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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
Wir bauen eine Stadt

$15.99 13.83 € PDF SheetMusicPlus

Woodwind Ensemble Alto Flute,Piccolo - Level 5 - Digital Download SKU: A0.998582 Composed by Gustav Holst. Arranged by Michael Barrera. Romantic Period. 107 pages. Michael Barrera #6345945. Published by Michael Barrera (A0.998582). Https://www.michaelbarreraflute.com/shop/p/planets-mars-flute Program Notes In ancient Roman mythology, Mars was the god of war and the most prominent military god. The planet itself is often referred to as the “Red Planet†due to the reddish hue of its surface. Its two moons Phobos and Deimos, meaning panic and terror respectively, are named after the sons of Mars who would accompany him into battle. The movement is unrelenting and fierce, flaunting the ravaging power of war. Instrumentation 2 Piccolos 6 Flutes 3 Alto Flutes 2 Bass Flutes 1 Contrabass Flute Parts may be doubled with more players as necessary. The contrabass flute part may be omitted if needed.
Holst: The Planets - I. Mars, the Bringer of War | Flute Orchestra

$39.99 34.58 € PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017437_B Bells. Composed by Chris M. Bernotas. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017437_B. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017437_B). UPC: 038081517551.Here they come marching two by two---it's a robot brigade! This dramatic piece for beginning band uses only the first six notes students learn. It is full of meaningful teachable moments that include call-and-response, minor mode, dynamics, and much more. The low brass and low winds play a prominent role throughout and everyone in the band will stay engaged. Students will surely practice this one! (2:25)Concert/Contest; Festival.
March of the Robot Brigade: Bells
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.1502751 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078422. Published by SCORE EDITIONS (A0.1502751). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Flute and Piano by Harry Walker.
Sicilienne (Maria-Theresia von Paradis) for Flute and Piano
Flûte traversière et Piano

$5.99 5.18 € Flûte traversière et Piano PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017437_PC1 1st Percussion. Composed by Chris M. Bernotas. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017437_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017437_PC1). UPC: 038081517551.Here they come marching two by two---it's a robot brigade! This dramatic piece for beginning band uses only the first six notes students learn. It is full of meaningful teachable moments that include call-and-response, minor mode, dynamics, and much more. The low brass and low winds play a prominent role throughout and everyone in the band will stay engaged. Students will surely practice this one! (2:25)Concert/Contest; Festival.
March of the Robot Brigade: 1st Percussion
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792149 Composed by Townsend, Jill. 20th Century,Contemporary,Jazz. Score and parts. 36 pages. Gordon Cherry #3676441. Published by Gordon Cherry (A0.792149). The King’s Trio is a feature for the bass trombone, and was written for prominent Vancouver trombonist Sharman King. The 1st movement opens with a majestic unison theme, as the four trombones announce the arrival of the King. Tea Dance begins with a bass trombone cadenza, and develops into a lyrical representation of an elegant afternoon occasion. The Castle portrays the inner workings of a Royal household, from the bustling to the regal. The trombonists encounter a brief yet playful free section before making their way to the grand finale.The King’s Trio allows the sonority of the bass trombone to be heard while combining elements from the classical, jazz, and 20th century music traditions.
The King’s Trio for Trombone Quartet
Quatuor de cuivres: 4 trombones

$25.00 21.62 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.540411 Composed by Johann Sebastian Bach. Arranged by SheetMusic4Strings. Baroque. Score and parts. 5 pages. Linda M Scott #4284155. Published by Linda M Scott (A0.540411). J. S. Bach, (1685-1750) a prominent organist in his time, was an extremely prolific composer of many works . This is from his Suite No. 5 in E Minor, BWV 810. It is an intermediate baroque trio for violin, viola and ceillo. Ideal for intermediate students, adult amateurs and professionals. This piece is mostly in first position, but there are some rhythmic challenges, and some simple turns.
Bach, J.S. - Sarabande for Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle

$5.99 5.18 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello - Level 1 - Digital Download SKU: A0.1270178 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862608. Published by jmsgu3 (A0.1270178). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century.  It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Cello Trio
Trio à Cordes: 3 violoncelles

$24.95 21.57 € Trio à Cordes: 3 violoncelles PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
Orchestre à Cordes

$32.95 28.49 € Orchestre à Cordes PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0000839_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by John O'Reilly. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0000839_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000839_WPTN1TC). UPC: 038081276182.The title Manzanita refers to the flowering shrubs that grow so abundantly in the high desert and mountain regions of Southern California. The composer, John O'Reilly has spent a considerable amount of time in these mountains where he often composes. The opening fanfare and processional of Manzanita was inspired by the beautiful mountains surrounding the San Gorgonio pass near Palm Springs. An enlarged and very prominent percussion section is featured in the exciting Allegro that brings to mind the Native American tribes that were the first inhabitants of this beautiful and exotic region.
Manzanita: (wp) 1st B-flat Trombone T.C.
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. Clair #4760561. Published by Richard St. Clair (A0.939813). This work, running over 50 minutes performance time, is a dramatic presentation of the Beowulf epic from Medieval England. The action is compelling throughout, with prominent solo and full chorus passages. The Audio Clip presents the complete Overture and highlights from Scene 1 and the battle with Grendel and the joyful conclusion of Scene 4. This work is not intended for stage production, but with imagination it could be presented on stage. Rather, the concept is for concert performance. The Score, 139 pages long, is the complete piano-vocal score.
Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
Chorale SATB

$100.00 86.47 € Chorale SATB PDF SheetMusicPlus






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