High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding� (erroneously labeled “simplified� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding� (erroneously labeled “simplified� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding� (erroneously labeled “simplified� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1304309 By NEEDTOBREATHE. By Nathaniel Rinehart and William Rinehart. Arranged by Andrea Markowitz Gantte. 21st Century,A Cappella,Contemporary,Pop,Rock. 9 pages. Andrea Markowitz Gantte #893813. Published by Andrea Markowitz Gantte (A0.1304309). Originally sung by NEEDTOBREATHE. Arranged by Andrea Markowitz Gantte. Looking for a fun, upbeat song that might be new to yourself or your ensemble? This arrangement is extremely accessible for an intermediate level acapella group. It offers a solo opportunity for your high tenor who has that special ability to sing in the rock 'n roll style. This piece is strictly 4-part SATB with a solo/duet. If you need a piece that your group can learn quickly and sing with high energy, this is the piece for you! Enjoy!Song duration: 2:40Interested in this song but need it voiced differently? Simplified?Like this style of arrangement and want a song written specifically and uniquely for your group?Contact me at andreamganttemusic@gmail.com.

Piano Solo - Level 3 - Digital Download SKU: A0.1288410 By Cory Asbury. By Andrew Ripp, Cory Asbury, Ethan Hulse, and Jaren Anderson. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 16 pages. Budaful music #879400. Published by budaful music (A0.1288410). This is a thoughtfully arranged piano solo version of Sparrows. It follows the form of the Cory Asbury recording with a few minor changes (added an intro). This much needed reminder of God's kindness in our lives makes this piece a must in any church prelude or meditation. There are 2 optional endings to this arrangement to help facilitate a variety of timing needs. 3 Keys available, F, G, and Ab. It was arranged in F, so some chords and fingerings might need to be adjusted in the other keys.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.845972 By NEEDTOBREATHE. By Nathaniel Bo Rinehart, Nathaniel Rinehart, William Bear Rinehart, and William Rinehart. Arranged by Kyle Pudenz. Contemporary,Pop,Praise & Worship,Wedding. Score and parts. 52 pages. ViolinVagabond Music #5297799. Published by ViolinVagabond Music (A0.845972). Most folks might tell you that covering a song like this without an acoustic guitar would be impossible.Nay! I say. Impossible is nothing when you have an ambitious group of string players and a thirst for greatness! So I made an interlocking pizzicato part between the 1st & 2nd violin, which re-creates the pulse of the fingerpicking guitar from Needtobreathe's original track. With a little bit of rehearsal, your quartet will soon be sailing through these verses with no need for any assistance from an accompanist.That being said, if your thirst for greatness falls a little short, you can also dial this tune back to easy mode and perform with a guitarist. I have included an acoustic guitar part specifically for this purpose, because I, like you, have done my fair share of wedding gigs where someone calls a tune at the last minute and you have no time (or desire) to waste on a rehearsal.This arrangement uses strum bowing and ghost notes fairly extensively as a means to create rhythmic grooves. If you are unfamiliar with these concepts, I recommend checking out the following series of videos: https://youtu.be/kfX3kxjC93sPerformance time - approximately 4:30Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1366086 By Alicia Domínguez Arcos Sonay. By Alicia Domínguez Arcos. Arranged by Alicia Domínguez Arcos. A Cappella,Classical,Film/TV,Multicultural,Opera,World. 20 pages. Alicia Dominguez #950447. Published by Alicia Dominguez (A0.1366086). Restaurador is a historical opera about the time in which it was restored (in the 19th century it would be called reconquistar, while in the 15th century it was called restoration), taking advantage of the strong internal crises of the Muslim world in the South of Spain. Alfonso de Arcos was part of the restoration of Jimena de la Frontera (Cádiz), the town of Estepona (Málaga), helping many situations in North Africa, Alcazarseguer (Morocco), being mayor of Tarifa and who treasured the idea of situation and who will take Gibraltar, being its first mayor. In his last years he settled in Seville in the Monastery of Santa Maria de las Cuevas in La Cartuja, where he died. In which everything received in this historical period testamentally, his inheritance, was not given to the family, but to all the needy people of Tarifa and Gibraltar, and whoever needed it via the Cartuja monastery itself. This was the case with his entire inheritance for 200 years. Of which the family is very proud.Today Alicia Dominguez Arcos is from the Arcos family, the generational wave of Alfonso de Arcos. And today she is the first of this family branch who by chance was born in the area. Since the familiar roads are found in other Spanish cities.This Restorer for “Ibero-America is sung in choir� with SATBB voices in Spanish and English, with moments and words in both Latin and medieval Castilian. They are fragments of the fourth act of the opera, in which Alfonso de Arcos is already in his last moments, already being mayor of Tarifa, and being the first mayor of Gibraltar, circumstances of the will, situations with the friars in the monastery of the Cartuja as with the trance of his death.Being an important time in the southern area of Spain, specifically in the Campo of the Gibraltar.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1084615 Composed by Alan Bullard. Children,Christmas,Classical. Octavo. 36 pages. Colne Edition / BullardMusic #688801. Published by Colne Edition / BullardMusic (A0.1084615). A seasonable celebration for SATB choir, optional youth choir and narrator, with piano (or brass quintet, or string quintet, score and parts available from www.colneedition.co.uk). Duration c. 25-30 minutes. This 8-movement cantata contrasts the cooking of the Christmas dinner with more reflective Christmas themes, with an opportunity for the audience to join in at the end. Ideal for Christmas concerts. We welcome you to our ‘Feast for Christmas’.  In the first movement, Christmas Welcome, the scene is set: but the key to a successful Christmas dinner is forward planning and in the second movement the Christmas Pudding is prepared in November, on ‘Stir-up Sunday’. In the third movement, Christmas Eve, the early twentieth century poet Robert Bridges looks back, on a frosty evening, from his own time to the very distant past, and considers what Christmas means to him. Then in the fourth movement, our Christmas Feast is prepared, and the Christmas Grace (fifth movement) is not forgotten.  It is of course impolite to sing during the actual Christmas Dinner itself, but towards the end of the meal the peace is rudely interrupted by the sixth movement, Christmas Crackers. The seventh movement, Christmas Spirit, reminds us, in seventeenth-century words, of how we should share our good fortune with those who have need of it, and in the last movement, Christmas Celebration, the audience is invited to join in, with the last verse of the well known ‘We wish you a merry Christmas’ Some separate movements are also available: Christmas Recipe, Festival (Christmas) Grace, and Christmas Celebration. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1418274 By Sandy and Richard Riccardi. By Sandy Riccardi. Arranged by Richard Riccardi. Comedy,Country,Folk,Halloween,Singer/Songwriter. Score. 3 pages. Sandra Riccardi #999830. Published by Sandra Riccardi (A0.1418274). Lyrics by Sandy RiccardiI can't get up to get the doorI can't get out of bedFor I've this cat upon my lapYou'll have to go insteadI need to get my needle point My template and my threadBut I've this cat upon my lapYou'll have to go insteadThe bikes and rakes and shovels Need to go back in the shedBut there's this cat upon my lap You'll have to go insteadThe laundry pile is three miles highThe children must be fedBut I've this cat upon my lap You'll have to go insteadI'm getting ancient old and grayI really should be deadBut there's this cat upon my lapYou'll have to go instead.

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1492124 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Children,Classical,Film/TV,Ragtime. Score. 3 pages. Japan Duo Notes #1068797. Published by Japan Duo Notes (A0.1492124). Title: Golliwogg’s Cakewalk by Claude Debussy – Flute Duet ArrangementDescription:Bring a playful, lively charm to your next performance with this flute duet arrangement of Claude Debussy’s Golliwogg’s Cakewalk. Originally part of Debussy’s Children’s Corner suite, this piece is characterized by its syncopated rhythms and lighthearted, dance-like feel inspired by early ragtime music. Perfectly arranged for two flutes, this duet captures the energetic spirit and whimsical melodies that have made Golliwogg’s Cakewalk a beloved favorite.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 3 pagesThis arrangement allows two flutists to engage in the playful back-and-forth of Debussy’s original work, showcasing its syncopated rhythms, unexpected harmonies, and dynamic character. Ideal for recitals, concerts, or any performance needing a lively, upbeat classical piece.Why Choose This Arrangement?Lively Ragtime Rhythm: Enjoy the syncopated, dance-like rhythm of Debussy’s Golliwogg’s Cakewalk, now arranged for two flutes.Perfect for Fun Performances: Ideal for concerts, recitals, and informal performances where a light and joyful piece is needed.Intermediate to Advanced Challenge: Provides an engaging and fun challenge for intermediate to advanced flutists, with opportunities to showcase both technical skill and expressive playfulness.Infuse your performance with the upbeat energy of Debussy’s Golliwogg’s Cakewalk. This flute duet arrangement preserves the charm and wit of the original while allowing for a fun, dynamic interplay between both flutists.Keywords: Golliwogg’s Cakewalk, Claude Debussy, flute duet, classical music, ragtime, Children’s Corner, intermediate flute music, advanced flute music, lively flute pieces, concert music, recital music, flute sheet music.

Piano Solo - Level 3 - Digital Download SKU: A0.565890 By Sharon Wilson. By Edwin O. Excell, Frederic A. Challinor, George Frederick Root, Philip P. Bliss, Various, and William B. Bradbury. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Folk,Praise & Worship,Sacred,Traditional. Score. 25 pages. Sharon Wilson #6478447. Published by Sharon Wilson (A0.565890). Designed for those times when a short children's song is needed, this collection consists of ten, two-page arrangements, each taking less than 1 minute to perform individually, but many minutes of playing if combined. For added flexibility, each song includes optional repeats for added length. An optional transition to the next song is also included for those songs needing a key change. All 10 of the songs can be played consecutively for a smooth flowing medley many minutes in length. These upbeat arrangements are perfect to have on hand for use during the children's ministry of a worship service such as children's story or offering.  

Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1515589 Composed by Anna Elizabeth Mancl. 21st Century,Contemporary,Contest,Festival. 21 pages. Anna Elizabeth Mancl #1089945. Published by Anna Elizabeth Mancl (A0.1515589). In her debut choral piece, Without Darkness, composer Anna Elizabeth Mancl captures the balance needed of shining sun and cold darkness. This SATB piece allows singers to express the idea of needing the concept of darkness for the bright moments in life to shine even stronger. Suitable for high school singers and adults, Without Darkness uses melodic lines filled in with beautiful harmonies to tell the audience not to fear the dark moments, as things will become bright again. This piece would be a great teachable selection for SEL (Social Emotional Learning), mental health awareness, and is suitable for any season of the year. Empower your singers with this score written for SATB and piano accompaniment that also features a flexible string duet.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818370 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred. 24 pages. Stephen R Dalrymple #6709743. Published by Stephen R Dalrymple (A0.818370). Hope of the World: 11 My Servant, My Chosen Oneoriginal song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Isaiah 42 and Matthew 12.♫ Isaiah 42 describes God’s valued servant. This chosen servant, representing God will patiently and faithfully bring justice to the whole world. His methods, though, will be unusual. He will actually shun popularity. His actions will be characterized by gentleness and compassion for the needy. When many of the leadership of Jesus’ day were obsessed with power and popularity and were often willing to sacrifice the real needs of people to further their agenda, Messiah will have a totally different agenda.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.

Piano Solo - Level 2 - Digital Download SKU: A0.1444308 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. Score. 5 pages. Adrian Gagiu #1024222. Published by Adrian Gagiu (A0.1444308). In 1797-1798, Beethoven sketched a piano sonata in E flat major which remained unfinished, yet its simple, Haydnesque Finale is the most elaborate movement. For this world premiere realization (suggested by Armando Orlandi at the Centro Ricerche Musicali www.lvbeethoven.it and dedicated to them), only completion of harmony was needed, as well as a few editorial choices to delete some unneeded asymetry and to repeat the codetta of the theme in the end with a different, more stable harmonization. Useful for people interested in studying Beethoven's sketches and the evolution of his style, as well as for intermediate piano students. Performing Rights Organization: SOCAN. The mp3 recording was made on a Walter fortepiano (1790). Total duration 6 min.