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Harp - Level 5 - Digital Download SKU: A0.889432 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. Score. 10 pages. Luis Anjos Teixeira #4736137. Published by Luis Anjos Teixeira (A0.889432). I found this Passacaglia from Bach among some of my own handwritten manuscripts. It is a phenomenal piece. Bach was definitive a great artist, a Genius. Passacaglia is an Italian word. This music form was originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. In this piece we can clearly experience this „Spanish strumming between „Bars 137 and 145. The passacaglia was redefined in the late 1620s by Italian composer Girolamo Frescobaldi, who transformed it into a series of continuous variations over an ostinato bass pattern (which itself may be varied). I added to this piece some interpretation symbols and rearranged it for the harp but every single note was left as it would be found in the original version.  The piece is appropriate for advanced performers. Most of the score is left to the interpretation of the artists involved, particularly the use of fingering.  The piece is difficult but very Human. It requires focused endurance and some practice on certain passages.  Once learned you will also be playing much better.  Feel Free to apply in this piece the Art and technic that expresses entirely your individual skills and taste. Have fun! It is a piece that can be used in many different kinds of situations, from a serious concert hall to a marriage, it is perfect for Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file is the version in D minor for a concert harp, it was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
Passacaglia For Harp
Harpe

$7.55 6.44 € Harpe PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.10507 Native Americans, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10507). The Blue Juniata. n. Published [n.d.] by in n.p. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Native Americans, Love. First line reads Wild rov'd an Indian girl, bright Alfarata, where sweeps the waters of the blue Juniata.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Blue Juniata
Piano, Voix

$5.99 5.11 € Piano, Voix PDF SheetMusicPlus

Piano - Digital Download SKU: LV.9459 Portraits, Folk dancing, Native dress, Castanets. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9459). El Jaler De Jerres. Grand Pas Espagnol. La Gitana. n. Published [n.d.] by F.D. Benteen in Baltimore. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Folk dancing, Native dress, Castanets. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
El Jaler De Jerres. Grand Pas Espagnol. La Gitana
Piano seul

$5.99 5.11 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: LV.9283 Portraits, Folk dancing, Native dress, Castanets. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9283). El Jaler De Jerres. Grand Pas Espagnol. La Gitana. n. Published [n.d.] by f.D. Benteen in Baltimore. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Folk dancing, Native dress, Castanets. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
El Jaler De Jerres. Grand Pas Espagnol. La Gitana
Piano seul

$5.99 5.11 € Piano seul PDF SheetMusicPlus

Cello and string orchestra - Digital Download SKU: S9.Q6932 Composed by Peter Ilyich Tchaikovsky. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. L'Andante cantabile en si majeur et le Nocturne en ré mineur ont probablement été écrits en 1888 à Paris pour le violoncelliste russe Anatole Brandoukoff, ami de Tchaikovski. Downloadable, Study score. Op. 11. Ernst Eulenburg & Co. GmbH - Digital #Q6932. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6932). Key: B major. German • English.This little lyrical and sumptuous gem is based on the famous 2nd movement of his String Quartet No. 1 in D major Op. 11. The arrangement was probably written in Paris in 1888 for his friend, the Russian cellist Anatoly Brandukov. The current edition is based on the edition from the volume of the old Tchaikovsky Complete Edition published by Victor L. Kubacky (1891-1970), a pupil of Brandukov.
Andante cantabile

$7.99 6.81 € PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme.  Bach actually came up with the idea.  In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural.   Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C.   Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony.  The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati.  I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement.  Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin.    It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo.   Both this title and the previous Nocturne are from his SQ15.  But the motivic idea is actually something I stole from his SQ4, third movement.  In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter.   I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4.   It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement.   I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse.   The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz.  That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that  just repeating the same notes.  His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15.  The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad.  The music that follows has nothing to do with DSCH.  Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
SQ15 ... Hommage à DSCH (2021) for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.52 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Flute,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.1350499 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935311. Published by Phil Beaman (A0.1350499). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz flute and trombone
Flûte, Trombone (duo)

$4.99 4.26 € Flûte, Trombone (duo) PDF SheetMusicPlus

B-Flat Clarinet,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349240 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933985. Published by Phil Beaman (A0.1349240). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz clarinet and upright double bass
Clarinette, Contrebasse (duo)

$4.99 4.26 € Clarinette, Contrebasse (duo) PDF SheetMusicPlus

Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1353797 Composed by Anon. Arranged by Phil Beaman. Advent,Christmas,Jazz,Renaissance. 3 pages. Phil Beaman #938566. Published by Phil Beaman (A0.1353797). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  I have chosen 4 of the many historic verses that are more inclusive and general.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published several versions on this site for flute or clarinet solo using various instrumental accompaniments as a duet.)  (Also as a piano solo.)range - melody - 10th, low B to D3 pages score;  3:17 minutes.
O Come, Emmanuel - jazz unison choir and piano
Chorale Unison

$2.50 2.13 € Chorale Unison PDF SheetMusicPlus

B-Flat Clarinet,Bass Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349242 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933987. Published by Phil Beaman (A0.1349242). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz clarinet and electric bass guitar

$4.99 4.26 € PDF SheetMusicPlus

Flute,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1350487 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935296. Published by Phil Beaman (A0.1350487). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz flute and piano
Flûte traversière et Piano

$4.99 4.26 € Flûte traversière et Piano PDF SheetMusicPlus

B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.1349247 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #933992. Published by Phil Beaman (A0.1349247). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz clarinet and euphonium/baritone horn

$4.99 4.26 € PDF SheetMusicPlus

Flute,Instrumental Duet,Marimba - Level 2 - Digital Download SKU: A0.1350511 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935323. Published by Phil Beaman (A0.1350511). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, low A to 4th line D2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz flute and marimba

$4.99 4.26 € PDF SheetMusicPlus

Bass Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350497 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935308. Published by Phil Beaman (A0.1350497). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
O Come, Emmanuel - jazz flute and electric bass guitar

$4.99 4.26 € PDF SheetMusicPlus






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