Piano,Violin - Level 4 - Digital Download SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik International #6208237. Published by Mark O'Connor Musik International (A0.861943). Fiddle Sonata (piano score – violin and piano) MO121APiano Score (violin part available)Music by Mark O’Connor36 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Violin and piano - difficult - Digital Download SKU: S9.Q21004 Composed by Bohuslav Martinu. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q21004. Published by Schott Music - Digital (S9.Q21004). Key: D minor.Von den insgesamt 5 Sonaten für Violine und Klavier waren bisher nur die drei letzten allgemein bekannt. Diese zweite Sonate, aus dem Nachlass, stammt aus dem Jahre 1926, einer kurzen neoklassizistischen Phase des Komponisten, und wurde erst 1963 uraufgeführt. Durch die formale Geschlossenheit und die musikalische Aussage ist diese Sonate den drei bekannten Sonaten völlig ebenbürtig.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1209338 Composed by Johann Sebastian Bach. Arranged by Toni Tudurí Vila. Baroque. 116 pages. Antonio Tuduri #807455. Published by Antonio Tuduri (A0.1209338). There are lot trio formation versions, but I did not find any quartet version.Composed for organ by J.S.Bach, I have composed the viola part and I have arranged the left and right hand parts to make it easier to play on violins or woodwind instruments .All trio sonatas has been arranged in original Key signature except BWV528 that has been transported to G minor in order to make it easier.The pedalier part (cello part) has been changed to lowered to give space for viola part.The viola part has been composed in Bach style contributing rhythm and harmonic wealth to the whole piece.The material in this document is ordered by voices.·         Trio sonata BWV525 in Eb Major for string/woodwind quartet (https://youtu.be/Zt_cBzwkxB0)·         Trio sonata BWV526 in C minor for string/woodwind quartet(https://youtu.be/-n9UUrwblvA)·         Trio sonata BWV527 in D minor for string/woodwind quartet (https://youtu.be/4OuPM3jM9E8)·         Trio sonata BWV528 in G minor for string/woodwind quartet (originally in E minor)(https://youtu.be/IzyfQ7NhTko)·         Trio sonata BWV529 in C Major for string/woodwind quartet (https://youtu.be/6Z3VmVafiec)·         Trio sonata BWV530 in G Major for string/woodwind quartet (https://youtu.be/bSLycDx0G5s) I have really enjoyed this project because If the ingredients have quality, the end result will be very good.How big is Bach !!! ....Enjoy it!!.

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 3 - Digital Download SKU: A0.837773 Composed by William Boyce. Arranged by Spence Bundy. Baroque,Concert. 22 pages. Spencer Bundy #6203531. Published by Spencer Bundy (A0.837773). This is the final Sonata of a set of twelve written in the 'Italian' style. They proved very popular on first publication in 1747 and will still be enjoyed today by both players and the audience.

Concert Band - Level 5 - Digital Download SKU: A0.792736 Composed by Luigi Cherubini. Arranged by Richard Decker. Classical,Romantic Period. Score and parts. 83 pages. Gordon Cherry #6132593. Published by Gordon Cherry (A0.792736). Sonata No. 2 for Horn by Luigi Cherubini was first published in 1804 and is comprised of two movements: a slow introduction, Largo, and a showy technical fast section, Allegro Moderato. The work has two cadenzas that show off the technical side of the instrument. Richard Decker has beautifully arranged this popular solo for Horn and Wind Ensemble or Concert Band.The work is about 6 minutes in length and appropriate for advanced performers.

Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.  

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 3 - Digital Download SKU: A0.837752 Composed by Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Concert. 17 pages. Spencer Bundy #6086793. Published by Spencer Bundy (A0.837752). This lovely Sonata is the eleventh from a set of twelve, Op.1. It will be enjoyed by both the players and the audience.

Concert Band - Digital Download SKU: A0.1083778 Composed by Ludwig van Beethoven. Arranged by James K. Taylor. Classical,Instructional,Romantic Period,Standards,Traditional. Score and parts. 43 pages. James K. Taylor #687979. Published by James K. Taylor (A0.1083778). I arranged this in honor of my college band director, Maurice McAdow, at The University of North Texas. This beautiful piece is known worldwide and will probably last until the end of time. There are many opportunities for expression in Moonlight Sonata. Let the music tell your story. Enjoy.

Concert Band - Level 4 - Digital Download SKU: A0.935333 Composed by Aere Greenway. Contemporary,Romantic Period. Score and parts. 41 pages. Aere R Greenway #6367167. Published by Aere R Greenway (A0.935333). In the mid 1960's, I performed the 3rd movement of my piano sonata at a school assembly, at the time a member of the high school band.  Decades later, I have arranged this piece for concert band, so that a high school band, such as I was then in, can perform it.  It's a lively, martial piece, just over 3 minutes long.

Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861903 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6206173. Published by Mark O'Connor Musik International (A0.861903). Fiddle Sonata Trio (cello part – piano, vln, cel) MO165CCello Part (score and parts available)Music by Mark O’Connor14 pages - 20:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin, cello and piano composed and adapted by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during their prestigious ‘97-’98 chamber music season. The Library was featuring piano in their programming that year therefore requesting O’Connor to compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a national public radio special America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. For inspiration O’Connor used these influences as well as those from the French Canadians. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C.Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO165CCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861902 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6206171. Published by Mark O'Connor Musik International (A0.861902). Fiddle Sonata Trio (violin part – piano, vln, cel) MO165BViolin Part (score and parts available)Music by Mark O’Connor14 pages - 20:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin, cello and piano composed and adapted by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during their prestigious ‘97-’98 chamber music season. The Library was featuring piano in their programming that year therefore requesting O’Connor to compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a national public radio special America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. For inspiration O’Connor used these influences as well as those from the French Canadians. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C.Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO165BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861900 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6206167. Published by Mark O'Connor Musik International (A0.861900). Fiddle Sonata Trio (piano score – piano, vln, cel) MO165APiano Score (parts available)Music by Mark O’Connor45 pages - 20:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue  Fiddle Sonata for violin, cello and piano composed and adapted by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during their prestigious ‘97-’98 chamber music season. The Library was featuring piano in their programming that year therefore requesting O’Connor to compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a national public radio special America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. For inspiration O’Connor used these influences as well as those from the French Canadians. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C.Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO165ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1276825 By Frederic Chopin. By Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Tablature. 2 pages. Darek #868513. Published by Darek (A0.1276825). Funeral March (GUITAR TAB) 3rd Movement from Sonata Op. 3, No. 2 [Frédéric Chopin]Guitar arrangement of Funeral March, 3rd Movement from Sonata Op. 3, No. 2 by Frédéric Chopin. Simplified arrangement for guitarists | Easy arrangement for beginners | Simplified version for guitarists | Simplified guitar TABS | Classical Music | Romantic Period | Intermediate arrangement | Guitar. Included: Sheet Music, Tabulature, Chords and simple YouTube tutorial. Dive into the timeless beauty of classical music with Funeral March, 3rd Movement from Sonata Op. 35 by Frédéric Chopin, now available in beginner-level guitar tablature. This exquisite piece, hailing from the Romantic era, is a perfect introduction for budding guitarists eager to explore the rich tapestry of musical history. Unveil the enchanting melody through a meticulously crafted combination of sheet music, tablature, and chords, allowing you to follow along with ease and confidence. Even if you're new to the guitar, fear not – our beginner-friendly approach ensures a smooth and engaging learning experience. Enhance your journey with a simple and informative YouTube tutorial, walking you through the key techniques and nuances that make this piece so captivating. From the gentle flow of notes to the emotive chords that resonate through the ages, this arrangement encapsulates the essence of the original composition. Discover the joy of playing a piece that has stirred the hearts of countless pianists and musicians, now reimagined for the guitar. Embrace the artistry of Chopin and nurture your passion for music with this exceptional opportunity to learn and master a piece that stands the test of time. Keywords: Funeral March, Sonata Op. 35, Frédéric Chopin, beginner-level guitar tablature, classical music, Romantic era, sheet music, tablature, chords, YouTube tutorial, guitarists, musical history, beginner-friendly, techniques, composition, pianists, musicians.

Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - Digital Download SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour à mort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1445952 Composed by Ludwig van Beethoven. Arranged by Marc Donatelle. 19th Century,Classical,Romantic Period. 99 pages. Marc Donatelle #1025774. Published by Marc Donatelle (A0.1445952). Composed in 1800–1801, around the same time as he completed his First Symphony, the Sonata No. 12 in Ab Major is dedicated to Prince Karl von Lichnowsky, who had been his patron since 1792.It consists of four movements, Andante con variazioni, Scherzo, Marcia Funebre sulla Morte d'un Eroe, and Allegro, Rondo.This technically challenges the brass quintet, but also shows off its elegance and power in the Marcia Funebre.I did leave one variation (Var. 5) out of the first movement Andante, as it did not lend itself well.