Organ - Level 2 - Digital Download SKU: A0.1282049 By Markus Dreja. By Johann Sebastian Bach. Arranged by Markus Dreja. Baroque,Classical,Praise & Worship,Religious,Sacred. Score. 1 pages. Markus Dreja #873401. Published by Markus Dreja (A0.1282049). Herzlich willkommen zu einem meiner Projekte für 2023. Ich komponiere zu bekannten Chorälen und Hymnen leicht zu erlernende Orgelpräludien und -intonationen, die vor, während und nach einem Gottesdienst, aber auch als Vorspiel/Nachspiel zu einem Gemeindelied, vorgetragen werden können. Mir ist es wichtig, dass diese Kompositionen für möglichst viele Organisten spielbar sind. Die neue Reihe geht weiter mit dem Choral Was Gott tut das ist wohlgetan.-----------------------------------------Welcome to one of my projects for 2023. I compose easy-to-learn preludes to well-known chorales and hymns, which can be performed before, during and after a service, but also as a prelude/postlude to a congregational song. It is important to me that these compositions can be played by many organists. The new series continues with the choral Was Gott tut das ist wohlgetan..

For Chorus and Solo Singers. This edition: Sheet music. Einsing-Ubung - Stimmbildung - Vocal-warm-up. Hier kommen gleich 200 Impulse und neue Ideen fur das Einsingen! Und die kreativen Ubungen sind mehr als nur blosses "Warmsingen": Sie helfen beim Lockern des Korpers, schulen das Gehor und trainieren Dynamik und Rhythmusgefuhl. Downloadable. Schott Music - Digital #Q49628. Published by Schott Music - Digital

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1518460 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Historic,Standards,Traditional. 25 pages. Jmsgu3 #1092559. Published by jmsgu3 (A0.1518460). BWV 531, the Prelude and Fugue in C major, is an essential early organ work by Johann Sebastian Bach. Here are some key points about this composition:Composition and ContextIt was written around 1707 when Bach was in Arnstadt, making it one of his earlier organ works. It was composed during Bach's time as a church organist at the Neue Kirche (now called Bachkirche) in Arnstadt.Musical StructurePreludeIt opens with nine measures of solo pedals, featuring a recurring sixteenth-note figure and an unusual pedal trill. The manuals enter with a sixteenth-note figure in measure 10. It contains a 5-measure phrase of diatonic parallel sixths in the manuals with a pedal tone. It concludes with a fast, fantasia-like passage in the right hand, ending in a loud C major chord.FugueThe subject is introduced in the soprano voice and is two measures long, consisting entirely of sixteenth notes. It is also presented in the alto voice (transposed down a fifth) and tenor voice (down a fourth). Notably, the pedals never play the complete subject as initially introduced, only fragments of it.SignificanceThis piece is essential as an early example of Bach's organ writing. It showcases his developing counterpoint skill and ability to create complex, multi-layered compositions. The unusual features, such as the intro's pedal trill and the subject's treatment in the fugue, demonstrate Bach's innovative approach to organ composition even at this early stage in his career.

2 Fl, 2 Ob, 2 Klar, 2 Fg, 2 Hr, 2 Tr - Str. piano and orchestra - difficult - Digital Download SKU: S9.Q7224 Nach Robert Schumann. Neue Ausgabe sämtlicher Werke, Band I/2,1. Composed by Robert Schumann. This edition: score. Downloadable, Score. Op. 54. Duration 30 minutes. Schott Music - Digital #Q7224. Published by Schott Music - Digital (S9.Q7224). Key: A minor.Das Klavier ist auf das feinste mit dem Orchester verwebt. Man kann sich das Eine nicht denken, ohne das andere. [...] Der Pianist ist in diesem Klavierkonzert nicht nur Solist, sondern auch Orchestermusiker, schrieb Clara Schumann nach der Uraufführung. Wie sie und auch alle nachfolgenden Pianisten erfahren mussten, stellte die bis dahin ungewohnt enge Integration des Klaviers ins Orchester gesteigerte Ansprüche an Pianist und Dirigent - weicht doch hier das Kontrastprinzip klassischer Solokonzerte einem Verschmelzungsprinzip. Trotz gewisser, anfänglicher Verständnisschwierigkeiten wurde das Klavierkonzert eines der beliebtesten Stücke romantischer Musik.

2 mixed choirs (SATB/SATB) - difficult - Digital Download SKU: S9.Q5660 De profundis clamavi. Composed by Dieter Schnebel. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 15 minutes. Schott Music - Digital #Q5660. Published by Schott Music - Digital (S9.Q5660). Latin.Motetus II ist - wie Motetus I (SKR 20028) - ein räumlich konzipiertes Stück für zwei Chorgruppen. Im Gegensatz zum hymnischen Motetus I ist Motetus II jedoch ein Klagegesang, in den das De profundis clamavi in mehreren Sprachen (so zumal im hebräischen Urtext), Hilferufe wie Herr erbarme dich!, ebenfalls in mehreren 'heiligen' Sprachen (so als Kyrie eleison), erzählende Passagen aus dem Buch Hiob, aber auch ganz alltägliche Schreie und - archaisch wie modern - Verwünschungen, sogar Flüche eingebaut sind. Komponiert ist in Motetus II nicht so sehr ein einheitlicher, durchziehender Verlauf, als vielmehr eine Reihe prozessualer Ansätze, was einem De profundis angemessen sein mag: Rufe aus der Tiefe kommen kaum in einem Strom, sondern als immer neue Versuche.

Piano - Digital Download SKU: S9.Q2108 School of Studies for the Piano. Composed by Heinz Schuengeler. This edition: Sheet music. Downloadable. Op. 2. Schott Music - Digital #Q2108. Published by Schott Music - Digital (S9.Q2108). German • English • French.Der Neue Weg soll das sein, was sein Titel verspricht: Eine nach modernen Grundsätzen zusammengestellte, alle technischen und musikalischen Probleme berücksichtigende Etüdenschule, die den Schüler mit Sicherheit der Kunst des Klavierspiels entgegenführt. Auf musikalischen Wert der Etüden wurde besonderes Gewicht gelegt, um dem Schüler einen anregenden Lehrstoff zu bieten.

Instrumental Duet Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.917080 Composed by Akihiro Masuda. Arranged by Akihiro Masuda. Concert,Folk,Holiday,World. Score and parts. 2 pages. AKIHIRO MASUDA #4355825. Published by AKIHIRO MASUDA (A0.917080). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Helvetica Neue'; color: #454545} span.s1 {color: #e4af0a} 'Coffee Arpeggio' by Japanese flutist Miho Hokura. Please send me a message if you need a guitar-only sound source. am.chopin@pure.email.ne.jp

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1166789 Composed by Hikaru Utada. Arranged by Mopianic. Pop. Score. 4 pages. Mopianic #767168. Published by Mopianic (A0.1166789). Legend Of The Galactic Heroes: Die Neue These Theme song Tranquility Anly Hiroyuki Sawano Arranged for piano solo intermediate level    Twitter https://twitter.com/MopianicYm.

Violin - Digital Download SKU: S9.Q50476 Schule in zwei Bänden. Composed by Josef Schloder. This edition: method. Downloadable, Textbook. Op. II/3. Edition Hieber - Digital #Q50476. Published by Edition Hieber - Digital (S9.Q50476). German.Seit vielen Jahren ein Standardwerk zum Erlernen des Geigenspiels ab ca. 8 Jahren. Mit ersten Strichübungen und Griffarten auf den einzelnen Saiten fängt es an, über Tonleiterübungen kommen die Schüler zu kleinen Stücken. Mit Originalwerken aus der Weltliteratur werden neue Lerninhalte eingeführt. Die insgesamt 6 Bände führen die Schüler ohne Umwege zielstrebig zu den höheren Weihen des Geigenspiels.

Organ - Level 2 - Digital Download SKU: A0.1310398 By Markus Dreja. By Johann Cruger. Arranged by Markus Dreja. Christian,Praise & Worship,Religious,Spiritual,Wedding. Score. 3 pages. Markus Dreja #899455. Published by Markus Dreja (A0.1310398). Herzlich willkommen zu einem meiner Projekte für 2023. Ich komponiere zu bekannten Chorälen und Hymnen leicht zu erlernende Orgelpräludien und -intonationen, die vor, während und nach einem Gottesdienst, aber auch als Vorspiel/Nachspiel zu einem Gemeindelied, vorgetragen werden können. Mir ist es wichtig, dass diese Kompositionen für möglichst viele Organisten spielbar sind. Die neue Reihe geht weiter mit dem Choral NUN DANKET ALLE GOTT.----------------Welcome to one of my projects for 2023. I compose easy-to-learn preludes to well-known chorales and hymns, which can be performed before, during and after a service, but also as a prelude/postlude to a congregational song. It is important to me that these compositions can be played by many organists. The new series continues with the chorale NOW THANK WE ALL OUR GOD..

Euphonium,Piano - Level 4 - Digital Download SKU: A0.792132 Composed by Leoncavallo, Ruggiero. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 14 pages. Gordon Cherry #3667569. Published by Gordon Cherry (A0.792132). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 8.0px 'Helvetica Neue'} The Serenade and Impromptu by Leoncavallo have been artfully arranged for Euphonium and Piano by Ralph Sauer. They are both originally written for Cello and Piano. These two obscure, yet charming and beautiful Neapolitan songs without words together are about 6-minutes in length. With the use of bass clef and ossia passages, they are playable by even moderately advanced performers.

Piano Solo - Level 5 - Digital Download SKU: A0.1311946 Composed by Rocco Di Pietro. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 25 pages. Rocco Di Pietro #900839. Published by Rocco Di Pietro (A0.1311946). The Left hand plays the note first, while the right hand bounces off the same note in a ricochet.Use the right-forte pedal lightly and constantly, but do not blur, the pedal must be used in accordance with each rubato and phrase, as in Chopin but subtly enough to render Molto Cantabile e Brilliante. Constantly, means up and down frequently, do not hold pedal down, a cluster blur is not desired, in this first part of the score. Later on, pedal markings will indicate a blend of the sound, when  wanted.The first performance was by the composer at The Darmstadt Ferienkurse für Neue Musik in 1978. The work was part of the piano seminar of Herbrt Hencke and was considered unplayable by one pianist.The American premire took place by the composer in 1979 on Julius Eastman's Festival at the The Third Street Music School in New York.The local premiere took place once again by the composer on a Creative Associates concert in Baird Hall at SUNY Buffalo in 1979 on a program of works by Giacinto Scelsi.The Ohio premeire took place in 1995 at the Wexner Center for the Arts at The Ohio State University played by the composer for the last time where it was danced by the Vicki Uris Dance Company.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.597335 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Concert,Easter,Wedding. Score and parts. 19 pages. Flavio Regis Cunha #5722177. Published by Flavio Regis Cunha (A0.597335). The adagio of Brandenburg 1 features an obligato oboe and violino piccolo. They contrast each other, but play the same melody line, albeit simultaneously upon its recapitulation. The bass line picks up the melody, creating a dark tone, competing against the sighing oboes and strings. The hunting horns are silent, waiting to burst out after a climactic final dominant chord. The continuo used is the Neue Bach Ausgabe realization.

Piano Solo - Level 4 - Digital Download SKU: A0.596546 Composed by Juan María Solare. 20th Century,Jazz,Latin,World. Score. 6 pages. Juan Maria Solare #4276305. Published by Juan Maria Solare (A0.596546). Entradora  --  Milonga for solo piano, music by Juan María SolareComposed in Bremen, Germany, from 10 to 13 November 2018. Duration: around 2'15. Premiere by Juan María Solare on 8 January 2019 at the theatre of the university of Bremen (recital Neue -und alte- Innigkeit, New -and old- intimism). Video by the composer in his private Studio: https://www.youtube.com/watch?v=4f89TCd3di8About the title:- First of all, entradora is an adjective that can be applied to a femenine noun. (In Spanish you have different declinations for masculine and femenine adjectives). The masculine version is entrador.- Second, entradora can understood in this context as a substantivized adjective, i.e. a word that is actually an adjective, but is used as if it were a noun, like if I say Now I will play 'Entradora'. (for a scientific explanation check yor favorite English grammar book).- Third, entradora is a wink to Argentine composer Julián Plaza, who used one-word adjectives as title of several of his milongas and tangos, for instance Nocturna, Danzarín, Melancólico, Melancólica, Sensiblero, Nostálgico, Disonante, Dominguera, Expresivo, Futura, Instrumental, Juguetón, Paseandera, Payadora, Solemne, Temperamental - and possibly others that I am not aware of.- And fourth, the meaning of the word entradora in the coloquial Spanish of Argentina is this one: if applied to a person, is someone that easily makes friends, that wins the trust of the people very easily, who is very charming. I applied to an object (or to a melody) it means that it is easy to grasp, that you remember it immediately (as an earworm), that is accessible and uncomplicated. - Oh, there is a fifth point: are you native (or good) English speaker? After all this explanation do you come to an understandable translation of this word, Entradora? If yes, let me know! (http://juanmariasolare.com/contact.html)

Organ - Level 1 - Digital Download SKU: A0.1298352 By Markus Dreja. By Ludwig Bohrmann. Arranged by Markus Dreja. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 3 pages. Markus Dreja #887646. Published by Markus Dreja (A0.1298352). Herzlich willkommen zu einem meiner Projekte für 2023. Ich komponiere zu bekannten Chorälen und Hymnen leicht zu erlernende Orgelpräludien und -intonationen, die vor, während und nach einem Gottesdienst, aber auch als Vorspiel/Nachspiel zu einem Gemeindelied, vorgetragen werden können. Mir ist es wichtig, dass diese Kompositionen für möglichst viele Organisten spielbar sind. Die neue Reihe geht weiter mit dem Choral HERR MEIN LEBEN, ES SEI DEIN -----------------------------Welcome to one of my projects for 2023. I compose easy-to-learn preludes to well-known chorales and hymns, which can be performed before, during and after a service, but also as a prelude/postlude to a congregational song. It is important to me that these compositions can be played by many organists. The new series continues with the chorale TAKE MY LIFE AND LET IT BE..