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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-31E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 44, No. 6: Quand vous serez bien vieille from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.56 € Piano, Voix PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part – two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark O’Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  
String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle
Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No 2 Bluegrass) can be heard on String Quartets No
$15.00 12.82 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-24E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 43, No. 3: Pour boire dessus l’herbe tendre from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.56 € Piano, Voix PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-28E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 44, No. 3: À Marie from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.56 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.575935 Composed by Traditional. Arranged by David Warin Solomons. Folk,Jewish,World. Score and parts. 4 pages. David Warin Solomons #2029227. Published by David Warin Solomons (A0.575935). One of 8 Jewish melodies arranged for clarinet and guitar The arrangement includes a straight version and a version with variations. The complete set is: Reb Itzikel's niggun (Song of Rabbi Ezekiel) for clarinet and guitar Papirossen (Lament of the cheap-cigarette seller) for clarinet and guitar Ve-David yafeh einayim (And David had beautiful eyes) for clarinet and guitar Hora neurim (Dance of Youth) for clarinet and guitar Hora nirkoda (Let's dance the hora) for clarinet and guitar Debka Gilboa (Debka from Gilboa) for clarinet and guitar Ozi v'zimrat yah (The Lord is my strength and song) for clarinet and guitar Bo dodi (Come, my belovèd) for clarinet and guitar The complete set is also available on this site under the title 8 Jewish melodies for clarinet and guitar (complete set) Arrangements for flute and guitar and for guitar trio are also available.
Ozi v'zimrat yah (The Lord is my strength and song) for clarinet and guitar

$3.00 2.56 € PDF SheetMusicPlus

Alto Saxophone - Level 3 - Digital Download SKU: A0.1497993 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 143. Chris-VandenBerg #1074371. Published by Chris-VandenBerg (A0.1497993). Music students love to play duets. Especially when they are accompanied by rousing backing tracks. That's why Chris VandenBerg has created a wealth of wonderful new duets to inspire music schools and music associations. These songs are ideal for musical auditions. Whether as instrumental solos, duets, with or without accompanying backing track.Sheet Musik is available for this Backing Track. Please search for:Loose Blues - Chris VandenBerg - Alto Sax DuetMusikschüler lieben es im Duett zu spielen. Vor allem wenn sie von mitreißenden Playbacks begleitet werden. Deshalb gibt es von Chris VandenBerg eine Fülle wunderschöner, neuer Duette, die im Unterricht an Musikschulen und in Musikvereinen für Begeisterung sorgen. Diese Songs eignen sich hervorragend für musikalische Vorspiele. Ob als Instrumentalsolo, im Duett, mit oder ohne Begleitplayback.Für dieses Playback sind Noten verfügbar. Bitte suchen Sie nach:Loose Blues - Chris VandenBerg - Alto Sax Duethttps://www.chris-vandenberg.de
Loose Blues (Alto Saxophone - Duet | Backing Track)

$5.99 5.12 € PDF SheetMusicPlus

String orchestra SKU: M2.MOS-40064 Composed by Roman Hoffstetter. Corona - Werkreihe fur Kammerorchester. Score. 20 pages. Möseler Verlag #MOS 40064. Published by Möseler Verlag (M2.MOS-40064). ISBN 9790203740643.Die Frage der Autorschaft von Haydns Quartetten op. 3 beschaftigt die Musikwissenschaft seit Mitte des neunzehnten Jahrhunderts. Nahezu alle fuhrenden Haydn-Forscher haben sich zu diesem Thema geaussert. Inzwischen ist man sich weitgehend einig, dass Roman Hoffstetter der Autor ist. Angesichts der Quellenlage ist aber auch diese Erkenntnis nicht unumstosslich, denn es fehlen unanfechtbare Beweise. - Das vorliegende Quartett F-dur (Haydns op. 3,5 bzw. Hob. III:17) ist um 1775 entstanden. Wegen seines volkstumlichen zweiten Satzes, Andante cantabile, ist das Werk auch unter dem Beinamen Serenaden-Quartett oder Quartett mit der Serenade bekannt geworden.
Quartett F-Dur

$17.95 15.34 € PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.855693 Composed by Wolfgang Amadeus Mozart. Arranged by Darren Lloyd. Classical,Concert,Instructional. Score. 9 pages. Darren Lloyd #3057095. Published by Darren Lloyd (A0.855693). '5 mozart duets' have been arranged to challenge intermediate Flute players. The duets focus on developing musicality, listening skills, dynamics, reading and articulations.Darren Lloyd Arrangerthe duets in this book aremeneut k.1 - salzburg, december 1761 - page 1 menuet k. 2 - salzburg, january 1762 - page 2allegro k. 3 salzburg, march 1762 - page 3menuet k. 4 salzburg, may 1762 - page 5menuet k. 5 salzburg, july 1762 - page 6Please check out our new website www.pottshrigleypress.com
5 Mozart duets for Flute
2 Flûtes traversières (duo)

$4.99 4.27 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527745 Composed by Johann Strauss Sr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. 21 pages. Diego Marani #3369355. Published by Diego Marani (A0.527745). Radetzky March, Op. 228, is a march composed by Johann Strauss Sr. and dedicated to Field Marshal Joseph Radetzky von Radetz. First performed on 31 August 1848 in Vienna, it soon became quite popular among regimented marching soldiers. It has been remarked that its tone is more celebratory than martial; Strauss was commissioned to write the piece to commemorate Radetzky's victory at the Battle of Custoza. It is always played as the last piece at the New Year's Concert (Neujahrskonzert) of the Vienna Philharmonic.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
Radetzky March for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$12.99 11.1 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus






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