SKU: A0.887149

Here is a great DAVE MATTHEWS BAND song for your students! Satellite has been carefully arranged for Guitar Ensemble and includes solo violin and electric bass parts for a classic sound! Guitar parts 1, 2, & 4 feature excellent position work and some syncopated rhythms. Guitar part 3 performs the opening riff and continues to play some standard chord forms. Add some excitement to your next Guitar Ensemble rehearsal and to your next Guitar Ensemble performance with the DMB! .

SKU: AX.00-PC-0017381_TMP

UPC: 038081518800.

Take your ensemble on a musical tour of the Caribbean and let them experience the percussive breeze of the islands. This charming Latin piece will certainly engage the audience at your next concert. With a variety of options to bring out the Latin toys, they'll all have fun playing this easy cha-cha style tune. A definite winner for your next performance, with a multicultural flair. (1:30).

SKU: A0.955720

This, the trombone octet adaptation of my trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique, again features all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone (alto) should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. The Witches’ Round Dance, a sort of fugue, comes next, and leads to the dies irae – played in four octaves here, but in this octet version heard together with the Witches’ Round Dance. The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.
This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting nearly 9 min, depending on how fast you take some sections, this piece will require some stamina, but with many sections arranged for two, three or four trombones, every player does get a break. The first part requires a very capable alto trombonist with a good high register.
Player 1 plays alto throughout, player 2 switches between alto and tenor, and parts 7 and 8 are for bass trombone.
Sensible page turns were impossible to incorporate in some of the parts while at the same time not exceeding four pages. So in those parts the players are instructed – during longer breaks – to fetch the next page in good time, which is easily possible if the parts are printed out on separate sheets. Players using tablets won’t have any problems, of course.

SKU: A0.1104621

All the things you are by Oscar Hammerstein Ii and Jerome Kern. Lead Sheet / Fake Book. this score is in F#, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.

SKU: A0.1279514

The third movement from the four movement 'Suite in Sea' written for clarinet and piano by Kara Williams, 'Brew Time March' has been orchestrated for wind ensemble by the composer and has since proven to be a favourite with performers and audiences.
 
We follow a young sailor as they excitedly hear the bugle call to have a break from work (brew time), grab a coffee (brew) and sit on the bow to watch the waves… lost in thoughts, the young sailor unexpectedly hears the sound of work recommencing, and scurries back, making it just in the nick of time… waiting eagerly for next the next call for Brew Time! 
 
Opening with the 'Stand Easy' (break time) bugle call, Brew Time March is full of familiarly-sea-worthy sounds, and is a fun concert march that would be a great addition to any ensemble's library.
 
In the style of a traditional military march, unless otherwise specified, notes should be played slightly detached throughout. Ensure the bass solo has plenty of attitude, and the rhythmic accompanying parts let the melodies breathe. Use a small set of crash cymbals (if parade-style cymbals are not available) - your percussionist will thank you! Also, hit the cymbals together slightly off-centre for zing and dynamic control, and hold the edges of the cymbals against the body to choke the ring where indicated. Keep this march a very steady two-feel throughout; however, feel free to completely stress the upper woodwinds out by going as fast as musically possible where marked at the end :-)
 
Brew Time March runs for around 2:45 and is scored for full wind ensemble; however, it will work without one, some, or all the following parts: piccolo, 4th clarinet, baritone sax, bass clarinet, bassoon, horns in F, and bass trombone.

SKU: A0.976930

Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer. A sad emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.

Award-winning Cuban-American Composer S. Peña Young

https://sabrinapenayoung.wordpress.com/

Contact Young directly at Facebook

FACEBOOK: https://www.facebook.com/newmusiccomposer

LIBERTARIA: THE VIRTUAL OPERA

https://virtualopera.wordpress.com/ 

ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon.

One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.com

WHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLES

Between the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!

Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.

SKU: AX.00-PC-0017443_X

UPC: 038081517650.

Predators of the Deep depicts one's primal inner fears of entering deep water and the awareness that there just may be something lurking below the surface seeking out its next prey. This exciting and programmatic work will captivate the imagination of your audience and students and will make a great starter or finishing piece for your next concert. (2:05)
Concert/Contest.

SKU: A0.1104603

This score is in B, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.

SKU: A0.1213460

Introducing Treading Lightly - a beautiful and mesmerizing Latin clarinet solo that will transport you to a world of rhythm, passion, and melody. This exquisite piece has a catchy and lively melody that will immediately capture your heart and soul.

This sheet music comes with a separate piano accompaniment part that adds depth and richness to the melody. The distinctive blending of the clarinet and the piano creates a beautiful and harmonious sound that will leave your listeners wanting more.

Whether it's for your next performance, teaching or just playing for leisure, Treading Lightly is a wonderful addition to any musician's repertoire. This piece will uplift your spirit and awaken your senses with its sensational, lively, and catchy melody. Order your copy now and get ready to tread lightly towards your next musical journey!

SKU: AX.00-PC-0017381_F1

UPC: 038081518800.

Take your ensemble on a musical tour of the Caribbean and let them experience the percussive breeze of the islands. This charming Latin piece will certainly engage the audience at your next concert. With a variety of options to bring out the Latin toys, they'll all have fun playing this easy cha-cha style tune. A definite winner for your next performance, with a multicultural flair. (1:30).

SKU: A0.1097523

The legendary meme song is coming to your next football game with this fast, upbeat arrangement of Undertale's own hit song. Megalovania.
Impress all the pro gamers in the crowd with this at your next game.