 1,2,3, horn 1,2,3, trombone 1,2,3, baritone (both TC and BC parts), tuba, mallets, perc (snare, bass drum and crash cym)The MP3 recording was created with the FINALE sounds. Naturally, it does not reproduce MARCATO style unless I input input all quarters as dotted 8ths. Actually, I start the piece CANTABILE and switch to MARCATO at and the rocket's red glare. I never could get the percussion sounds I wanted so I entered the snare roll as individual notes. Thanks.

Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 36 pages. Jmsgu3 #6491011. Published by jmsgu3 (A0.552647). Sonata No. 1 BWV 525, originally for organ, arranged for double reed trio: 1 Oboe, 1 English Horn, 1 Bassoon. Duration: 14:15, Score: 19 pages. In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.

French Horn Duet Horn - Level 4 - Digital Download SKU: A0.552422 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score. 25 pages. Jmsgu3 #6345017. Published by jmsgu3 (A0.552422). Sonata No. 1, K. 555I. LarghettoII. AllegroIII. AndanteIV. AllegroHandel's sonatas hold significant importance in the history of music, particularly in the Baroque era. George Frideric Handel, a prominent composer of the late Baroque period, was renowned for his vocal compositions but also made substantial contributions to instrumental music. His sonatas, including those for violin, oboe, flute, recorder, and other instruments, showcase his form mastery and ability to blend melodic ideas. Handel's sonatas are considered an integral part of the Baroque instrumental repertoire, demonstrating his exceptional skill in composing for various instruments and contributing to the development of instrumental music during his time. The sonatas reflect the stylistic characteristics of the Baroque period and are valued for their musical richness and expressive qualities. Therefore, Handel's sonatas are regarded as significant works that have left a lasting impact on the history of music.

String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552648 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6491581. Published by jmsgu3 (A0.552648). Sonata No. 1 BWV 525, originally for organ, arranged for violin duo & cello.Duration: 14:15, Score: 19 pages In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.

String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552653 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 59 pages. Jmsgu3 #6494883. Published by jmsgu3 (A0.552653). Trio Sonata No. 2 BWV 526, originally for organ, arranged for string trio: violin, viola & cello. Duration: ca. 10:00, Score: 35 pages. J.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.