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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download

SKU: A0.1086631

By Oscar Peterson. By Oscar Peterson. Arranged by Chris Gorman. Jazz,Praise & Worship. Brass Band. 32 pages. Chris Gorman #690839. Published by Chris Gorman (A0.1086631).

The piece was Oscar Peterson’s first major work and written with encouragement from his producer and dear friend Norman Granz. During those initial recording sessions, Granz urged Peterson to create a tune with a “definitive early-blues feelâ€. For inspiration, Peterson drew upon various church renderings of Negro spirituals recalled from his childhood in Montreal. He aimed to maintain the unadorned, yet poignant quality of these early Baptist hymns while composing the beginning chorus of Hymn to Freedom.

Hymn To Freedom
Oscar Peterson
$30.00 28.4 € PDF SheetMusicPlus

Choral Choir (4-Part) - Digital Download

SKU: A0.750714

Composed by Negro Spiritual. Arranged by Brendan Elliget. Christian,Easter,Praise & Worship,Sacred. Octavo. 41 pages. BJE Music #3481749. Published by BJE Music (A0.750714).

This is a lovely arrangement of a beautiful traditional American Folk hymn (Negro Spiritual) and it is very appropriate for a Good Friday service and Easter service as well. The Descant part (flute and/or Trumpet) could be used in the 2nd and last verses. There are also parts for SATB Choir and Piano (not on the score) included in the PDF.

There are parts for full Orchestra, Concert Band or Mixed Ensemble, Keyboards and SATB Choir should work with any combination of these groups.

Listen to the MP3!

Were You There ? - Orchestra and Mixed Ensemble

$15.00 14.2 € PDF SheetMusicPlus

String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - Digital Download

SKU: A0.759962

Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 20 pages. Raymond Fenech #3469998. Published by Raymond Fenech (A0.759962).

Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more

This spiritual song is arranged with an Optional Drum Set and so it could be played without the Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.

Down by the Riverside - String Quintet (2 Violins; 2 Violas; Violoncello and Optional Drum Set)

$7.95 7.53 € PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.759917

Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 24 pages. Raymond Fenech #3453855. Published by Raymond Fenech (A0.759917).

Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more

This spiritual song is arranged for Brass quintet i.e. 2 Trumpets in B Flat, French Horn in F; Trombone/ Euphonium and Tuba and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.  


Down by the Riverside - Brass Quintet ( 2 B Flat Trumpets; Horn in F; Trombone/ Euphonium; Tuba and
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$7.95 7.53 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.759919

Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. 21 pages. Raymond Fenech #3454325. Published by Raymond Fenech (A0.759919).

Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more

This spiritual song is arranged for Saxophone Choir Quintet i.e. Soprano Sax; 2 Alto Sax; Tenor Sax; Baritone Sax and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.  


Down by the Riverside - Saxophone Choir Quintet ( Soprano Sax; 2 Alto sax; Tenor Sax; Baritone Sax
Quintette de Saxophone: 5 saxophones

$7.95 7.53 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Brass Ensemble Horn - Level 4 - Digital Download

SKU: A0.759960

Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 21 pages. Raymond Fenech #3469990. Published by Raymond Fenech (A0.759960).

Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more

This spiritual song is arranged with an Optional Drum Set and so it could be played without the Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.  


Down by the Riverside - 5 Horns in F

$7.95 7.53 € PDF SheetMusicPlus

Woodwind Ensemble Clarinet - Digital Download

SKU: A0.813826

Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826).

Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.

Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.

Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:
  
  I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.

He further explained how Native American music influenced his symphony:

  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.

In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.

Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.

The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.

Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Ensemble de Clarinettes

$15.00 14.2 € Ensemble de Clarinettes PDF SheetMusicPlus


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