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String Ensemble Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1435938 Composed by Wohlfart, Campagnoli, Mazas, Beriot, Cherubini, Dancla, Küchler. Arranged by Violin Friends. Chamber,Children,Classical,Instructional,Traditional. Educational Exercises. 138 pages. Suomi Music #1016106. Published by Suomi Music (A0.1435938). Let's Play Scales for String Ensemble and School OrchestraLET’S PLAY SCALES AS DUETS is a fun collection of scales compiled from some of the most important Violin Method Books written by famous violinist and teachers in France,Germany, Italy and Belgium.Explore the time-honored tradition of violin instruction with this comprehensive assortment of scales, sourced from esteemed violin method books in European violin pedagogy. Let’s Play Scales as Duets offers a curated selection of scale exercises presented in a collaborative duet format.Derived from prominent violin method books of France, Germany, Italy, and Belgium, this book provides a valuable resource for students and educators alike. Each duet is thoughtfully designed to promote intonation, musical phrasing, and listening skills through the shared experience of making music together. Moreover, each scale can be practiced in the classroom but also suits performance, adding versatility to your repertoire.The scales have been carefully selected and arranged from the following publications: Easiest elementary Method for Beginners, Op. 38 by Franz Wohlfart (1875) Méthode de Violin by Jaques Féreol Mazas (1832) Méthode de Violon, Op. 102 by Charles de Bériot (1857) Metodo elementare e progressivo per Violino, Op. 55 di Carlo Dancla (1852) Méthode de Violon by Ferdinand Kuechler (1910) Violin School for Beginners, Op.6 by Otakar Sevcik (1903) Méthode de Violon by Baillot, Rode et Kreutzer (ca.1835) Nouvelle Méthode de la Mécanique progressive du Jeu de Violon by Bartolomeo Campagnoli (1827) SCALES AS DUETS by Violin Friends is available for 2 violins, 2 violas and 2 cellos.Total number of scales: 75Printable pages: 138.
SCALES FOR VIOLIN
Trio à Cordes: violon, alto, violoncelle

$19.99 17.23 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0000831_X Xylophone. Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000831_X. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000831_X). UPC: 038081270258.Syncopated brass and driving percussion open this sparkling concert selection. The rhythmic woodwind melody that enters after the brief introduction is set in the Dorian mode, a tonality that dominates the remainder of the piece. The very prominent percussion section gives way to a more delicate woodblock, triangle and tambourine ostinato that accompanies the light hearted second theme. Trumpets now take over the melody and the style hints at the early Hispanic roots of Chico Hills. A lyrical theme in the original Dorian mode highlights the slower middle section that builds to a dramatic climax before returning to the opening Allegro and a short exciting conclusion.
Chino Hills: Xylophone
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.955719 Composed by Henry Purcell. Arranged by Phil Thrift. Baroque,Contemporary. 19 pages. Phil Thrift #5314603. Published by Phil Thrift (A0.955719). H.P. Takes Five is a cheeky take on Henry Purcell’s famous trumpet tune. Instead of 4/4 time, it’s in 5/4, with a few 7/4 measures thrown in for a bit more fun! Purcell (1659–95) wrote much incidental music for plays and so-called semi-operas performed in London’s theaters, and often included a trumpet tune as a signal for the next act. A trumpet was the only instrument that could be heard above the noise of the audience! This is the wind quintet adaptation of the arrangement originally written for brass quintet. The lead moves around the parts and so this is indicated to make sure that the appropriate line remains prominent. Pay attention to all the tenuto and staccato marks. Make sure that the ff in measures 26, 42, 52, and at the end are as loud as you can get them without overblowing. The fluid lines of the lyrical middle section will test your powers of concentration.
H.P. Takes Five Wind Quintet Edition
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$7.99 6.89 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Bass Recorder,Descant Recorder,Tenor Recorder,Treble Recorder - Level 3 - Digital Download SKU: A0.1428664 Composed by Thomas Tomkins (1572-1656). Arranged by Clive Lane. Classical,Early Music,Renaissance. Recorder Ensemble. 16 pages. Clive Lane #1009500. Published by Clive Lane (A0.1428664). Pavan - Alman - Fantasy for recorder quartet (d/tr/t/b) by Thomas Tomkins.Thomas Tomkins (1572 – 9 June 1656) was a Welsh-born composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school. Tomkins almost certainly studied under William Byrd for a time, for one of his songs bears the inscription: To my ancient, and much reverenced Master, William Byrd.(Wikipedia)Score and parts.
Pavan-Alman-Fantasy for recorder quartet

$2.99 2.58 € PDF SheetMusicPlus

Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1486753 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Samuel Beddard. 20th Century,21st Century,Broadway,Jazz,Musical/Show,Pop. 55 pages. Samuel Beddard #1063820. Published by Samuel Beddard (A0.1486753). Feeling Good for SSAAATTTBBBs Saxophone OrchestraWritten for and dedicated to Phoenix Saxophone Orchestra, UKOriginally written by Bricusse and Newley for the 1964 musical The Roar of Greasepaint, Feeling Good was popularised by Nina Simone in the following year and was later covered by Michael Buble in its most recent release. This arrangement features a prominent solo part (including optional improvisation) for Tenor Saxophone 1, as well as written solos from Soprano Saxophone 1 and Baritone Saxophone 1 intermixed. This is the perfect show piece for any intermediate or advanced saxophone ensemble.Parts:Soprano Saxophone 1 & 2Alto Saxophone 1, 2 & 3Tenor Saxophone 1, 2 & 3Baritone Saxophone 1 & 2Bass Saxophone.
Feeling Good
Michael Buble
$19.99 17.23 € PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Violon et Piano

$32.95 28.4 € Violon et Piano PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: Fantasia CXIII for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 21.5 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.540430 Composed by Johann Sebastian Bach. Arranged by Linda M. Scott. Baroque. Score and parts. 8 pages. Linda M Scott #4286403. Published by Linda M Scott (A0.540430). J. S. Bach, (1685-1750) a prominent organist in his time, was an extremely prolific composer of many works. This arrangement is based on the 3rd Movement of his Pastorale in F for solo organ BWV 590.This well-known organ work, arranged here for three violins and viola, has a beautiful melody that is shared equally amongst all parts. Suitable for advanced students, amateurs, and professionals.
Bach, J.S. - Pastorale in F for Three Violins and Viola
Quatuor à cordes: 2 violons, alto, violoncelle

$5.99 5.16 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano

$32.95 28.4 € PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017135_T4 4th B-flat Trumpet. Composed by Sammy Fain. Arranged by Greg Yasinitsky. Jazz; Swing. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017135_T4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017135_T4). UPC: 038081319520.This up-tempo, swinging version of a great standard features trombones on the melody and a written solo for 1st trombone. There is also a prominent saxophone soli, roaring ensemble chorus and a big ending making this chart an ideal closer for festivals and concerts. Lead trumpet range is to A-flat above the staff. Arranger Greg Yasinitsky is consistently an excellent writer and Secret Love is no exception. (4:38)Closer.
Secret Love: 4th B-flat Trumpet
Trompette (partie séparée)

$3.00 2.59 € Trompette (partie séparée) PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017437_T1 1st B-flat Trumpet. Composed by Chris M. Bernotas. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017437_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017437_T1). UPC: 038081517551.Here they come marching two by two---it's a robot brigade! This dramatic piece for beginning band uses only the first six notes students learn. It is full of meaningful teachable moments that include call-and-response, minor mode, dynamics, and much more. The low brass and low winds play a prominent role throughout and everyone in the band will stay engaged. Students will surely practice this one! (2:25)Concert/Contest; Festival.
March of the Robot Brigade: 1st B-flat Trumpet
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus






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